In our information age, written communication has become increasingly important in many professions. As a result, university faculty and administrators need to develop specific curricula and pedagogies that will facilitate the process of equipping students with the required writing knowledge and skills to meet the demands of their workplace environments. In this article, we argue that Writing Across the Professions (WAP) as a curricular model meets that requirement, particularly in Work-Integrated Learning (WIL) contexts, which we believe are conducive to fostering writing transfer in university students. WAP foregrounds the importance of writing in workplace contexts and aims to facilitate the transfer of students’ knowledge and practices by focusing on rhetorical genre theory and analysis, discourse community theory and analysis, providing engaged feedback on students’ writing, and inviting students to critically reflect on their previous and current writing knowledge and practices. In this article, we propose four conceptual foundations that university faculty and administrators can utilize to implement WAP programs at their institutions. The first concept is that professional (writing) knowledge and practices are contextual and require lifelong learning; WIL faculty and students thus need to be informed about what is involved in learning to write across professions. Secondly, as the transfer of professional (writing) knowledge and practices goes beyond disciplinary boundaries, both faculty and students need to build contextual awareness. Thirdly, as problem-solving is an integral part of writing in the professions, faculty and students need to engage in critical reflection. Finally, professional (writing) knowledge and practices impact identities and therefore require mentoring. In outlining these shared concepts from WIL and writing transfer research, this article offers examples of how they can inform curricular approaches and pedagogical practices in WAP.

This study explores teacher perspectives and beliefs on writing instruction in the Swedish Language Introduction Program (LI) through interviews with six teachers in Swedish as a second language. The study was guided by the following research questions: How do the teachers construct the students discursively, including the students’ educational background and prior knowledge? How do the teachers frame writing instruction, as evident by their discourses? LI is an upper secondary school program framed for newly arrived students, 15 to 18 years old, who need to qualify for mainstream programs by attaining the goals of compulsory school year 9. The study is framed within theory on second language writing instruction and teachers’ beliefs. The teachers’ discourses of writing instruction were analyzed against theory on second language writing instruction, genre pedagogy, and practices of care, and related to the teachers’ discursive constructions of the group of students as vulnerable and heterogeneous. All teachers exploited genre pedagogy, with its emancipatory aims, to enable access to the genres of schooling. The teachers’ expressed aims were directed toward long-term goals, such as employability and democratic participation. The teachers were firmly based in both theory and experience, which the demanding context seemed to require. In spite of indisputable challenges, the teachers conveyed a sense of belief in the possibilities of teaching.

Given the rise in business and technical writing (BTW) courses in writing programs and English departments, there is a need to develop not only a pedagogy for BTW but one that considers BTW’s institutional context. Context is a problematic focus for pedagogy, as we have seen in recent scholarship on student writing, theory of genre, and transferability of skills to other academic disciplines. That scholarship views the uncertain and unclear contexts of academic composition courses and their genres as preventing the full student understanding of genre that is needed for students to develop transferable writing skills. The continuation of that scholarship into BTW regards the instruction of BTW, as inside academia rather than within the workplace, as suffering from similar concerns with context. Rather than viewing BTW as downstream from or supplemental to composition instruction, this article argues that we should examine the genres of BTW as unique in their contingency to the writing process and yet just as able to pursue the goals of composition instruction and liberal arts education as first-year composition (FYC) courses. By focusing on the reader of BTW genres as determinant in the contingency of the writing situation, we see BTW as less problematic than FYC in its support of key composition goals such as the creation of original arguments and effective management of supporting materials. The awareness of readership and argumentation allows for a pedagogy supportive of contingent and part-time faculty as well as full-time composition faculty regardless of their respective professional experience.

Medical students who are learning English as a foreign language (EFL) need to master the ability to write professional reports. Several studies have focused on professional writing in the context of English as a second language (ESL) with advanced learners, but lower-intermediate EFL learners have yet to be examined. This study aimed to implement an exemplar-based genre instruction programme to examine its effectiveness in terms of improving Saudi EFL learners’ ability to write patient reports. The study consisted of two phases: analysis of the moves/steps of patient reports and exemplar-based genre instruction. First, the moves/steps in 30 authentic patient reports were analysed to build the framework which was then compared to another framework based on the work of Bench et al. (2014). Second, an exemplar-based genre instruction programme was implemented over six weeks with 36 EFL Saudi medical learners, and the outcomes were evaluated. The findings revealed that increased genre awareness improved the quality of learners’ writing, particularly their grammar and vocabulary. Teachers of English for specific purposes (ESP) may need to focus on increasing learners’ awareness of the medical-report genre’s lexico-grammatical features in addition to its moves.

