Although highly innovative in its blend of medieval Aristotelian with Horatian and Ciceronian doctrine, the Poetria by the fourteenth-century Swedish writer Mathias of Linköping survives in only one manuscript copy and appears to have had little or no influence outside Sweden. Likely reasons for its failure to gain traction among late medieval teachers of Latin composition are (1) its sharp separation of prose from poetry, (2) its implication that verse composition is a more advanced subject than prose composition, and (3) its disproportionate reliance on theoretical precepts rather than illustrative examples.

Although highly innovative in its blend of medieval Aristotelian with Horatian and Ciceronian doctrine, the Poetria by the fourteenth-century Swedish writer Mathias of Linköping survives in only one manuscript copy and appears to have had little or no influence outside Sweden. Likely reasons for its failure to gain traction among late medieval teachers of Latin composition are (1) its sharp separation of prose from poetry, (2) its implication that verse composition is a more advanced subject than prose composition, and (3) its disproportionate reliance on theoretical precepts rather than illustrative examples.

AbstractMost of the medieval arts of poetry and prose were written before the middle of the thirteenth century, but their dissemination was not uniform in all parts of Europe. In England, the surviving copies of a work such as Geoffrey of Vinsauf's Poetria nova taper off notably toward the end of the thirteenth century, and the numbers do not begin to pick up again until the last quarter of the fourteenth century. This pattern is no accident of preservation but reflects a significant revival of interest in Latin rhetoric and literature, centered at Oxford in the late fourteenth century. The characteristic literary materials and rhetorical methods of this renaissance resonated beyond the university environment and are reflected with striking precision in the references to rhetoric scattered throughout the vernacular poetry of Geoffrey Chaucer.

422 RHETORICA auf die âufiere Einwirkung auf die Menschen im Sinne der Vorfeldaufgabe beschrânkt. In diesem Kontext gelingt der Verfasserin eine für die allgemeine "Geschichte des Willensbegriffes" (p. 160) tatsâchlich wichtige und intéressante Entdeckung. Bei der Beschreibung des inneren Wirkens Gottes setzt Augustinus das delectare mit dem movere nahezu gleich. Aus dem Dreierschema der officia oratoris wird so ein Zweierschema, das die affektiv-voluntative Seite des Menschen im Kontrast zum kognitiven Bereich starker betont. So wird am Ende der nicht unerhebliche Anteil rhetorischer Terminologie bei der Herausbildung des Willensbegriffes bei Augustinus sichtbar. Um so mehr verwundert es, dass der Verfasserin bei ihrer Interpreta­ tion von De doctrina Christiana die ebenfalls stark akzentuierte Bedeutung des movere bzw.flectere und damit die affektiv-voluntative Seite der christlichen Rhetorik des Augustinus entgeht: Im Unterschied zu Cicero stehe für Au­ gustinus auch hier "das docere im Vordergrund" (p. 38). Die Stellen, in denen Augustinus das commovere des stilus grandis (De doct. chr. IV.27) herausstellt oder mit ausdrücklichem Verweis auf Cicero die entscheidende Bedeutung des flectere für den Redesieg (victoria) betont (De doct. chr. IV.28), werden dabei anscheinend überlesen. Kann es sein, daB die Verfasserin unter dem Eindruck der vermeintlichen "Genialitât" (p. 159) des Kirchenvaters den gravierenden Anteil der klassischen antiken Rhetorik an seiner Theoriebildung zu gering einschàtzt? Dieser Kritikpunkt gefâhrdet aber nicht den positiven Gesamteindruck der ansonsten akribischen Studie, die den Variantenreichtum der Prâsenz des rhetorischen Schemas der officia oratoris im Gesamtwerk des Augustinus eindrucksvoll erschliefit und so ein unverzichtbares Hilfsmittel für die zukünftige Augustinusforschung darstellt. Peter L. Oesterreich Augustana-Hochschule, Neuendettelsau Jean-Yves Tilliette, Des mots a la parole: Une lecture de la "Poetria Nova" de Geoffroy de Vinsauf (Geneva: Droz, 2000) 199 pp. The extraordinary popularity of Geoffrey de Vinsauf's early thirteenthcentury Poetria Nova was due in no small part to its being at once de arte and ex arte, a textbook on how to write poetry that is itself a poem. Most of the Poetria Nova's modern readers and many of its medieval ones nonetheless have emphasized its doctrine over its poetry, thereby missing, according to Jean-Yves Tilliette, much of what was new about Geoffrey's "New Poetics". Only by approaching the poem as a homogeneous and coherent work of literature rather than as a collection of conventional rules that have been set in verse, Tilliette argues, can we properly understand its unique status Reviews 423 as both manifesto and exemplar of a "new poetry" that replaces the early medieval "aesthetic of iaiitatio" with verbal virtuosity, explicitly recognises the historical break with the classical tradition caused by the Incarnation of Christ, and conceives of the poet as creator rather than artisan (pp. 9-12). Before he supports this thesis with a close reading or "intrinsic analysis" of the Poetria Nova, Tilliette devotes three chapters of "extrinsic analysis" to the chief influences that define the "cultural environment" of Geoffrey's poem: classical rhetoric as it was taught in the late Middle Ages, Horace's Ars poética or the "Old Poetics", and the Latin allegories of cosmic order and knowledge by Bernardus Silvestris and other writers of the twelfthcentury "School of Chartres". With rhetoric Geoffrey's new poetry shares the function of argument and (moral) persuasion; from the Ars poética, as interpreted by medieval commentators, derives the key insight of the new poetics, that poetry is a specific mode of apprehending and appropriating the world, whose "proper" sense is (paradoxically) the "figurative" sense; and from the platonizing poets comes the conception of the poet as demiurge who reveals the hidden archetypes by recreating in his poetry other possible worlds beyond the sensible world. The remaining five chapters demonstrate how the text of the Poetria Nova simultaneously expounds and embodies what Geoffrey conceives to be the highest goal of poetry: to use figurative language to make "possi­ ble worlds" visible and thus, in effect, to "reinvent the universe" (p. 68). Each of these chapters analyzes a different section of the Poetria Nova, using questions raised by that section's divergence from traditional pedagogy to highlight Geoffrey's originality. Thus, chapter 4 attempts to explain...

