Abstract

THE FIRST PRINCIPLE of teaching poetry is this: Poetry is a host of activities which ought not be fragmented by the teaching process. Current practice highlights the need for a statement of the principle; its validity is derived, however, from the vital relationship between three key activities: writing poems, developing an explicit poetic standard, and responding to poems. The second principle shares this integrative rationale: In a very important sense, all poetry is one poem. All poetry embodies language used excitedly, precisely, and presentationally rather than discursively; all poetry has a quality of semantic thickness which enables the respondent to participate creatively as he makes meaning of the poem. Types of poetry-romantic poetry, epic poetry, concrete poetry, etc.-comprise divisions of convenience which identify outward differences and historical literary periods; they do not contradict the notion that in a more basic sense all poetry is the same. The set curriculum of my ideal poetry course would not be poems at all, but poetics. This derives from my second principle-if all poetry is one poem, we need to know how that poem works. Further, by making poetics,

Journal
College English
Published
1974-09-01
DOI
10.2307/375081
CompPile
Open Access
Closed
Topics
Export

Citation Context

Cited by in this index (0)

No articles in this index cite this work.

References (0)

No references on file for this article.