Through a review of syllabi of LGBT literature courses and interviews with their instructors, this article investigates the rationales behind primary text selection and how texts and course objectives inform one another in the absence of a generally established set of readings. Through such an investigation, questions of canonization emerge, thus shedding a broader light on strategies behind successful means of reading, teaching, and assessing in a course with a generally self-selected group of students.

This essay presents various perspectives about honors work among first- and second-year students as they proposed and completed independent, open-ended projects in BritishLiterature— I and British Literature— II.

In light of research on diversity learning and teaching, an introductory course on cinematic depictions of African Americans taught at a predominately white, rural university campus leads students to see the impact of history and Hollywood on their own local and statewide communities.