Kate Maddalena

3 articles
University of North Carolina Wilmington ORCID: 0000-0002-4473-6138
  1. Engaging Holisms: Rhetorical Topology and the Probiotic Turn
    doi:10.1080/02773945.2025.2484163
  2. “Smart drugs,” Gender, and the Rhetorical Turning
    Abstract

    This article uses the example of nootropics—a flexible term that capitalizes on the flexibility of the brain—as a category to describe how seemingly oppositional tropes, or turns, can occupy the same rhetorical topos, or space, and produce distinct ethos, political identity, and commitment within that space. It considers two dialectical, gendered tropes in nootropic discourse. The tropes are a falsely binary and highly problematic set of subjectivities, a Gothic masculine and an ostensible Gothic feminine. These two tropes exemplify how rhetorics of wellness produce identities whose turnings towards a politics does not map cleanly onto electoral politics or even identity politics in the US and Canada.

    doi:10.17077/2151-2957.33739
  3. Harnessing Agency for Efficacy: “Foldit” and Citizen Science
    Abstract

    Protein folding is an important area of research in bioinformatics and molecular biology. The process and product of protein folding concerns how proteins achieve their functional state. A particularly difficult area of protein folding is protein structure prediction. There are many possible ways a protein can fold, and this makes prediction difficult, even with the aid of computational approaches. Protein folding prediction requires significant human attention. Foldit, an online science game, provides an innovative approach to the problem by enlisting human beings to solve puzzles that correlate with protein folding possibilities. Such work aligns broadly with emerging trends in citizen science, where non-experts are enlisted for productive alliances. We examine Foldit, commonly looked at as a dynamic community, and suggest such communities actually have potential to be relatively static and to reproduce and maintain a set of power relations. We make this argument by combining perspectives from Rhetorical Genre Studies and Actor-Network Theory.

    doi:10.13008/2151-2957.1184