Abstract

Bryan J. McCann asks us to think about the history of Gangsta Rap as instructive for engaging rhetorics of identity and embodied performances embedded in the politics of “the mark of criminality,” ...

Journal
Rhetoric Society Quarterly
Published
2018-10-20
DOI
10.1080/02773945.2018.1480740
Open Access
Closed
Topics

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  1. Rhetoric Society Quarterly
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  1. 10.1080/00335630.2012.714900
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