ABSTRACTThis essay responds to Alva Noë's arguments that popular musics (rock, country, etc.) organize listeners through style and personality, while other musics, such as classical and jazz, organize listeners on the music itself. Noë's arguments suggest that music is an existential phenomenon, and thus that music is ontological. There is much to like here, including the idea that musics can be existentially different. However, the work of pop musics cannot be confined solely to stylistics and personality; pop also has musical interest, which I explicate as the exploration of sound (3D)—timbre, groove, beat, tonality, texture, and so on. Classical, jazz, and other kinds of music may seek to emphasize the music itself (2D), but they are also caught up in style. Music, I conclude, is rhetorical in how it organizes or “moves” us, and we must attend to all its dimensions, musical and stylistic, in order to understand how so.

ABSTRACT The emergence of narratives concerning post-truth, alternative facts, fake news, and the like underpins a felt sense of crisis about the possibility of debate, insofar as argument depends on truth norms. This essay argues that the post-truth narrative is regressive. It depends on Enlightenment-derived standards of truth that were from the beginning impoverished. I argue that rather than appeal nostalgically to the past, we should look to arguments interior to rhetorical history that point to truth norms that include worldly experience, or thereness. Using examples from Protagoras, Johann Georg Hamann, and Maurice Merleau-Ponty, I briefly expand on different ways of conceiving how to marry worldly involvements to our conceptions of knowledge. The world, inclusive of radical technological change, doesn't just shape but takes part in who we are and what we know, say, and do. In this sense, argument and debate are ambient phenomena.

It used to be that only rhetoricians of science and technology read Bruno Latour. However, Paul Lynch and Nathaniel Rivers’s 2015 collection Thinking with Bruno Latour in Rhetoric and Composition d...

AbstractThe Presocratic thinker Parmenides is portrayed in philosophy and rhetoric as a philosopher of static monism anticipating reason's triumph over myth. Such a portrayal is narrow and ill fits the evidence. Parmenides was associated with a cult of priest-healers (iatromantis) of Apollo who practiced incubation, usually in caves, in order to receive wisdom and truth. Parmenides's famous poem “On Being” (“Peri Phuseōs”) reflects these practices. The poem directly invokes altered states of consciousness, revelations from the gods, and an underworld descent (katabasis). Further, the poem is of strong rhetorical interest because it directly discusses rhetorical themes of persuasion, truth, and knowledge. Additionally, the poem suggests that rationality alone cannot suffice to liberate human beings from worldly illusions; rather, reason must be accompanied by a combination of divine inspiration and mêtis (cunning wisdom).

Reviewed are Academic Charisma and the Origins of the Research University by William Clark; Buying into English: Language and Investment in the New Capitalist World by Catherine Prendergast; How the University Works: Higher Education and the Low-Wage Nation by Marc Bousquet; and Inside the Teaching Machine: Rhetoric and the Globalization of the U.S. Public Research University by Catherine Chaput.