This study addresses the question of how different aspects of students’ writing achievement can be recognised and evaluated. We developed a linguistically based framework for criteria-based assessment, anchored in a functional view of language and language learning. The framework was used to determine what traits characterise texts at different Proficiency Groups based on comparative judgement and what traits characterise texts assessed differently. Altogether, 100 texts (written by students ages 6–9) representing four text genres were assessed and ranked using both comparative judgement (holistic assessment) and criteria-based analysis. The results indicate that texts generally are assessed as stronger (i.e., placed in a higher Proficiency Group) when comparative judgement is used than what the assessment of a specific language resource indicates. The results also indicate that assessment differences might be a result of different quality expectations for different genres. This points towards the need for genre- and subject-specific assessment criteria to scaffold students in their emergent disciplinary writing development.

Students face multiple challenges when transitioning from high school to college writing, with new content, audiences, genres, and task expectations. Psychometric researchers have shown that self-efficacy, competency, and affective factors can help or hinder students during this transition, but little previous research examines what students themselves say about their writing and writing experiences. This study analyses the content of 248 essays from first-year composition writers who discussed their writing identities, processes, products, and journeys. Our findings show differences between writers who view themselves positively and negatively. Instructors can use this information to design meaningful prompts, utilize process writing activities, and engage students in meaningful reflection.

Culture in second language (L2) writing has been researched extensively, though mostly under the purview of contrastive rhetoric and focused on text and contrastive genre analysis (Connor, 1996, 2004, 2008; Kaplan, 2005). Research has also focused on problematizing culture in reference to L2 writing (Atkinson, 1999, 2003; Kubota, 1999). These foci indicate reader-instructor rather than student perspectives: how L2 writers themselves perceive cultural impacts on writing. This study undertakes to fill this gap, investigating L2 student perceptions of such impacts. Study participants (n = 36), students in an English for Academic Purposes (EAP) writing course at a Canadian university, took part in semistructured interviews and reflective writing. Data analysis identified six broad categories of cultural factors affecting student writing: (1) organizational structure as a fixed method; (2) supporting and writing arguments; (3) creating a stronger voice in writing; (4) adjusting to a new academic culture; (5) understanding clarity in academic writing in English; and (6) developing content: quality versus quantity. Findings underscore student perceptions of a monolithic, essentialist view of culture in academic writing. This is an important consideration when designing a student-centred L2 writing pedagogy that addresses student needs. Based on the findings, the article further explores implications for L2 writing instruction.

In response to increasing interest in Vygotskian sociocultural theory in second-language learning (Lantolf and Thorne, 2006; Swain, Kinnear, and Steinman, 2015) and the call for understanding language-learning processes in relation to contexts surrounding individuals (e.g., Polio and Williams, 2009; Ferris and Hedgcock, 2014), this study adopts a sociocultural approach – more specifically, an activity theory (Leont’ev, 1981) framework – to explore an undergraduate student’s approach to L2 writing in a preparatory writing course. Using a single case study design (Duff, 2014), I investigated how a student from China learned to write academic papers that met the academic norms in an English as a second language (ESL) writing class in an American university. Specifically, I analyzed how his writing activity aligned with his instructor’s proposed approach to a writing task. Through the analysis of course materials, the participant’s written work, observations, email communications, and interviews, I tracked how his agency (Bhowmik, 2016; Casanave, 2012; Lee, 2008; Saenkhum, 2016) as a writer developed over his first semester in the ESL program. Findings indicate that while the participant did not follow the operations assigned by the instructor, he acted strategically to accomplish selected parts of his writing assignments. His mediated actions were driven by his goals and motives that were understood from within his social and cultural environments, and interacted with each other in a dynamic and constructive manner. Overall, the study underscores the need for flexible approaches to writing instruction and the usefulness of employing activity theory as a framework in studying L2 writing processes.

Providing comments on student writing is one of the most important, difficult, and time-consuming activities instructors undertake. Many studies have examined written feedback, and much research has shown the problems associated with this form, ranging from time spent providing thoughtful feedback to students’ confusion about the commentary. Some instructors have used audio commentary to address these issues. Audio commentary has been researched for years; the results have indicated that students prefer audio commentary, and it is perceived as more personal and positive by instructors and students. To date, little research has looked closely at audio commentary to understand if or how it might differ from written in form and function. This research uses as multicase approach and genre analysis to examine the organisational moves and discourse analysis uncover why audio commentary is perceived differently by both producers and consumers of this genre. Results show that audio commentary does not differ in form or function from its written counterpart, but metadiscursive features may play a role in how the genre is perceived by both instructors and students, providing real evidence of how audio commentary is different from written.

