Abstract

Rereading the work of Letitia Elizabeth Landon in light of Hugh Blair’s 1783 Lectures on Rhetoric and Belles Lettres, the author suggests that current disciplinary definitions of the sublime that separate its aesthetic heritage from its rhetorical foundations suppress those of its aspects that were the particular province of women writers in the nineteenth century, and limit our current understanding.

Journal
College English
Published
2005-03-01
DOI
10.58680/ce20054081
Open Access
Closed
Topics

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