Our fields need stories that are unwelcome—stories that bother us because we have not fully embraced the notions that our identities matter in our scholarship, our teaching, and our lives. We also need to embrace the multifaceted, intersectional nature of identity, and we need new strategies for engaging in cross-boundary discourses. I offer a queer reading of the work of three African American rhetoricians to explicate three concepts that are critical for engaging in responsible cross-boundary discourse as well as three trajectories for moving forward.

This article surveys and analyzes nearly fifteen years of scholarship, situating itself at the intersection of LGBT/queer studies and composition/rhetoric studies. The authors argue that paying attention to queerness provides unique opportunities to engage with students in challenging discussions about how the most seemingly personal parts of our lives are densely and intimately wrapped up in larger sociocultural and political narratives that organize desire and condition how we think of ourselves. Three moves in queer composition scholarship are identified “confronting homophobia, becoming inclusive, and queering the homo/hetero binary” and implications of these moves for composition are discussed.

Review of the following books: (1) Collision Course: Conflict, Negotiation, and Learning in College Composition by Russel K. Durst, (2) Mutuality in the Rhetoric and Composition Classroom by David Wallace and Helen Rothschild Ewald, and (3) Teaching Composition as a Social Process by Bruce McComiskey.