Research conceptualization is challenging for doctoral and master’s writers, particularly multilingual students engaging in thesis writing or writing for publication. In doctoral and master’s student writing, research conceptualization appears in three genres: problem statements, research proposals and introduction sections or chapters. Swale’s (1990; Feak and Swales, 2011) CARS model is most often used to analyze conceptualization in these genres. While very useful as an analytical tool, the CARS model does not translate well to pedagogy. I argue that Merriam’s (2009) problem/purpose statement and questions (PPS&Q) format provides a flexible and accessible technique to make the process of research conceptualization visible and to help students focus their research throughout the writing process. Navigating problem formulation and gap spotting requires highly complex literacies and Merriam’s method allows students to begin simply and build complexity. While genre visibility provides a way for doctoral and master’s students to access high-level literacies demands, it can also be formulaic and constraining and needs to be taught with critical awareness.

The purpose of this study was to explore writing in sixth-grade textbooks in Japan and the affordances of contemporary everyday texts to be used alongside textbooks as mentor texts for writing. Mentor texts are often used in writing instruction; however, their affordances have not been well-researched. Considering that Japanese teachers modify textbook lessons with other materials, we sought out everyday adult and children’s texts found in newsstands, bookstores, convenience stores, internet sources, and libraries that shared some features with textbook genres of writing. Textbook lessons and everyday texts were analyzed using concepts from social semiotics to discover their organization, producer, user, design, layout and multimodal elements. The affordances of textbook lessons and everyday texts functioning as material resources are developed in this paper through three focal genres, poetry, informative, and persuasive writing.

How might explicitly prompting graduate students to self-regulate intervene in their development of writing knowledge and practices across multiple semesters? This study takes a close look at how prompted self-reflection on writing intervenes in a graduate student’s development of self-regulation and genre knowledge as he transitions from MA to PhD program in rhetoric. We present the case of one graduate student, ‘Eric,’ who was explicitly taught conventions and strategies for writing and prompted to reflect on writing projects over several semesters using an in-process protocol. Aligning data from in-process protocols, interviews, and drafts of Eric’s writing, we construct a fine-grained narrative that shows a complex and recursive relationship among Eric’s development of knowledge about academic genres, self regulation practices, and sense of scholarly identity. This narrative raises questions about how genre knowledge and self-regulation inform each other in graduate-level writing, and it offers an example of a self-regulation intervention that may help graduate students develop specialized ways of writing.

This paper aims to investigate the effectiveness of Halliday’s Sydney School genrebased approach in teaching Chinese written composition to South Asian ethnic minority students in Hong Kong. Chinese language, with its heightened status in Hong Kong, holds a key for South Asians with low socio-economic status to obtain upward mobility (Shum, Gao, Tsung, and Ki, 2011). However, South Asian ethnic minority students, as a disadvantaged group of second language learners, lack sufficient parental and institutional support in Chinese language learning. The genrebased pedagogy derived from Halliday’s Systemic Functional Linguistics (SFL) was applied in this study to improve Chinese language performance of South Asian ethnic minority students for a better chance to participate in mainstream society. The SFL approach is primarily concerned with language choice in social situations and has been widely applied in sociolinguistics (Hyland, 2007, 2012). Its latest model in language teaching methodology, the ’Reading to Learn, Learning to Write’ (R2L) pedagogy, is a genre-based teaching strategy which is designed to guide students to experience different levels of language through extensive classroom reading and writing activities with selected texts. The current study is intended to extend the approach to teaching and learning Chinese as a second language. The employment of genre-based pedagogy aims to support South Asian students with their learning of Chinese written composition in the senior secondary curriculum. The Chinese teachers involved were first provided with appropriate training in the genre-based approach to language teaching focusing on the genres of Narration and Explanation. Research data were collected while the teachers began to use theand Explanation. Research data were collected while the teachers began to use the and Explanation. Research data were collected while the teachers began to use the genre-based teaching approach, by means of pre- and post-tests after and before genre instruction. Text analysis based on SFL was then employed to analyze the students’ written composition in both pre- and post-tests in order to understand the effectiveness of the genre-based pedagogy in teaching Chinese as a second language. The finding shows that the students at the high, medium, and low levels improved both in the construction of schematic structure and the variation of lexicogrammatical choices from the whole-text, sentence and word levels respectively in their writing performance. Hopefully, the findings will help curriculum development and teacher education for teaching Chinese as a second language to non-Chinese speaking students in Hong Kong and beyond.

