Abstract
Kenneth Burke’s sociological criticism of literature as “equipment for living” situates the work of art as a response to a situation that is essentially social; literature serves a therapeutic role insofar as it diagnoses and dissolves maladaptive social categories and orientations. Burke’s complementary notion of “perspective by incongruity” describes the way in which artists push a system of belief or interpretive scheme to its limits by deliberating creating effects which escape its means of formalization. In the work of Gilles Deleuze, we encounter similarly the artist of literature and discourse who assumes the role of a physician of culture and seeks to produce new possibilities for life by multiplying available perspectives for action. In judging whether the rhetorical appeals and interpretive schemes they offer are medicine or poison, our criteria shall be whether they constrain, narrow, or otherwise limit life (gridlock), or whether they provide new possibilities, experiences, and configurations of knowledge for living (counter-gridlock). Through the incongruous imbrications of Burke and Deleuze, we discover a resonant pragmatism in which art, literature, and ethics become something more than tools for refining the ways in which we currently experience the world. Rather, they offer means for a way out of the orientations which configure and constrain our capacity to actualize potentials for a better tomorrow.
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- KB Journal: The Journal of the Kenneth Burke Society
- Published
- 2011-04
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