Abstract

Benson examines three books—Experimental Writing in Composition: Aesthetics and Pedagogies, Remixing Composition: A History of Multimodal Writing Pedagogy, and Rhetorical Delivery as Technological Discourse: A Cross-Historical Study—that contribute powerfully to the scholarly conversation about the changing face of composition by illustrating how the narrative of newness associated with multimodal and experimental work hides a long saga of negotiation between the traditional and the new in the field of composition.

Journal
College English
Published
2014-11-01
DOI
10.58680/ce201426148
CompPile
Open Access
Closed
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