This paper describes developmental writing paths within a Colombian major in Industrial Engineering. The accounts were created through retrospective descriptions of students' writing experiences collected by a qualitative survey and analyzing writing samples. The study shows that writing throughout the major embraces diverse functions (Writing to learn; Writing to apply content knowledge; Writing to research; Writing to communicate ideas), and traces diverse developmental paths (Writing for innovation; Lab writing; Writing for company analysis; Writing for conducting a senior thesis). This analysis also reveals that different types of problems (improving profits in companies or creating new devices) can be treated through different types of genres (research proposals in companies and projects of innovation), despite the fact that the same label (report) is being used by participants to group writing experiences. One of the writing functions in the major that seems overtly identified by the students is conducting a senior thesis. Since there are other writing functions present across the curriculum, further studies and pedagogical debates with faculty members are necessary to define what writing developmental paths are expected from the students and how many curriculum projects (that include explicit teaching on theories of disciplinary writing and genre knowledge) across the curriculum should be undertaken.

Perhaps one challenge facing postgraduate students is the writing of essays responding to a specific reading assignment. Such an essay requires students not only to summarize, but to engage in a discussion of the significant points of the article, pointing out its strengths as well as its weaknesses. This paper presents the results of an investigation on criticality in written assignments of postgraduate students in applied linguistics and TESOL. It will discuss: How 'critical' are students when writing their assignments?  What kind of 'critical' comments are they able to offer? Seventy assignments in the form of essays were analysed, using corpora from three universities in Asia (2010-2014). The investigation adopted a combination of quantitative and qualitative content analysis. In the quantitative phase, the commenting or critiquing sentences were identified and counted vis-à-vis reporting/summarizing information. In the qualitative phase, the critiquing or commenting parts were further analysed, and identified according to their functions or 'moves'. The initial findings from the investigation include: (1) the almost equal proportion of commenting/critiquing and summarizing/reporting information in the assignments; (2) the identification of four broad functions for the commenting or critiquing information adopted by students, each of which has a number of possible specific 'moves' or categories; (3) presence of critique 'nodes' as distinguished from 'support' comments; and (4) the identification of at least four moves as the most recurrent and possibly obligatory categories. This investigation has unearthed issues that are definitely worth investigating as extensions of this research, and will be of interest (most especially) to genre analysts and teachers of writing. Most of all, it will be of interest to postgraduate students in applied linguistics/TESOL programmes who may be wondering about the level of criticality they exhibit when writing assignments for their courses.

This paper aims to investigate how novice EFL writers develop their genre awareness and rhetorical flexibility in a genre-based writing course that incorporates two distinct types of genres (essay and journal writing) for practice simultaneously. Three sets of qualitative and quantitative data were collected: surveys, reflection papers from 40 students, and semi-structured interviews with eight students. Descriptive statistical analysis provides an overview on students' perceptions on the two types of genres and the distinct pedagogies. Qualitative data gathered from the in-depth interviews were used to understand how learners intermingle between two distinct writing pedagogies and what the perceived impact is on students' subsequent functional writing practice. In order to explore how students developed their genre awareness (cognitive) and rhetorical flexibility (metacognitive), we draw on Grabe and Kaplan's (1996) notion of ethnography of writing: (1) the purpose of a certain genre; (2) the criteria for writing; (3) audience; and (4) their goals/expectations. The findings show that most learners attached different benefits to these two genre-based instructions, enabling them to recontextualize their writing performance when necessary. Pedagogically, this study provides alternative pedagogies to the most commonly seen dilemma for L2 writing instruction. Theoretically, this research demonstrates how contested pedagogies can be complementary to enhance our understanding of to what extent cross-genre awareness can be raised and transformed through distinct genre-based practices.

Writing about historical change involves advancing causal explanations that show how events impact people and how their emotions contribute to historical outcomes such as wars and revolutions. This study uses Martin and White's (2005) Appraisal framework to examine how the language of emotion (Affect), an overlooked feature of historical discourse, is used by L2 writers of an under-examined genre, the Factorial Explanation. The study was conducted in a content-based, politicalhistory course for 63 upper-intermediate learners of English at a Japanese university. Results show that while writers made extensive use of the Affect categories Positive Inclination and Negative Satisfaction, which were often realized as adjectives and verbs, nominal formulations for building cohesion were infrequent. Writers also tended to intensify Affect resources by construing feelings as static attributes rather than destabilizing forces of change. The paper makes recommendations for teaching genre-specific language features to aid learners in construing the emotion of history.

