Abstract

The syntactic aspect of semiotic theory, especially its “aesthetic principle,” is very influential in document design theories and practices. It has its roots in Burke's and Lessing's gender-related theories of images. Thus, it is laden with ideologies: it embodies our patriarchal attitudes and our iconophobia. Employing the semiotic theory in document design, we are making choices to reinforce the gender-related ideology in Burke's and Lessing's theories. It is time for us to re-conceive the “aesthetic principle” by de-emphasizing it and to adopt the reconciliation approach to design effective documents targeted at various rhetorical situations.

Journal
Journal of Technical Writing and Communication
Published
2000-01-01
DOI
10.2190/0bqk-q321-0v49-96gt
Open Access
Closed
Topics

Citation Context

Cited by in this index (3)

  1. Journal of Technical Writing and Communication
  2. Journal of Technical Writing and Communication
  3. Journal of Technical Writing and Communication

Cites in this index (1)

  1. Journal of Technical Writing and Communication
Also cites 7 works outside this index ↓
  1. 10.1109/47.475592
  2. 10.1515/9781400856169.xiii
  3. 10.7208/chicago/9780226148052.001.0001
  4. 10.1177/105065198700100103
  5. 10.1109/47.44544
  6. Languages of Art
  7. 10.1109/TPC.1986.6448254
CrossRef global citation count: 5 View in citation network →