Martin Camargo The Waning of Medieval Ars Dictaminis T he five essays in this special issue grew out of papers presented at the Twelfth Biennial Conference of the Inter­ national Society for the History of Rhetoric (Amsterdam, July 1999), at the session entitled "What Killed the Ars Dictaminis? and When?" four of them ably chaired by Emil Polak. That session originated in a conversation I had with Malcolm Richardson inl997, at the previous ISHR conference, in Saskatoon. We had just discov­ ered that his research on practitioners of vernacular letter writing and mine on teachers of Latin letter writing in late-medieval Eng­ land independently suggested that in England the ars dictaminis had experienced something like what paleontologists call an "extinction event" around 1470. We wondered whether the suddenness of the demise was unique to England. Beyond that, we wondered why the most widely diffused and influential variety of practical rhetoric dur­ ing the later Middle Ages, an art that was highly teachable, adaptable to almost any institutional setting, aligned with key disciplines such as grammar and the law, should have disappeared at all. Having served the communication needs of a broad range of professionals throughout Europe since the late eleventh century, had the ars dic­ taminis simply worn itself out or had new needs arisen to which it could no longer respond? With good reason, more scholarship has focused on the origins of the ars dictaminis than on its demise. It is much simpler to identify the first medieval treatise that teaches how to compose letters than to decide which letter-writing treatise is the last in that tradition. Few of the surviving ancient treatises on rhetoric provide any explicit instruction on letters: in the Latin tradition, the brief chapter on letters that concludes the Ars rhetorica of Julius Victor (fourth century AD) is virtually unique.1 While some such pedagogy clearly existed in 5 Ed. Karl Halm, Rhetores Latini Minores (Leipzig, 1863), pp. 447-48.© The International Society for the History of Rhetoric, Rhetorica, Volume XIX, Number 2 (Spring 2001). Send requests for permission to reprint to: Rights and Permissions, University of California Press, Journals Division, 2000 Center St, Ste 303, Berkeley, CA 94704-1223, USA 1 136 RHETORICA ancient times, as it did in the early Middle Ages, the transmission of that pedagogy in textbooks, at least in the Latin West, seems to have been an invention of the late-eleventh and early twelfth centuries. By contrast, letter-writing manuals continued to be produced in great numbers through the end of the Middle Ages, throughout the Renaissance, and up to the present day Thus, to locate the "end" of the medieval tradition is to engage with all the problems attendant on drawing a clear boundary between the Middle Ages and the Renaissance. Not surprisingly, scholars of medieval and Renaissance epistolography and rhetoric disagree on the sharpness with which such a boundary can be drawn. The most influential proponent of an overlap between medieval ars dictaminis and Renaissance humanism has been Paul O. Kristeller, who argued that a disproportionate number of the early humanists made their living as practitioners and even teachers of the ars dictaminis.2 Their humanistic interests were distinct from their professional duties, and they saw no conflict between writing letters that followed the rules of dictamen in their public capacity even as they imitated the familiar letters of Cicero when writing to their fellow humanists. In a series of important articles and a recent book, Ronald Witt has done more than anyone to develop and extend Kris­ teller's insight, documenting the gradual displacement of medieval dictamen at all levels of letter writing, a process that was not com­ pleted in Italy before the end of the fifteenth century.3 Most scholars agree that medieval practices coexisted with the new learning for a long time. If medieval ars dictaminis did eventually "die", it generally did not do so in the way implied by the title of the original conference session: hence I have adapted the title of Johann Huizinga's famous book in order to describe more accurately the picture that emerges from the papers published here. In attempting to trace and explain the...

