The Race to Fill the Blanks: On (Animal) Testing in Science Fiction

Laurence A. Rickels Academy of Fine Arts Karlsruhe

Abstract

Abstract In systems of meaning that run on a regular setting, allegory is about filling in the blanks that disclose the “other story.” In the modern setting that Walter Benjamin tracked (back to the seventeenth century), allegory must turn significance out of the blank itself, working the blank as a turning point for drawing the reading onward. The “psy-fi” genre is the hub where bona fide science fictions, documentations of psychosis (memoirs and psychiatric and psychoanalytic studies), and tracts on mass psychology or psychological warfare, meet and cross over toward the evolution of new norms. Is it possible to construe a series of references in works of the “psy-fi” genre to Zeno's paradox of a con-test involving human and animal subjects as allegory of the test situation in which blanks secure the last or new step, which ultimately is taken toward mourning, the final frontier? Yes.

Journal
Philosophy & Rhetoric
Published
2014-11-01
DOI
10.5325/philrhet.47.4.0515
CompPile
Open Access
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