Abstract

This article compares entrance-to-the-profession narratives of the past thirty years. Selecting major theorists and senior and junior minority scholars, the author describes their efforts to become professionals in the field. The Native American author argues for including Other voices in analyzing the history of composition studies.

Journal
College Composition and Communication
Published
2002-02-01
DOI
10.58680/ccc20021460
Open Access
Closed
Topics

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