Abstract: In the Confessions (397-401) and On Christian Doctrine (396; 426), St. Augustine brackets Neoplatonic philosophy with Ciceronian rhetoric, finding the acknowledged value of each to be limited by an emphasis on individual achievement that is conducive to pride. His personal struggle to overcome such pride shaped his conception of Christian eloquence, which stresses humility through subordination to the scriptural text and service to others. The Christian orator, as defined by Augustine, is above all a teacher who embodies the biblical text, whether by using the “rule of charity” to paraphrase the truths found in Scripture, by simply repeating the actual words of the Bible, or by leading a life of charity that constitutes a kind of speech without words.

In the Confessions (397–401) and On Christian Doctrine (396; 426), St. Augustine brackets Neoplatonic philosophy with Ciceronian rhetoric, finding the acknowledged value of each to be limited by an emphasis on individual achievement that is conducive to pride. His personal struggle to overcome such pride shaped his conception of Christian eloquence, which stresses humility through subordination to the scriptural text and service to others. The Christian orator, as defined by Augustine, is above all a teacher who embodies the biblical text, whether by using the “rule of charity” to paraphrase the truths found in Scripture, by simply repeating the actual words of the Bible, or by leading a life of charity that constitutes a kind of speech without words.

Research Article| August 01 1998 Introductiones dictandi Transmundus, Introductiones dictandi, ed. and trans. Ann Dalzell (Toronto: Pontifical Institute of Mediaeval Studies, 1995) x + 254 pp. Martin Camargo Martin Camargo Department of English, 107 Tate Hall, University of Missouri Columbia, Missouri 65211, USA. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1998) 16 (3): 333–335. https://doi.org/10.1525/rh.1998.16.3.333 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Cite Icon Cite Search Site Citation Martin Camargo; Introductiones dictandi. Rhetorica 1 August 1998; 16 (3): 333–335. doi: https://doi.org/10.1525/rh.1998.16.3.333 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 1998, The International Society for the History of Rhetoric1998 Article PDF first page preview Close Modal You do not currently have access to this content.

