This article analyzes the rhetoric of public attitudes toward composition, as represented in Stanley Fish’s “Think Again” blog in the New York Times and in comments posted by his readers. Fish denounces the field of composition as highly politicized and anti-academic and advocates instead a belletristic, current-traditional approach. The dialogue between Fish and his audience exemplifies the web of definitions and logical fallacies by which current-traditionalism and belletristic English frame public attitudes. To the extent that composition’s “public turn” involves engaging public opinion, compositionists must anticipate this framing or else find their engagements ineffective, even self-defeating.

This article is a rhetorical analysis of the anxious and outraged discourse employed in response to the “rising tide” of cheating and plagiarism. This discourse invites actions that are antithetical to the goals of education and the roles of educators, as exemplified by the proliferation of plagiarism-detection technologies.