This article engages archival and oral history research to explore the documentation practices of Gays and Lesbians United for Equality (GLUE), a lesbian and gay organization active in Louisville during the 1980s and 1990s, and their effects on the production of an LGBTQ archive by local activist David Williams. I demonstrate one way of considering the rhetoricity of archives by attending to the situated rhetorical production of materials that comprise them, exploring the relationships between GLUE’s motivated production of organizational documents and the material made available to Williams’s archive. Organizationally, GLUE could not directly engage in explicitly political activity, leading to rhetorical decisions about what to include in organizational documents. These rhetorical performances, as circulated in GLUE’s documents, reflect complicated rhetorical strategies of what Jose Estéban Muñoz calls disidentification with politics.

Making Future Matters explores the consequentiality of our scholarly activity through examples that both shed light on and enact complex possibilities of mattering.

What does composing look like in and across digital, networked spaces and the physical spaces our bodies inhabit as we compose? What does multimodal composing look like as we choreograph alphabetic text, images, sound, video, and more? In this project, the authors take on these questions as they capture and share their composing processes across mediums, platforms, localities, and languages.