Abstract

Ideas of transgression and transvaluation were central to Kenneth Burke’s early writing and the development of his critical method of “perspective by incongruity.” During the 1930s, Burke was concerned with the impact that art and criticism could have on the tumultuous Depression-era politics in which he was living. For him, language in general—and literature more specifically—can provide a vital corrective for a society trapped within its own misapplied terminologies. While Permanence and Change is typically considered to mark a shift in Kenneth Burke’s interest from the socio-aesthetics of Counter-Statement to the critical inquiry of language itself, this paper argues that Burke’s method of perspective by incongruity links the two works together as parts of a common project. Reading these works alongside archival material from the intervening period between their publications shows that Burke’s initial concern with the radical potential of poetic invention evolved into a more general means of affecting social change.

Journal
KB Journal: The Journal of the Kenneth Burke Society
Published
2023-01
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