This article reports on one university’s experiment in resurrecting and reanimating the composition lecture, a one-hundred-plus student section dubbed “MonsterComp,” including the process, outcomes, and lessons learned. Although this restructuring of the first-year composition course was partially motivated by administrative pressures, the main motivation behind this experiment was to enhance teacher training and support while still retaining the workshop environment and low student-to-instructor ratio of traditional composition sections. The course involves multiple stakeholders, including the WPA and graduate student program coordinators, graduate student instructors, and course-based coaches from our university's writing center. Assessment of student work, observations of the course, and surveys administered to stakeholders indicate that the course was successful in terms of teacher training and preserving student learning outcomes.

This article examines Juan Francisco Manzano’s Autobiografía de un esclavo, the only extant Spanish-language narrative written by a slave, to illuminate Manzano’s reception of rhetoric, or rather his rejection of it. This reception is briefly situated in the context of contemporary receptions of belletristic rhetoric within the Cuban literary circle that solicited Manzano’s life story. Additionally, the article brings rhetorical terminology to what critics have observed as Manzano’s developing agency through the process of writing his narrative and selecting its content. Providing a view of rhetoric from the margins, Manzano’s narrative offers a critique of the complex relationship between oral and written discourse and the slave’s ability to be seen as truthful.

This essay invites a critique of contact zone theory and rhetoric’s origin story based on a reading of Guaman Poma’s First New Chronicle and Good Government. I read this writer’s argument for indigenous ability and reshaping of space through picture, map, and text as a multimodal effort that invites attention to classroom rhetorical power dynamics and standards.