Abstract

This essay argues that teaching Landon’s poems in the context of their original volume publication allows for greater understanding of the ways in which all Romantic-era poets deploy multiple voices in their collected works. It focuses upon strategies for teaching Landon’s Venetian Bracelet (1829) but offers a model for student engagement with Romantic poetry more generally.

Journal
Pedagogy
Published
2018-04-01
DOI
10.1215/15314200-4359133
Open Access
Closed

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Also cites 2 works outside this index ↓
  1. ‘A Series of Small Inconstancies’: Letitia Landon and the Sewn-Together Subject
    Studies in Romanticism  
  2. Romantic Aesthetics in Mary Tighe and Letitia Landon: How Women Poets Recuperate the Gaze
    European Romantic Review  
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