"I Sing for I Cannot Be Silent": The Feminization of American Hymnody, 1870-1920

June Hadden Hobbs Andover Newton Theological School

Abstract

Acknowledgments -- Words and women in the evangelical community -- Hymns as the cultural property of nineteenth-century women -- His religion and hers -- Women's hymns as narrative models -- The patriarchal backlash.

Journal
College Composition and Communication
Published
1998-12-01
DOI
10.2307/358528
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Open Access
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