The author uses the example of a text a student was not allowed to display on his course website to explore how and why institutional ideologies particular to the historical development of composition and creative writing—especially when viewed in conjunction with current copyright law—render students’ multimedia compositions illegitimate. He suggests that the ideological apparatuses of writing instruction and the legal statutes of U.S. culture at large combine to radically restrict the production and circulation of students’ multimedia texts and inhibit students’ power as writers.