Abstract

Whoever raises questions about the legibility of the city must notice that the metaphor of legibility involves the ideas of interpreting signs and symbols under different motivational accesses, which leads to the creation of different scopes of reading, understanding and acting. Thus, the legibility of the city involves the idea of a rhetoric of the city. Kevin lynch is one of the most important theorists of the legibility of the city and his ground-breaking work The Image of the City is first of all on questions concerning the influence of architectural clues and city form on the degree a city becomes legible. Therefore, he emphasizes the important role of three major terms: identity, structure and meaning. But, while his inquiry stresses identity and structure, he says almost nothing about meaning. Since Lynch has no background in theories of meaning, his work leaves a desideratum. It seems to be obvious that leaving out questions of meaning won’t lead to any kind of legibility of the city, as long as the metaphor of legibility is taken seriously. To fill this gap Lynch’s work has to be grounded on a theory of meaning which is able to explain how form influences attributions of meaning, creates scopes of understanding and, finally, affects questions of appropriate behavior. This theoretical background is given by Kenneth Burke. The thesis of this paper is that Burke describes the relation of form, situation and action by the help of what I will call the motive-circle and that this motive-circle is able to explain the above mentioned advisements. Thus, the aim of this paper is to show the rhetorical dimension of the creation of an image of the city. Since—for Lynch—our processes of orientation are based on our image of the city, the main thesis of this paper is that processes of spatial orientation have a rhetorical dimension.

Journal
KB Journal: The Journal of the Kenneth Burke Society
Published
2014-06
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