While many adolescents in US school settings do not achieve basic levels of writing proficiency, new standards and assessments hold all students, regardless of academic performance history and language background, to higher standards for disciplinary writing. In response to calls for research that can characterize a range of adolescents’ writing experiences, this study investigated the amount and kinds of writing adolescents with different academic performance histories and language backgrounds produced in math, science, social studies, and English language arts classes in schools with local reputations of excellence. By applying categories of type and length, we analyzed the writing of 66 students from California, Kentucky, New York, and Texas: 26 English learners (L2) and 40 native English speakers (L1), of whom 19 were identified by school norms as lower performing and 21 were identified as higher performing. We found the majority of writing tasks adolescents completed did not require composing more than a paragraph. Exceptions were essays in English language arts and persuasive essays and reports in social studies—almost half of which were source-based tasks. In addition, considerable differences were noted in the rangeof genres and amount of extended writing produced among L1 writers with histories of higher performance in contrast with L1 writers with histories of lower performance and L2 writers. These findings are discussed in light of Common Core State Standards shifts and the implications they hold for content area teachers who teach adolescents with different achievement histories and language backgrounds.

Composition theorists concerned with students’ academic writing ability have long questioned the application of voice as a standard for writing competence, and second language compositionists have suggested that English language learners may be disadvantaged by the practice of emphasizing voice in the evaluation of student writing. Despite these criticisms, however, voice continues to frequently appear as a goal in guidelines for teaching writing and on high-stakes writing assessment rubrics in the United States. Given the apparent lack of alignment between theory and practice regarding its use, more empirical research is needed to understand how teachers apply voice as a criterion in the evaluation of student writing. Researchers have used sociocultural and functionalist frameworks to analyze voice-related discursive patterns, yet we do not know how readers evaluate written texts for voice. To address this gap in research the present study asked: 1) What language features do secondary English teachers associate with voice in secondary students’ writing and how do they explain their associations? 2) How do such identified features vary across genres as well as among readers? Nineteen teachers were interviewed using a think-aloud protocol designed to illuminate their perceptions of voice in narrative and expository samples of secondary students’ writing. Results from an inductive analysis of interview transcripts suggest that participating teachers associated voice with appraisal features, such as amplified expressions of affect and judgment, that are characteristic of literary genres.