Abstract

ABSTRACT In spring 2012 the Russian feminist art collective Pussy Riot became world famous when five of its members were arrested for their “Punk Prayer for Freedom” in the Cathedral of Christ the Savior in central Moscow. Western media swiftly embraced the group and celebrated it as an icon of youthful female rebellion against Putin’s authoritarian regime. Yet the Western reception largely obscured the “regional accent” of the group’s protest rhetoric. This article seeks to restore this regional accent by foregrounding the rhetorical significance of place in Pussy Riot’s acts of protest.

Journal
Advances in the History of Rhetoric
Published
2015-07-03
DOI
10.1080/15362426.2015.1081531
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Topics

Citation Context

Cited by in this index (1)

  1. Advances in the History of Rhetoric

Cites in this index (1)

  1. Rhetoric Society Quarterly
Also cites 11 works outside this index ↓
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  2. From Public Sphere to Public Screen: Democracy, Activism, and the ‘Violence’ of Seattle
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  3. The Guerilla Girls’ Comic Politics of Subversion
    Women’s Studies in Communication  
  4. Location Matters: The Rhetoric of Place in Protest
    Quarterly Journal of Speech  
  5. New Moscow Monuments, or, States of Innocence
    American Ethnologist  
  6. Russia’s Postcommunist Past: The Cathedral of Christ the Savior and the Reimagining of Na…
    History and Memory  
  7. Prisoners of Conscience: Moral Vernaculars of Political Agency
  8. Pussy Riot and Feminist Cultural Criminology: A New ‘Femininity in Dissent’?
    Contemporary Justice Review: Issues in Criminal, Social, and Restorative Justice  
  9. Kitten Heresy: Lost Contexts of Pussy Riot’s Punk Prayer
    Popular Music and Society  
  10. The Sound of Geopolitics: Popular Music and Political Rights
    Popular Communication: The International Journal of Media and Culture  
  11. Going Out in Public: Visibility and Anonymity in Michael Warner’s ‘Publics and Counterpublics.’
    Quarterly Journal of Speech  
CrossRef global citation count: 6 View in citation network →