The Youth Research Council (YRC) is a Youth Participatory Action Research (YPAR) project in which high school students, undergraduate and graduate students, and university-affiliated professors and administrators collaborate on consequential, justice- oriented research projects in their community. In this article, twelve members of the YRC reflect on our reasons for joining and remaining active participants in this community-engaged research project. Our discussion and analysis of “what brought us here” and “what keeps us here” offers a window into strategies and struggles for cultivating transformational reciprocity and sustainability within research partnerships.

This article explores the mobile and material dimensions of a writing practice we call pocket writing. Emergent in our 6-year ethnographic fieldwork at a public high school, this practice involved adolescents composing and carrying their self-sponsored writing close to their bodies. We consider the pocket both a physical artifact—the place from which writing emerged at the right moment—and a metaphor describing how youth created small, portable boundaries around their writing to facilitate its invisibility and mobility. Using a transliteracies lens, we worked alongside youth to trace the circulatory pathways such writing took relative to the official institution of school. These high school students made agentive rhetorical choices, sometimes deliberately disconnecting their writing from school as an everyday resistance practice—an effort to keep school in its place. In theorizing pocket writing as a mobile and embodied extension of writing (for) the self, we argue its “pocketed” nature is key to its transformative power.

Informed by Bakhtin's theorization of voice as well as cross-disciplinary studies of scaling, the authors explore how a group of young filmmakers rendered one focal immigrant student's familial history by centering speakers addressing the topic of immigration from multiple levels, thereby connecting multiple social and spatiotemporal contexts in their multimodal storytelling to illustrate the costs of dehumanizing policies. In this case study, drawing from classroom observations, student work, and interviews with both students and teachers, the authors also highlight the importance of teacher agency in creating opportunities for refugee-background students to interactively engage in the language arts classroom. Drawing from interviews, observations, and analysis of student writing, the authors construct a detailed case study of how one student writer negotiated her stance toward the discourse of literary analysis based on her own writerly identity as a creative writer, illuminating the importance of critically attending to the ideological implications of teaching discipline-specific writing.

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This webtext is a digital gallery of six (re)imagined interfaces, designed to de-familiarize and call attention to the material and aesthetic components of web design. By (re)imagining six everyday interfaces that commonly mediate online activity, the gallery offers space for viewers to question and explore issues of navigation, orientation, metaphor, language, embodiment, and infrastructure that undergird human-computer interaction.