Collaborative writing is one of the twenty-first century writing competencies critical for college and career success. Technology-enhanced writing platforms, such as Google Docs, can serve as effective media for written collaboration. Although cloudbased tools such as Google Docs are increasingly used in secondary schools, little is known about how students collaboratively write in these environments, including how feedback sources and types of tasks affect collaborative writing patterns. This study examined the content of feedback and revision in 424 Google Docs written by 145 sixth grade students to understand the variations in feedback and revision patterns across key contextual factors: the source of feedback (i.e., teacher vs. peer) and assigned task type (i.e., argumentative, narrative, report). We conducted a qualitative content analysis of feedback and revision, followed by Chi-square and ANCOVA analyses. With regards to variations across feedback sources, we found that teacher feedback addressed more macro-level features (e.g., content, organization) whereas student feedback focused more on micro-level features (e.g., mechanics, conventions), and neither teacher nor peer feedback led to subsequent revisions. With regards to variations across task types, we found that among the three writing genres, the narrative genre had the greatest number of coauthors and feedback activities, and most of these activities consisted of affective feedback or direct edits. In contrast, in the report genre, the feedback activities tended to focus on content and organization, and the language functions of both feedback (e.g., advice, explanation) and revision (e.g., acknowledging, clarifying) were most evident in the report genre. We discuss the implications of these findings for the design and implementation of technology-based collaborative writing tasks in academic settings, as well as the limitations and directions for future studies.

As technology has made a range of modes of communication available and created new ways to integrate these modes, feedback has become increasingly electronic and multimodal. From written to audio, video, and screencast feedback, the multimodal options for electronic feedback (e-feedback) have expanded in such a way that we might speak of a ‘multimodal turn’ in feedback on foreign and second language writing. However, feedback studies on second language writing are just beginning to explore these complex areas. This essay offers a multimodal perspective on e-feedback by illustrating the scope of current research and highlights future research directions. The retrospective underscores the scarcity of research in the area with a specific focus on multimodality and identifies needs for speciality feedback systems that consider practical and contextualized perspectives. We argue that future research should strive for a context-rich description of e-feedback activities, gathering thick data about feedback provision, learner engagement with feedback and uptake through screencasting, eye-tracking, and keystroke logging technologies. These data should be triangulated with information about all factors impacting the feedback activity outcome, ranging from participant variables over modal affordances of the platforms used to environmental factors like institutional support.

This article addresses the challenge of writing instruction in a standards-based environment where students are accountable for mastering different genres and text types. The Common Core State Standards (CCSS), now adopted by the majority of states in the USA, provide exemplars of successful papers in the different disciplines, but offer no guidelines for teaching, particularly to inexperienced writers or English language learners. Since a text in any genre can be developed in a limitless variety of ways, students need a methodology for analyzing effective texts, and for developing their own. This article proposes that focusing on grammatical choice offers an entry point into understanding the craft of Explanations and Arguments. To illustrate, four samples of high school writing are analyzed from the published CCSS exemplars: two Explanations and two Arguments, all with very different purposes and development. The analysis demonstrates the central role that grammar plays in constructing these differences. Specifically, the analysis focuses on information management across noun groups for the Explanations, and on verb choice and modality for the Arguments. Drawing on functional grammar insights, this article proposes a pathway for students from the analysis of model texts to the effective construction of their own.

Humanities departments across European universities have established an increasing number of interdisciplinary, international master’s programmes that culminate in thesis projects. Yet, the challenges of such interdisciplinary research-based writing have been largely neglected in EAP research. This article investigates how postgraduate students in interdisciplinary fields express and develop genre knowledge during an EAP course for Humanities students preparing for their thesis writing. In two case studies, the article qualitatively explores students’ perspectives on their writing along the related dimensions of disciplinary positioning and genre knowledge. Students’ explicit expressions of such knowledge in course tasks and interviews are analysed. In addition, students’ research-based writing is compared to trace manifestations of this knowledge. The results highlight the students’ use of individual reference points to evaluate writing within their heterogeneous research fields. In terms of their research-based writing, the cases illustrate two related trajectories, namely, the development from writer to topic focus and the combination of themes into a coherent argument. Tracing the textual developments reveals the significance of mapping interdisciplinary studies on the interrelated epistemological, thematic and discoursal levels in postgraduate writing. Developing an awareness of these levels requires an understanding of the situatedness of postgraduates’ writing in interdisciplinary, departmental and biographical contexts.

