Abstract

Explores the possibility of seeing in Toni Morrison’s novel, “Song of Solomon,” the co-existence of two narratives of subjectivity. Examines the extent to which the application of a Western and non-Western narrative of subject formation yields conflicting interpretations of the novel and, in particular, the novel’s ending.

Journal
College English
Published
2000-09-01
DOI
10.58680/ce20001198
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