Abstract

The persuasive power of souvenir postal cards has been overlooked in scholarship. This essay examines how settlers in San Antonio, at the turn of the twentieth century, used souvenir postal cards strategically to produce knowledge about their city and its place in the modern nation, to market it to White tourists and other settlers as a “bordertown,” and to continue to dispossess and subordinate native Coahuiltecan, Tejano, and Mexican locals. Examples in this essay are drawn from a corpus of 300 real-photo postcards (1904–17) to consider their modes of production, images, captions, messages, and affects en masse. Through this essay, I show that souvenir postal cards are a way settler colonialism and coloniality/modernity worked, evidencing on local and global scales networked interest and cooperation between dominant imperial nations and groups to mass-(re)produce themselves and impose their structural patterns of power.