This article, integrating different lines of sociocultural and critical research, sets out to analyze argumentative writing in a 6th grade Cypriot Greek elementary classroom. Attention is directed to specific strategies used, such as repetition and paraphrase of each other’s words and of text meanings. These strategies are revisited as voicing tools, arising out of students’ engagement with a nexus of reading and writing events and with the ideological positions constituted through them. The analysis traces the bi-directional processes at work in this polyvocal community. Classroom activities, rather than seen as neutral, are redefined as constituents of a deeply dialogic universe, which privileges specific texts and voices and projects various identity positions onto speakers and writers. At the same time, this universe gives rise to specific scaffolds which help students in the appropriation of advanced generic resources. Students’ argumentative texts are shown to arise out of the integration of various dialogically-emergent strategies. Analysis illustrates how students, while drawing from prior texts, and acknowledging genre-related scaffolds, rework and contest social meanings and generic resources as part of their attempt to assert their voice vis-à-vis those populating their classroom community.

The Pecha Kucha talk is an effective way to encourage the composition process; to promote the use of effective visuals to explain and engage; and to distribute the expertise in the classroom away from the teacher as the central expert and to the students. In this paper, we describe and give an example of what is called a Pecha Kucha (Japanese for ‘chit chat’). When examined within the frameworks of theorists in the areas of composition, pedagogy, and literacy, this emerging presentation genre is promising for both composer and audience. With this in mind, we first discuss ways that the creator of the Pecha Kucha may benefit from the specific composition space. We then share how this composition exercise is an effective teaching tool. Next, we show ways that this presentation style maximizes learning with image and speech coordination and skills of analysis and synthesis. Then we introduce how Pecha Kuchas give students the opportunity to teach and to work with technological tools in authentic ways. Finally, implications for future practice in developing compositions using oral delivery with visuals are discussed.

Academic literacy and student diversity: The case for inclusive practice Ursula Wingate (2015) ISBN-13: 978-1783093472. Pp. 208. Genre-based automated writing evaluation for L2 research writing: From design to evaluation and enhancement Elena Cotos (2014) ISBN-13: 978-1137333360. Pp. 302.

This paper introduces five linked resources and demonstrates, with a focus on Business, Economics and Engineering, their use in a novel genre-instantiation approach to teaching academic writing. The resources centre on the British Academic Written English (BAWE) corpus. They are: (1) published research literature that investigates the student assignment genres and registers; (2) descriptions of the contents of the corpus; (3) the BAWE corpus itself, which can be freely searched by teachers and learners; (4) online teaching materials based on the above; and (5) lesson plans from EAP teachers who use these materials in their teaching of presessional and in-sessional academic English. The genre instantiation approach to teaching academic writing builds on two central principles: the identification of key genres for target discipline-levels, and the exemplification of these through instances of successful student writing. This enables teachers to develop programmes that raise genre awareness, where learners can engage with instances from across specific topics, courses, levels and disciplines. The genre-instantiation approach is illustrated here with specific reference to Business Case Studies, Economics Essays and Engineering Methodology Recounts.

Writing Statements of Purpose (SoP) is a challenging task for students applying for English-speaking graduate schools, as they need to demonstrate their competence as junior members of the research community and satisfy the requirements of admission officers. Previous studies have focused primarily on the SoPs written by US applicants or the perspectives of admission officers. This study investigates how Chinese students wrote and revised their SoPs for US Ph.D. programs through an action research project which offered feedback on their earlier drafts. Through participatory genre analysis of a small corpus of both earlier and final versions of SoPs by 20 Chinese applicants admitted to US graduate schools, it is found that, after revising their SoPs, the applicants tended to enact their researcher identities by removing certain moves and steps that were less relevant to the rhetorical purposes and adopting the moves and steps usually found in research articles. A framework for writing SoPs based on the results of a genre analysis of a small corpus of the successful SoPs is developed to help future applicants and their language teachers.

Producing publishable quality research articles is a difficult task for novice scholarly writers. Particularly challenging is writing the Discussion/Conclusion section, which requires taking evaluative and interpretive stances on obtained results and substantiating claims regarding the worth of the scholarly contribution of the article to scientific knowledge. Conforming to the expectations of the target disciplinary community adds another dimension to the challenge. Corpus-based genre analysis can foster postgraduate writing instruction by providing insightful descriptions of rhetorical patterns and variation in disciplinary discourse. This paper introduces a pedagogically-oriented cross-disciplinary model of moves and steps devised through top-down corpus analysis. The model was applied to pedagogical materials and tasks designed to enhance genre and corpus-based teaching of Discussion/ Conclusions with an explicit focus on rhetorical conventions.

