Describing the incorporation, assessment, and revision of a multimodal project partnership between a first-year writing program and a studio library, this webtext argues for more in-depth partnerships between writing programs and libraries.

The Border Soundscapes Project is based on Schafer's (1977) “World Soundscapes Project,” which made sound a formal subject of research and a fundamental dimension of what it means to “inhabit” the world in a “universal” composition in which we all participate. Through this study, we embark on a search for a border sound identity—a polyphonous representation of who border residents are, how we coexist, and how we clash in spite and because of being a border community.

This webtext reports on research conducted at Brigham Young University in the summer of 2017 about source evaluation methods used by first-year writing students. Librarians used several methods to study how students rate online source reliability including voice recordings, screen recordings, and open response tests. This webtext provides a visual landscape of how students interacted with the articles we asked them to evaluate.

[F]or composition teachers who hope to utilize social media to support student writing, recognition of the rhetorical potential of students’ use of multiple social sites—as active users of not just Facebook, but also Instagram, Twitter, Pinterest, Tumblr, and others—emerges as a necessary prerequisite to meeting student expertise in rhetoric.

This piece, created at the Digital Media and Composition Institute in June 2012, is a multimodal attempt to capture and compare both the physical and conceptual movement involved in dance and writing. The project is my first step towards exploring the non-linear nature of composition as expressed in the movement of the body and of the mind.

Our experiences in English 696e: Spatial and Visual Rhetorics culminated in a semester project that included large-scale installation projects and mini-workshops. This semester project was anevent—titled svr2—that we hosted for our local community, particularly targeting an audience of first-year composition instructors who would be teaching visual and spatial analysis to undergraduate students as part of the University of Arizona's first-year composition curriculum.

Rather than introducing a pre-exisiting game into the learning spaces, gamification adds elements of games into educational (or other) spaces. After a brief exploration of the debates surrounding "gamification," we present two successful uses of gamification:C's the Day, a game run as part of the Conference on College Composition and Communication andFYC's the Day, a spinoff from the conference game that was used as part of FYC instructor orientation at the University of South Florida.

The purpose of this project was to explore and document one approach for integrating social media--Facebook, really--into freshman writing. The assignment using Facebook was first given in 2006 and twice more through 2009. Our report on the project takes the form of a network; the content is distributed across the wall, info, and notes sections of the narrator profile, The Facebook Papers, as well as across the pages of all of the authors.

The Converging Literacies Center (CLiC) is a deeply integrated model for writing programs, bringing together the writing center, first-year writing, basic writing, professional development activities, graduate coursework, and research activities to re-imagine and support twenty-first-century literacies. What is unique about CLiC is not merely the extent of this integration but the non-traditional populations from which research and best practices emerge: The vast majority of our undergraduates are first-generation college students.This webtext discusses the need for programs like this one as well as the specific steps we have taken to develop CLiC (and why). It includes video, audio, web, and text-based media elements.

This webtext describes a pilot course that united four first-year composition courses around shared readings and online discussion addressing the physical and virtual university. The goal of the pilot was to foster previously impossible student interactions by exploring how discrete discussion roles shaped interaction and reputations among students.Ultimately, we wanted to provide a structured environment that facilitated independent student investigation and exchange. We hope that this research testifies to the fact that forums are not naturally pedagogically sound; rather, fostering meaningful digital encounters requires careful and thoughtful pedaogical planning.