Abstract

In our teaching and research in writing centers and classrooms, we need to identify and rhetorically analyze "collaboration" in its multiple forms. When we overuse this catch-all term to mean any kind of mutual help or working together, we not only demonstrate what Frederick Erickson calls our current "crush on collaboration" (43 1 ), but we also confuse people inside and outside the profession. When "collaboration" is bantered about in education, business, and politics, it is unabashedly unmodified, unclassified, demonstrating by its nakedness that it serves too many purposes and has too many referents, not to mention the historical ones such as Benedict Arnold and Vidkun Quisling who "collaborated" with the enemy. As Andrea Lunsford notes, ". . . collaboration is hardly a monolith. Instead, it comes in a dizzying variety of modes about which we know almost nothing" (7).

Journal
Writing Center Journal
Published
1992
DOI
10.7771/2832-9414.1288
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