Organizations like the John Reed Clubs and the WPA Federal Writers’ Project, as well as publications like The New Masses can be seen as “literacy sponsors” of the U.S. literary left in the 1930s, particularly the young, the working class, and African American writers. The vibrant, inclusionary, activist, literary culture of that era reflected a surge of revolutionary ideas and activity that seized the imagination of a generation of writers and artists, including rhetoricians like Kenneth Burke. Here I argue that this history has relevance for contemporary community writing projects, which collectively lack the political cohesiveness and power of the national and international movements that sponsored the 1930s literary left but may anticipate another global period of struggle for democracy in which writers and artists can play a significant role.

Front matter for Reflections Volume 20, Issue 2, Fall/Winter 2020 issue.

More often than not, coming to the end of things is bittersweet. As we look back on our three years co-editing Reflections, we are proud of the issues we published, the authors we came to know, the amazing editorial and production team we assembled, and the effort we put into developing a set of tangible guidelines to pass along to our successor(s).

Front matter for Reflections Volume 20, Number 1, Spring/Summer 2020 issue.

We are thrilled to introduce this 20th anniversary issue of Reflections. Our tenure as coeditors has taught us a great deal about the journal, the growing subfield of community-engaged writing, and the pleasures and pitfalls of editing a biannual publication. As we embarked on editing this issue, we assumed we would learn a lot about the journal’s history, but we could not fully appreciate what that meant until we began to review submissions. The first round we got were in response to a call for articles directed mainly to those with a close association with the journal—former editors, contributors, board members, reviewers—or whose own career paths were influenced by reading it. These articles and several interviews, shorter pieces, and a dialogue provide valuable perspectives on the journal.

We write this introduction for our fourth, coedited issue of Reflections at a historic moment between the passage of two articles of impeachment against President Donald Trump in the House and his possible (theoretical) removal in the Senate. This conjuncture comes just two months after the third Conference on Community Writing took place in Philadelphia in October. As coeditors of one of two affiliate journals of the Coalition on Community Writing, we had eagerly anticipated the conference and commissioned an article to review the conference as a way to take the pulse of community writing on the cusp of the 2020s (see Hubrig et al. in this issue).

Front matter for Reflections Volume 19, Issue 2, Fall/Winter 2019 to 2020 issue.

Reflections call for submissions for Volume 21, Issue 2, Spring 2021.

This article tells the story of the Long Island University lockout, analyzes its implications for struggles against the corporatization of higher education, and contributes to the discussion of resilience as a tool for collective organizing.

Back matter for Reflections Volume 18, Number 2, Fall/Winter 2018-2019 issue.

As we prepare to publish our second issue as coeditors of Reflections, we find ourselves pondering the semantics of names, the power of design, and the importance of circulatory reach. We began our term as editors with several questions: whether the title of the journal accurately expressed its evolving mission, whether the website was agile and modern enough to reach a wider public, and whether it was feasible to become an open-access journal. It is with a greater appreciation for the modalities and complexities of the world of publishing that we are delighted to announce the renaming of the journal to Reflections: A Journal of Community-Engaged Writing and Rhetoric, the redesign of the website (many thanks to our new website editor Heather Lang), and the movement with this issue to open access (print subscriptions will be honored through 2019).

Front matter for Reflections Volume 18, Number 2, Fall/Winter 2018-2019 issue.

Front matter for Reflections Volume 18, Number 1, Spring/Summer 2018 issue.

As our first volume as co-editors of Reflections goes to press, we look back at the journal’s achievements and forward to shepherding it through an exciting period of growth in the subfield of community-engaged writing. We are at once committed to upholding its history of quality, cutting-edge scholarship—which has contributed significantly to new ways of viewing, practicing, and theorizing community-based writing—and eager to break new ground. Not least, we are keenly aware that we follow a Reflections editorial tradition of excellence and innovation in advancing knowledge in community-engaged writing.

This article describes how a first-year learning community combining library, archival, and digital literacies facilitated students’ grasp of threshold concepts of academic research and writing. It argues that critical-rhetorical processes and pedagogies can help counteract neoliberal educational trends that interpellate students as consumers rather than learners.

Article for LiCS special issue The New Activism: Composition, Literacy Studies, and Politics.

This article draws parallels between the Great Depression and the great recession that began in 2007 in light of the history, methods, themes, and relevance of the New Deal Federal Writers’ Project (FWP) to contemporary community writing projects. Through a critical analysis of the FWP’s legacy as both a twentieth-century American epic and a lesson in powerful, sometimes flawed methodologies, this article suggests that a twenty-first-century reprise of the FWP would unify and inform already existing university-community partnerships to enact the “public turn” called for in composition and other disciplines at a critical juncture in American—and world—history.

Reviewed are Basic Writing by George Otte and Rebecca Williams Mlynarczyk; Basic Writing in America: The History of Nine College Programs, edited by Nicole Pepinster Greene and Patricia J. McAlexander; Before Shaughnessy: Basic Writing at Yale and Harvard, 1920-1960 by Kelly Ritter; The Rhetoric of Remediation: Negotiating Entitlement and Access to Higher Education by Jane Stanley; and The Way Literacy Lives: Rhetorical Dexterity and Basic Writing Instruction by Shannon Carter.

This essay reports on a university-school oral history project at an elementary school in Brooklyn, New York. It theorizes the dialectic of place and history as expressed in the voices of the school community and goes on to suggest some tenets for a public sphere pedagogy rooted in material rhetoric and economic geography.

The difficulty of resolving the contradiction between personal and academic writing, experience and analysis, and local and global phenomena resides in deeper binary oppositions that continue to haunt us. Time and space, history and structure, are the larger frameworks in which we operate. Understanding the dialectical relationships of these coordinates illuminates the material and social processes of the production of culture, language, and history, suggesting a theoretical perspective based on a unity of opposites rather than their polarization. Through reflection on a course taught according to these principles, the author argues for a dialectical writing pedagogy.