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Decades of research on rater training and scoring practices demonstrates that raters' preferences for writing quality are malleable; for instance, it is customary to "calibrate" raters' scoring decisions through documents like scoring protocols and rubrics. This essay argues that while rubrics from contemporary large-scale writing assessments (and the local assessments they inspire) maintain retrograde assumptions about language variation, relatively small adjustments to these rubrics could help raters and candidates establish what Joseph Williams once called "the ordinary kind of contract" that readers and writers routinely observe anywhere outside of testing contexts.

In this interview, Carolyn Miller describes the origins and struggle to bring to publication her now-landmark article Genre as Social Action (1984) and its subsequent uptake as a powerful explanatory construct across many disciplines. Readers will also find an account of the fall—and subsequent resurrection—of interest in genre in rhetorical and communication studies as well as thoughts on a research agenda for new scholars in genre studies.

This analysis of 83 scoring rubrics and grade definitions from writing programs at U.S. public research universities captures the current state of the struggle to define and measure specific writing traits, and it enables an induction of the underlying theoretical construct of “academic writing” present at these writing programs. Findings suggest that writing specialists have managed to permeate U.S. first-year writing assessment with certain progressive assumptions about writing and writing instruction, but they also indicate critical areas for revision, given such documents’ critical gatekeeping role at postsecondary institutions. The study also raises a broader question about the difficulties of rhetorically constructing “writing ability” in a way that is consistent with the contextualist paradigm dominant in contemporary writing studies.

While reading a series of undergraduate essay drafts, ten newly appointed graduate teaching assistants consistently projected their own anxieties about academic writing onto the authors of the papers, with two exceptions: the students were imagined neither to have the teachers’ compositional agency nor to feel their ambivalence about the academic writing conventions in question. Suggestions for repurposing the intellectual work of the TA-training practicum follow.

This case-study examines the ways citizens took up, and in some ways resisted, city planners’ assumptions about their lived experience of “Portstown.” While it is necessary to acknowledge the coercive properties of institutional documents and genre-systems, community-literacy workers must not efface the epistemic potential of everyday compositions, for this quality creates opportunities for strategic interventions in the solicitation and reception of civic writing.