Lisa M. Litterio

4 articles
Bridgewater State University

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Who Reads Litterio

Lisa M. Litterio's work travels primarily in Composition & Writing Studies (56% of indexed citations) · 16 total indexed citations from 4 clusters.

By cluster

  • Composition & Writing Studies — 9
  • Technical Communication — 5
  • Other / unclustered — 1
  • Digital & Multimodal — 1

Counts include only citations from indexed journals that deposit reference lists with CrossRef. Authors whose readers publish primarily in venues without reference deposits will appear less central than they are. See coverage notes →

  1. Digital Humanities in Professional and Technical Communication: Results of a Pedagogical Pilot Study
    Abstract

    ABSTRACT This article examines pedagogical results from an IRB-approved study that used the Omeka platform in two sections of technical writing classes. The research question explored how a digital humanities (DH) project can be an opportunity for students to learn concepts and take ownership of publicly facing content. The method used is qualitative, and findings indicated that students embraced an open-source and collaborative project. Results also demonstrated how technical and professional communication (TPC) instructors might find DH tools well suited to TPC competencies.

    doi:10.1080/10572252.2020.1789744
  2. Contract grading in the technical writing classroom: Blending community-based assessment and self-assessment
    doi:10.1016/j.asw.2018.06.002
  3. Uncovering Student Perceptions of a First-Year Online Writing Course
    doi:10.1016/j.compcom.2017.12.006
  4. Elocution and Feminine Power in the First Quarter of the Twentieth Century: The Career of Carolyn Winkler (Paterson) as Performer and Teacher
    Abstract

    Abstract The professional life of elocutionist Alvina Winker Paterson suggests that previous views about women being excluded from rhetorical activities in the earlier twentieth century need to be revised. Like many other contemporary women, Winkler Paterson was able to avail herself of private instruction in elocution and become a highly successful performer and educator in the Northeast. Her career casts considerable light on the nature of elocutionary performance, the course of elocutionary education, and feminine access to public arenas and power at the time. Notes 1 We owe thanks to RR reviewers Susan Kates, Andrew King, and RR editor Theresa Enos for significant help in revising this manuscript. We also owe thanks to Amber Davisson for using the scrapbooks to create a chronology of Winkler Paterson's performances that was useful in the writing of this article.

    doi:10.1080/07350198.2011.604610