As this article argues, a systematic approach to WAC/WID work that conceptualizes interdisciplinary interaction as a deliberative argument (rather than a benign collaboration) benefits all aspects of a WAC/WID program, in particular projects involving writing and other disciplinary faculty. Our approach builds from scholarship that highlights the distinction between “adversarial” and “collaborative” deliberation, in particular the work of Patricia Roberts-Miller and the foundational rhetoric theories of Chaïm Perelman and Lucie Olbrechts-Tyteca. After laying out the contours of our approach, the article details a recent not-quite-successful attempt at interdisciplinary collaboration. In documenting this example, we illustrate that a systematic focus on combining adversarial and collaborative deliberation can prevent common pitfalls of writing scholars working with other disciplinary faculty, including the problems that arise when writing is considered ancillary to disciplinary “content.” In this sense, our example highlights the deliberative missteps that our approach is precisely designed to prevent.

This article examines the role of emotions in writing center consultations, specifically the use of Carl Rogers’ (1951) empathic listening and responding strategies as a way to acknowledge and engage students’ emotions during writing support. Using survey research and analysis of observations, the training consultants in Rogerian strategies was determined to be an effective approach. Key words : Rogers, empathic listening, empathic responding, empathy, survey research, observation, training Even with data about emotional impacts in college, such as the 2016 annual report from The Center for Collegiate Mental Health (Pennsylvania State University) listing anxiety as the most commonly reported issue (61%), there is a tendency in higher education to downplay emotions and the correlations of attending (or not) to affective dimensions and student success (Beard, Clegg, & Smith, 2007; Morin-Major et al., 2016). This emphasis on the cognitive aspects of writing can make higher education seem like an “emotion-free zone” (Mortiboys, 2011), but this is not always in students’ best interests. Since writing centers are embedded in the larger institutional culture, the emphasis on cognitive concerns impacts our work. Writing center scholarship has examples of addressing emotive concerns and includes discussions about therapeutic approaches. In tutor training manuals, many of the suggestions regarding working with emotional students set up a cautious position for the tutor (Lape, 2008). For many years, our scholarship has leaned toward cognitive discussions (Agostinelli, Poch, Santoro, 2000), and even recent reviews of writing center literature still reveal a concentration on cognitive skills and the negative impact of emotions (Lawson, 2015). Seeing students as emotional beings, acknowledging that academia cannot be an “emotion-free zone,” is important. The question for writing centers is to what extent should we address the affective elements inherent in writing center work. Certainly, consultants are not counselors. If they attempt to act as such, they make themselves and the students with which they interact vulnerable in ways that may not be healthy. Additionally, writing centers cannot provide the tools, training, and certifications to prepare peer-writing consultants to address all the emotional needs of all students. But there are still tools within psychology that can be used to acknowledge the cognitive and emotive elements of students in writing centers in ways that are supportive of them as people first and writers second. In this article, we explore the ways in which addressing emotions in writing center work has been discussed and then look specifically at how using Carl Rogers’ (1951) empathic listening and responding approach can support the inclusion of emotions in writing consultations as a way to lead into our study examining and applying empathic listening at our writing center.

Using Mariolina Salvatori’s difficulty paper assignment to explore student experiences when reading, this paper examines basic writing students’