Abstract

The Caribbean is a haunted place, and because the people themselves are haunted. To be haunted in the sense is to be moved in a way that may defy easy identification or logical explanation. Of course, the phenomenon of being haunted is not exclusive to Caribbean folk but to marginalized peoples wherever they lose or find themselves, as ideological contortions, jargonistic somersaults, theoretical misdirections, and methodological missteps often signal the existence of a common-and intensely human-situation: that we may well be driven or inspired to embark on a given project, and that we are often at odds in our attempts to precisely identify the source of that drive, the inspiration that may have caused it. Here, Browne talks about the rhetorical significance of Caribbean tradition.

Journal
College English
Published
2021-09-01
DOI
10.58680/ce202131451
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References (4)

  1. Poetics of Relation
  2. Introduction: On the Archaeologies of Black Memory
    Anthurium: A Caribbean Studies Journal
  3. Collected Poems
  4. The Antilles: Fragments of Epic Memory