Reviews 333 L'inventaire final, plus large que la matière traitée (il englobe même les"histoires" qui ne servent pas d'exemples) complète admirablement l'exposé, en trois étapes: les exemples sont d'abord classés, selon l'ordre traditionnel des oeuvres de Grégoire, avec tous les critères de nature rhétorique exploités dans les deux premières parties; une deuxième liste suit l'ordre alphabétique, en distinguant matériau biblique et matériau "païen"; une troisième obéit à l'ordre traditionnel de la Bible. Un livre majeur, donc, sur l'oeuvre de Grégoire de Nazianze, et un livre exemplaire, pour des enquêtes analogues sur d'autres auteurs. Alain Le Boulluec Transmundus, Introductiones dictandi, ed. and trans. Ann Dalzell (Toronto: Pontifical Institute of Mediaeval Studies, 1995) x + 254 pp. Considering how few among the hundreds of medieval arts of letter writing have been printed at all, the appearance of such a text in a critical edition is in itself an important event. Ann Dalzell's edition of Transmundus' Introductiones dictandi is especially significant because it is the first edition of an ars dictandi to be accompanied by a modern English translation of the Latin text. As Dalzell points out, the treatise merits editing and translating for several reasons: (1) it provides a comprehensive introduction to the ars dictaminis, (2) its use of classical rhetoric illuminates the "state of classical learning in the late twelfth century and contemporary attitudes toward it," and (3) its author's service as protonotary of the paper chancery invests its contents with unusual authority (pp. ix-x). An additional attraction is that the treatise is presented in the form of a letter and frequently observes the rules for the Roman cursus and the other precepts of style that it teaches. Like Geoffrey of Vinsauf's Poetria nova, with which it is exactly contemporary, the Introductiones dictandi is at once about the art of letter writing (de arte) and an example of that art (ex arte). 334 RHETORICA Dalzell provides a substantial introduction in which she treats under separate headings the life of Transmundus, as well as the composition, the sources, the style and syntax, the manuscripts, the editing, and the translating of the Introductiones dictandi. Like the equally full commentary that follows the edition and translation, the introduction not only provides the essential information about the text being edited but also about its generic context. In fact, the comprehensiveness of the text itself, the richness of the commentary, and the presence of a translation combine to make Dalzell's book an ideal introduction to the genre of the ars dictandi for advanced students of rhetoric. Among the most important scholarly contributions of the introduction is its precise description of the treatise's complex transmission. According to Dalzell, two versions of the introductiones dictandi survive. The earlier version is preserved in four copies, each of which differs from the others in significant ways. Dalzell believes that this version was composed while Transmundus was still at the papal chancery, possibly as early as the 1180s, and was subsequently revised at Clairvaux, after Transmundus had joined the monastic community there. Sometime after 1206 but still early in the thirteenth century, a second version was produced by Transmundus or someone else, probably at Clairvaux. This later, revised and expanded version is preserved in at least twelve copies, which exhibit greater consistency among themselves than do the copies of the first version. Although Version II almost certainly contains material not contributed by Transmundus, it is the version of the treatise that was most widely used and hence is the one edited and translated by Dalzell. To illustrate the relationships among the four copies of Version I and between Versions I and II, she also edits and translates the initial treatment of Style (appositio) from each copy of Version I in an appendix. Version II of the Introductiones dictandi, Dalzell further shows, is itself divided into an elementary course and an advanced course. The elementary course (sections 1-11, in her edition) sketches the basic rules on epistolary style and the parts of a letter; the advanced course is...