This introductory review article for this special issue sets out a range of issues in play as far as English for Academic Purposes (EAP) writing is concerned, but with a special emphasis on English for Specific Academic Purposes (ESAP) (as opposed to English for General Academic Purposes (EGAP)). Following the introduction, the article begins by outlining the different types of EAP and presenting the pros and cons of ESAP and EGAP for writing. It then goes on to review work in a range of areas of relevance to ESAP writing. These areas are register and discourse analysis; genre analysis; corpus analysis; ethnography; contrastive rhetoric; classroom methodology; critical approaches; and assessment. The article concludes by arguing that whichever model of writing is chosen (EGAP or ESAP), or if a hybrid model is the choice, if at all possible, students need to be exposed to the understandings, language and communicative activities of their target disciplines, with students themselves also contributing to this enterprise.

This article aims to engage specialists in writing pedagogy, assessment, genre study, and educational technologies in a constructive dialog and joint exploration of automated writing analysis as a potent instantiation of computer-enhanced assessment for learning. It recounts the values of writing pedagogy and, from this perspective, examines legitimate concerns with automated writing analysis. Emphasis is placed on the need to substantiate the construct-driven debate with systematic empirical evidence that would corroborate or refute interpretations, uses, and consequences of automated scoring and feedback tools intended for specific contexts. Such evidence can be obtained by adopting a validity argument framework. To demonstrate an application of this framework, the article presents a novel genre-based approach to automated analysis configured to support research writing and provides examples of validity evidence for using it with novice scholarly writers.

Genre analysis has become an important tool for teaching writing across the disciplines to non-native English-speaking (EL2) and native English-speaking (EL1) graduate students alike. Since the pressing needs of EL2 graduate students have meant that educators often teach them in separate classes, and since genre-based research into teaching higher-level writing has been largely generated in fields such as English for Academic Purposes, we have an insufficient understanding of whether this instructional mode plays out similarly in EL1 and EL2 classrooms. Launching a genre-based course on writing research articles in parallel sections for EL1 and EL2 graduate students provided an opportunity to address this knowledge shortfall. This article qualitatively examines the different classroom behaviors observed in each version of the course when a common curriculum was used and specifically explores three key themes: initial receptivity, nature of student engagement, and overall assessment. Our study shows that although EL2 and EL1 learners have similar needs, the obstacles to their benefitting from genre-based instruction are different; EL2 students must learn to identify themselves as needing writing support that transcends linguistic matters, while EL1 students must learn to identify themselves as needing writing support despite their linguistic competence. Providing the same mode of instruction can benefit both populations as long as educators are sensitive to the specific challenges each population presents in the classroom. The insights gained contribute to the scholarship on genre-based teaching and offer ways of better meeting the needs of EL1 and EL2 students alike.

Reading response holds a prominent place in the English language arts curriculum. Despite its importance, few studies have explored students’ performance on the task from a linguistic perspective. This article examines a random sample of reading responses generated by students enrolled in a middle school online language arts course using a genre-specific tool that addresses content, logic, stance, and engagement. Results from the linguistic analysis show that the adolescents’ responses typically focused on personal feelings, story retelling, and character analysis, with little evidence of thematic interpretation. This finding is discussed in light of the current literature on response writing and language arts pedagogy.

This study examined the impact of different forms of feedback on the writing of a group of 82 adolescent students in secondary English classes. During a 6-week intervention, students were randomly assigned to one of three feedback groups: peer feedback on pen-and-paper drafts, teacher feedback delivered electronically through a course management system, and automated feedback generated through computer-based writing evaluation software. Pre- and post-measures of student writing quality, length, and correctness were analyzed, and survey data explored student perceptions of their experiences. Findings indicate that all students, regardless of which form of feedback they received, wrote longer essays and scored higher on holistic ratings at post test than they did at pretest. Neither language status nor group assignment had a greater or lesser impact on performance on length or holistic quality. However, differences between feedback groups spiked on the proximal measure that examined mastery of particular aspects of the genre being taught. Both peer feedback and teacher feedback delivered electronically had a statistically significant impact on student performance in the genre of open-ended response. The article concludes with a discussion of the implications of these findings for future research and instruction in the secondary context.

Close examination of one first-year composition student’s portfolio of process materials for an advertisement analysis assignment reveals that an early attachment to an idea and a poor understanding of audience can prevent students from developing as writers. I reflect on how greater attention to rhetorical genre theory can provide new directions for prewriting activities and strategies that may help students move beyond thinking only from the perspective of the school essay.

This article picks up, literally, where another one leaves off: “Assessing Scholarly Multimedia: A Rhetorical Genre-Studies Approach” in Technical Communication Quarterly (Ball, 2012a). In that article, I describe how I have brought my editorial-mentoring work with Kairos: A Journal of Rhetoric, Technology, and Pedagogy, which exclusively publishes “born digital” media-rich scholarship, into undergraduate and graduate writing classes. This article describes how the process of editorial peer review translates into students’ peer review workshops in those same writing classes.

