This essay argues for attention in cultural rhetorics scholarship to stories as effective civic pedagogical tools informed by participatory knowledge-making practices. Drawing on a multiyear “mobile cinema democracy project” based on the physical circulation across Africa, Europe, and North America of a successful African democratic story told in the multi-award-winning documentaryAn African Election, I attend to both the documentary and its larger contextual project, “A Political Safari: An African Adventure in Democracy Building.” I demonstrate the ways that the African storytelling traditions of collaboration upon which this project rests offer us cultural rhetoricians key opportunities to reimagine inclusive knowledgemaking practices in using stories as civic pedagogies. My analysis reveals how such knowledge-making practices might orient our work against the grain of hierarchical, exclusionary, colonial practices and toward decolonial approaches that are truly participatory and inclusive.

As the discipline of rhetoric and composition engages archival studies, we must not only theorize and narrate primary-source research, but also build archival exhibits. Describing our effort to construct a digital exhibit of primary source material relevant to the history of writing instruction at the University of Texas at Austin 1975–1995 (RhetCompUTX, rhetcomputx.dwrl.utexas.edu), we explain how this project speaks to current historiographic debates about the status and the shape of the discipline. We argue that, to make the shift towards an institutional-material perspective, historians and scholars in rhetoric and composition will need to build our own archives of primary-source material, archives that feature four types of items: items relevant to classroom practice, items documenting the institutional circumstances, items recording the disciplinary conversation, and items capturing the political situation. RhetCompUTX not only features all four types of items, but also encourages the user to see the relations among these layers of practice. By describing this exhibit, by summarizing its argument, and by explaining how we described and assembled its items, we encourage other researchers to build similar archival exhibits and to move towards institutional-material historiography.