Dionysius of halicarnassus's theory of compositional style and the theory of literate consciousness

Rhetoric Review Sep 1996

Dionysius of halicarnassus's theory of compositional style and the theory of literate consciousness

Robert S. Reid

Abstract

Dionysius of Halicarnassus's attention to harmonious composition from the small part of the clause to the whole of a work is at the heart of what Eduard Norden has called Kuntsprosa, the ancient theory of formal prose composition that came to fruition during the Augustan age of the early Empire. The effort of fifth- and fourth-century BC Greek writers to provide prose the dignity and affective power of oral poetry through literate embellishment and studied arrangement was fundamental to the transformation of literate consciousness and therefore cultural consciousness in which the power of the modern state was birthed. As the eye continued to supplant the ear as a means of using words effectively to move audiences and as literacy brought about an interiorized way of thinking and manner of expression, ancient Greek and Roman historians, orators, and philosophers learned to play with language. They found in this new consciousness exciting ways in which elegantly conceived discourse could formalize the affective power of poetry and the spellbinding magic of persuasive words (Romilly). And it is this compositional tension between words heard and words seen that came to fruition in the first century Critical Essays

Journal: Rhetoric Review
Published: 1996-09-01
DOI: 10.1080/07350199609359205
Open Access: Closed
Topics: voice and style

Citation Context

Cited by in this index (3)

Poster (2005)

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Paul'sconscioususe of thead Herenniurris“complete argument”

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Reid (1997)

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