The article reviews the impact of digital environments on written modes and practices, with a focus on online collaborative works and “born digital” creations. Examples of these works and relevant Web sites are provided, in addition to learning activities for involving students in electronic environments. The pervasiveness of electronic contexts in our public and private lives means that writers and teachers of writing are now able to rethink all genres of communicative activity, written or spoken, and how these are deeply influenced or entirely reformed by digital media.

This article explores the notion of creativity as it relates to writing. It supports the tenet that all written texts, regardless of genre, contain creative elements to varying degrees, one reason being the representational aspect of language and, in particular, written language. It proposes that it would be more productive to examine written creativity on a continuum rather than through an exclusive dichotomy between creative and non-creative, and describes the elements that would be involved in such a continuum. The article explains some pertinent approaches to creativity, both linguistic and non-linguistic, and leads to a discussion of creative techniques on semantic, syntactic, and textual levels, drawing examples from a database of different texts.

Taking a hybrid approach of research and narrative, theory and reflection, this essay utilizes yogic theory as a lens to discuss how students can negotiate one of the more challenging aspects of their research writing: freely setting out into the realm of creative, original research while negotiating genre-based constraints. I present research on genre and the “containment” of composition that highlights some of the past and current discussion about the potentially inhibiting heuristics that can shut down students’ constructions of agency and creativity in researched writing. Drawing upon research in contemplative pedagogy, essential texts of yogic philosophy, and images of the body in asana, I use the philosophy and language of yogic practice to propose a pedagogy that invites students to see their way toward an embodied practice of research, one that helps them to acknowledge and negotiate generic constraints, seek innovation, and accept uncertainty in their research-based writing.

Writing pedagogy and civic literacy can form an interactive, interdisciplinary partnership beneficial to students. Students learn to compare the classical rhetorical genres of epideictic, forensic, and deliberative rhetoric to modern ceremonial, judicial, and legislative rhetorical genres. Elements essential to writing pedagogy – ethos, logos, pathos, claims, warrants, and enthymemes – become meaningful as students engage in civic-themed reading and writing assignments designed for first-year composition. Writing pedagogy enriched with a civic literacy motif encourages students to practice writing to authentic audiences for genuine civic purposes.

This article describes an approach to writing instruction that involves a combination of the genre approach and the process writing approach. The stages of the writing process that students often do not take time for, namely brainstorming, organizing ideas and drafting, are done as much as possible in the classroom. In preparation for this, students are introduced to models of the type of texts they will have to write, so that they can become familiar with the features that are typical of that text type (genre). These features form the basis of a checklist that will serve as a form for teacher feedback, which is given to the students at various stages of the writing process up to final revision. In addition, certain points are focused on in peer feedback. Throughout the entire process, students are encouraged to become aware of their progress through written reflection. We have found that such an approach, overseen and monitored by the teacher, leads students to writing more focused texts that conform to the genres to which they belong. For the purposes of this article, the text type of argumentative (opinion) essay was used as an example.

This study focuses on how teachers enrolled in a graduate level, online English Education course perceived formulaic or thesis-driven student writing, commonly associated with the traditional “five-paragraph essay.” One goal of this course, “Writing, Reading, and Teaching Creative Nonfiction,” was to engage teachers in reflecting about the uses of this “new” genre in their own classrooms. Living in several states, the participants included one science teacher, four Special Education teachers, and ten middle and secondary Language Arts teachers. We analyzed 12 separate prompts posted to the discussion board over a six-week period. Also, participants were required to post one “thread” into each discussion board, with follow-up comments to threads from at least two other participants. Approximately 75 out of a total of 800 coded comments dealt with formulaic writing. The following patterns of participants’ perceptions emerged from these comments: (1) student benefits of formulaic writing; (2) a hierarchical sequence for teaching writing; (3) obligations to teach formulaic writing; (4) resistance to formulaic writing; (5) the constraints of formulaic writing on students; and (6) the constraints of formulaic writing on teachers. Based on this study, we recommend that teachers engage in writing themselves which includes risk taking, modeling writing and significant revision for their students, and sharing models of writing; ensure that their students write in many forms and genres, including, but not limited to, the five-paragraph essay; develop realistic views of the expectations and obligations they face daily; and internalize effective writing practices. In the process of exploring the genre of creative nonfiction, teachers also had to grapple with old debates, as almost all of this study’s participants changed their views, discovering that the chains they had felt actually were not as tight as they had originally believed.