Research Article| May 01 1998 Theory, Text, Context: Issues in Greek Rhetoric and Oratory; Hermeneutics and the Rhetorical Tradition: Chapters in the Ancient Legacy and Its Humanist Reception; Rethinking the Rhetorical Tradition: From Plato to Postmodemism; Traditionen der klassischen Rhetorik im angelsachsischen England; The Formation of College English: Rhetoric and Belles Lettres in the British Cultural Provinces; Speaking for the Chief: Okyeame and the Politics of Akan Royal Oratory Christopher Lyle Johnstone,Theory, Text, Context: Issues in Greek Rhetoric and Oratory (Albany: State University of New York Press, 1996) 196 pp.Kathy Eden,Hermeneutics and the Rhetorical Tradition: Chapters in the Ancient Legacy and Its Humanist Reception (New Haven: Yale University Press, 1997), 119 pp.James L. Kastley,Rethinking the Rhetorical Tradition: From Plato to Postmodernism (New Haven and London: Yale University Press), pp. vi + 293.Gabriele Knappe,Traditionen der klassischen Rhetorik im angelsachsischen England (Heidelberg: Universitatsverlag C. Winter, 1996), xx + 573 pp.Thomas P. Miller,The Formation of College English: Rhetoric and Belles Lettres in the British Cultural Provinces, (Pittsburgh: Pittsburgh University Press, 1997), x + 345 ppKwesi Yankah,Speaking for the Chief: Okyeame and the Politics of Akan Royal Oratory, African Systems of Thought (Bloomington: Indiana University Press, 1995), 194 pp. George Pullman, George Pullman Department of English, Georgia State University, Atlanta, Georgia 30303-3083, USA. Search for other works by this author on: This Site PubMed Google Scholar Richard A. Miller, Richard A. Miller Bowling Green State University, Bowling Green, Ohio 43403, USA. Search for other works by this author on: This Site PubMed Google Scholar Thomas M. Conley, Thomas M. Conley University of Illinois, 244 Lincoln Hall, 702 S. Wright Street, Urbana, Illinois 61801, USA Search for other works by this author on: This Site PubMed Google Scholar Martin Camargo, Martin Camargo Department of English, 107 Tate Hall, University of Missouri Columbia, Missouri 65211, USA. Search for other works by this author on: This Site PubMed Google Scholar Kermit Campbell, Kermit Campbell Department of English, Parlin Hall, University of Texas, Austin, Texas 78712, USA. Search for other works by this author on: This Site PubMed Google Scholar Lynee Lewis Gaillet Lynee Lewis Gaillet Department of English, Georgia State University, Atlanta, Georgia 30303-3083, USA. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1998) 16 (2): 227–242. https://doi.org/10.1525/rh.1998.16.2.227 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Cite Icon Cite Search Site Citation George Pullman, Richard A. Miller, Thomas M. Conley, Martin Camargo, Kermit Campbell, Lynee Lewis Gaillet; Theory, Text, Context: Issues in Greek Rhetoric and Oratory; Hermeneutics and the Rhetorical Tradition: Chapters in the Ancient Legacy and Its Humanist Reception; Rethinking the Rhetorical Tradition: From Plato to Postmodemism; Traditionen der klassischen Rhetorik im angelsachsischen England; The Formation of College English: Rhetoric and Belles Lettres in the British Cultural Provinces; Speaking for the Chief: Okyeame and the Politics of Akan Royal Oratory. Rhetorica 1 May 1998; 16 (2): 227–242. doi: https://doi.org/10.1525/rh.1998.16.2.227 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 1998, The International Society for the History of Rhetoric1998 Article PDF first page preview Close Modal You do not currently have access to this content.

