Abstract
Technology is a ubiquitous part of our everyday lives in and out of schools, yet it escapes the sustained scrutiny of education researchers who contribute to the wider “orthodoxy of optimism” (Selwyn, 2014) accompanying all things technological. Challenging such orthodoxy begins with greater precision in language, replacing the broadness of technology with the more accurate specificity of software (Kitchin & Dodge, 2011). This essay conceptually frames how software space—a term I use to refer to complex computational assemblages—affects the teaching of literature, arguing that software-powered technologies can be conducive to rigorous forms of literary study and research if they are used with an understanding of both the nature of software and the contexts in which software is produced and promoted. I draw on English education and related fields to propose the establishment of what I call new literatures.