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A Black Feminist Community Meditation on the Work, the Job, and the Hustle (& Why So Many of

magine a department where there is only one black professor, a common occurrence across universities and colleges today.She is the first black professor in the history of the department there and certainly the first to be tenured.After many years, she finally sees a graduate student complete her dissertation, a young black woman who is also amongst the first black females to graduate with a doctorate from this program.And while there are plenty of ancestors and kinfolk across states, countries, and even continents celebrating this achievement, some of the white faculty are not as ecstatic.In fact, a few white junior professors, self-proclaimed feminists who teach first year writing, both stunningly under-achieving in their fields, begin to tell people that the professor wrote the dissertation for this black female graduate student, with the full support of staff/administration in spreading this Untruth.In the parlay of black youth culture, yes, we can call that: haters gon hate.While fully acknowledging all that hateration, let's also dig deeper.It would seem that any researcher or scholar in the academy would know that you cannot possibly present at conferences, give keynote addresses, publish your own articles, review other articles for peer-reviewed journals, work on your own book manuscripts, review other people's manuscripts and books in print, work on grant-funded projects, and then also write someone else's dissertation for them.It seems safe to say that it is a huge task to even make time to read drafts of advisees' dissertations.This event is just one of many that show how white faculty and staff can be deeply invested in the illogic of their racism.This story, along with the many other stories that I will tell here, will serve not as micro-instances of campus racism but as macro-pictures of political life in American universities.I intend for these stories to offer a context for the ways in which we must understand and rupture whiteness, racial violence, and the institutional racism of our disciplinary constructs in composition-rhetoric as central to the political work we must do.

Literacy and Racial Justice: The Politics of Learning after Brown v. Board of Education to substantiate our claims that literacy has often, if not always, been framed as a white property.Nonetheless, I am still perplexed that there has been no real, vociferous debate around one of the book's most critical contributions, namely chapter three, on Shirley Brice Heath's Ways with Words.In fact, after that chapter, it seems like the very terms we use to talk about literacy when we imagine ourselves to be talking about multiple locations, academic literacy/discourse communities, schooling, and marginalized communities should be called into question.Ways with Words is a central canon in literacy studies, a product of a Post-Civil Rights/Post-Brown agenda at the same time that it reproduces that agenda.This is why Kathryn Flannery's text, "Babies and Bath Water, " offers us an important reminder that the ideological discourses we are often deploying are fundamentally connected to Ways even though we do not always recognize this text as doing that kind of heavy lifting in composition-rhetoric studies.It seems as if our elitist tendency to distance ourselves from literacy studies, an elitism that Brenda Glascott has meticulously shown in "Constricting Keywords: Rhetoric and Literacy in Our History Writing, " has left us with some blindspots.To riff off of Morris Young in his "Sponsoring Literacy Studies, " we, too, can consider Ways a literacy sponsor to the kinds of work we have done in framing literacy in the post-Brown era.To take this back to Prendergast's argument, the very thing that we imagine ourselves to be pursuing in composition studies, namely the framing of contexts, histories, and ideologies in relation to literacy, has been inhibited as much as it has been promoted when Ways with Words acts as a framing device.To quote Harvey Graff 's contribution here: "the roster of literacy studies' commissions and omissions is lengthy."In its documentation of the literacy practices of a working class black community and a working class white community in 1960s/1970s South Carolina, alongside both communities' conflicts with the middle-class townspeople (whose discourse norms match and are sustained by schooling), Heath offered an analytical schema that suggested that non-dominant groups' social clashes with school was a cultural clash.As should be fairly obvious, the focus in our research on speech communities, discourse communities, cultural models of literacies, etc. can, thus, be traced back to or, at least, connected with Ways.However, Prendergast reminds us that Ways emerges out of and because of the Post-Brown mandate to desegregate, a racial clash that Heath always distanced herself from.While Heath's focus on the local offered important models for new research, race was as local as it was national, but is still given no real frame of analysis.If we go back to Ways, or (re)read Prendergast's chapter, we will remember the white working class male who said he only went to college when the town's mill (where he worked)

With the “counterhegemonic figured communities” of HBCUs as our lens, our idea(l)s are shaped within specific rewritings of race, access, and education that move us toward a new framework. Alongside teaching narratives, we foreground collaborative revisions of identity, critical mentoring, and coalition-work as an alternative theory of pedagogy and composition.

Stephen Parks’s book "Class Politics" fails to convey the complex interplay of social movements (including Black Power and socialism) behind the Statement on Students’ Right to Their Own Language. Attention to this rich history enables a better understanding of African American discourses than is provided in another influential book, Lisa Delpit’s Other People’s Children.

An experienced instructor finds that there is really no substitute, time and institutional constraints notwithstanding, for getting down on the page with her students and engaging with their writing where it is, where they are, and where she is.