Reviews 233 dramatic characters and explain their actions as though they were real people. The Socrates Kastley portrays seems less like the Socrates of Plato than that of Cameades's Academy. And if Persuasion shows us how, in the wake of social transformations, it became necessary for women to discover how to speak, cannot the same be said of men? On the other hand, Kastley's argument that Sartre quietly allows Kant in by the back door and his detailing of the paradoxical results of de Man's favoring knowledge over action are both persuasive. Even more impressive is the subtlety with which he thinks through the problems posed by post-Enlightenment thinking to reject the temptation to find some place to stand "outside the rhetorical flux" and move, rather, toward a world in which we act, toward a community that is pluralized, temporal, and a provisional form of sharing, where we might begin to wrestle with the injustice and injury that are inevitable, but not insurmountable. Kastley's "refutations" are, in the end, affirmations; and for those he is to be commended. THOMAS M. CONLEY University ofIllinois Gabriele Knappe, Traditionen der klassischen Rhetorik im angelsachsischen England (Heidelberg: Universitatsverlag C. Winter, 1996), xx + 573 pp. According to Gabriele Knappe, previous efforts to assess the knowledge, use, and function of classical rhetoric in Anglo-Saxon England have failed to distinguish between the tradition of ancient rhetoric proper and elements of rhetorical instruction taken over by grammarians. The goal of the former was the production of prose texts designed to have a specified effect on an audience, while the principal goal of the latter was the proper interpretation of texts and only secondarily their production. Systematic evaluation of all available evidence indicates little or no direct knowledge of classical rhetoric per se in England from the seventh through the eleventh centuries: Knappe demonstrates convincingly that the sources of "rhetorical" instruction available in early medieval England invariably belong to the grammatical tradition. RHETORICA 234 The study is divided into four large parts. Part I raises the central problem of the different traditions of classical rhetoric, surveys and critiques previous research on classical rhetoric in Anglo-Saxon England, and concludes with a brief overview of the book’s goals and procedures. In Part II, Knappe sketches the major developments in the teaching and transmission of rhetoric in late antiquity, with particular emphasis on the ways in which the teaching of the figures was incorporated into grammatical textbooks, such as that of Donatus; into other works, notably Cassiodorus's Expositio psalmorum, that may have been used in teaching grammar; and, along with the progymnasmata, into a grammar instruction that was broadened to include not only "correct" but also "good" speaking and writing and even the production of texts. The heart of the book documents the reception of the traditions of classical rhetoric in Anglo-Saxon England. Drawing on the evidence of surviving insular manuscripts, book lists, and contemporary testimony, Knappe concludes that the Anglo-Saxons appear not to have participated in the transmission of ancient rhetorical texts. Even the single work by an Anglo Saxon author that is directly based on such texts, Alcuin's Dialogus de rhetorica et de virtutibus, was written and circulated on the Continent. In his panegyrical verses on York, Alcuin claims that archbishop Alberht taught Ciceronian rhetoric; but if this is true, no other traces of that teaching survive. By contrast, Knappe finds abundant evidence for the availability and use of grammatical texts with rhetorical contents. In considerable detail, she shows that texts such as Bede's Liber de schematibus et tropis, Elfric's grammar, and Byrhtferth's Manual derive their treatments of the figures exclusively from grammatical sources. Part IV approaches the question of influence from the perspective of text production, especially in the vernacular. Although Knappe is able to make some distinctions regarding rhetorical techniques—for example, writers of prose prefer figures that enhance clarity and accuracy, whereas writers of verse are more likely to employ figures for aesthetic effect—the considerable overlap with native Germanic traditions makes it impossible in most cases to prove that a given passage was influenced by rhetorical doctrines taught in the context...

Abstract: Among the hundreds of medieval treatises on letter writing (artes dictandi) are at least four that are written entirely in hexameter verse. Moreover, the verse treatises by Jupiter Monoculus and Otto of Lüneburg are preserved in dozens of fourteenth- and fifteenth-century manuscripts, where they are usually accompanied by commentaries. The surprising popularity of these texts is due in part to their curricular association with the most successful general composition textbook of the Middle Ages, Geoffrey of Vinsauf's Poetria nova, which is also written in hexameters. In addition, they served the same pedagogical functions as the verses that are embedded in many prose artes dictandi: they give pleasure through variety, they provide concise summaries of doctrine, and they facilitate memorization through the use of meter and (often) rhyme.

Research Article| May 01 1994 The Arts of Poetry and Prose Douglas Kelly,The Arts of Poetry and Prose, Typologie des sources du moyen Âge occidental, 59 (Turnhout: Brepols, 1991), 182 pp. Martin Camargo Martin Camargo Department of English, 107 Tate Hall, University of Missouri, Columbia, MO 65211, USA. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1994) 12 (2): 229–232. https://doi.org/10.1525/rh.1994.12.2.229 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Cite Icon Cite Search Site Citation Martin Camargo; The Arts of Poetry and Prose. Rhetorica 1 May 1994; 12 (2): 229–232. doi: https://doi.org/10.1525/rh.1994.12.2.229 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 1994, The International Society for the History of Rhetoric1994 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| May 01 1988 Toward a Comprehensive Art of Written Discourse: Geoffrey of Vinsauf and the Ars Dictaminis Martin Camargo Martin Camargo Department of English, University of Missouri, Columbia, Missouri 65211. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1988) 6 (2): 167–194. https://doi.org/10.1525/rh.1988.6.2.167 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Cite Icon Cite Search Site Citation Martin Camargo; Toward a Comprehensive Art of Written Discourse: Geoffrey of Vinsauf and the Ars Dictaminis. Rhetorica 1 May 1988; 6 (2): 167–194. doi: https://doi.org/10.1525/rh.1988.6.2.167 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search Copyright 1988, The International Society for the History of Rhetoric1988 Article PDF first page preview Close Modal You do not currently have access to this content.