For those like me who were eagerly awaiting the publication of the second edition of Document Design: From Process to Product in Professional Communication , you will not be disappointed! The new edition exceeds my expectations for updated content and examples—while staying true to the original focus on design theory and principles in practice. It balances foundational aspects of visual rhetoric and usability, while providing new insights on digital technologies and production.

As noted in my previous editorial, this semester I've been adjusting to my new role as CDQ 's Editor-in-Chief. It has been rewarding working with Associate Editor Casey McArdle on our first issue together. In keeping with CDQ 's roots, Casey has been spearheading a comprehensive review of our in-house and public-facing documentation and streamlining our production processes. He also helped to shoulder the load associated with copyediting and producing the articles for this exciting issue. Later in this editorial, you'll hear more from Casey about generative artificial intelligence (GenAI), pedagogical trust, bridges between academia and industry, and accessibility as a core design competency. Meanwhile, I've been settling into my new role as Associate Professor and Chair of Professional and Public Writing at the University of Rhode Island, reconnecting with old friends, and making trips to the shore where I've observed firsthand how the coastline has changed. On clear days, it is now possible to identify windmills on the horizon offshore.

At a moment when questions of equity and access are reshaping higher education and professional practice, technical and professional communication (TPC) is undergoing a "social justice turn" that centers ethics, equity, and care within its research and design practices. Designing for Social Justice: Community-Engaged Approaches in Technical and Professional Communication (edited by Jialei Jiang and Jason C. K. Tham, 2025) situates itself squarely within this movement, framing justice not as an optional theme but as a guiding principle for communication design. Jiang and Tham note that this collection "explore[s] the intersection of multimodal design and community engagement for social justice" (p. 3), and they introduce design advocacy to capture this orientation.

In Feminist Technical Communication , Erin Clark both articulates and demonstrates an apparent feminist lens on the idea of slow crisis. She does this through a case study of the Deepwater Horizon Disaster (DHD), the 2008 oil spill into the Gulf of Mexico in which the lack of clear answers on health impacts demonstrates a critical need for transparency. By tracing DHD through a feminist lens and under the realm of crisis management, Clark raises important questions about what we mean when we talk about efficiency, how we define crisis, and how critical these questions are to the reconsideration of technical communication as neutral or objective. Her primary argument focuses on her theoretical contribution of apparent feminism that works to acknowledge and bring to light the need for explicitly feminist practices. Through Feminist Technical Communication , Clark provides scholars, practitioners, and community members with a new approach to crisis and risk communication.

Kristin Pickering presents a valuable case study that focuses on how professional communicators and researchers make sense of the narratives and values between stakeholders who may be at odds with each other. This is especially important in land usage and environmental protection cases like the Grey Cliffs, where the practices of private citizens and government regulated organizations conflict. Through Pickering's well-structured case study, she shares a fascinating web of documentation practices, discourse expectations, and community narratives and how they affect the communication practices between organizations and communities.

Queer Techné: Bodies, Rhetoric and Desire in the History of Computing is a little book doing big things. Author Patricia Fancher presents a well-theorized recovery of both queer lives and the lives of women in the history of computing, something of great import to scholars in technical and professional communication (TPC). Fancher engages with queer theory, rhetoric, technical communication, historiography, archival studies, mathematics, computers, and engineering, resulting in a robust interdisciplinary work. At the center of the book is Alan Turing, a pioneering mathematician and gay man, but just as important are the people around him—his queer community and the women of the University of Manchester Computer Lab. Fancher uses queer and embodied techné to explore these communities and the writing that occurred within them. Through this, she presents a case that pushes back against popular narratives of Alan Turing as a solitary genius while also bringing forward the embodied human presence in computing and TPC.

Fitter, Happier: the Eugenic Strain in Twentieth-Century Cancer Rhetoric (2024) by Lois Peters Agnew argues that American cancer rhetoric from 1900-1990 was built around eugenic ideology. Agnew says, "The tension between the need to acknowledge the real danger of cancer and the American insistence upon confidence and control lies at the heart of cancer rhetoric" (p. 5). This tension is delineated through a disability studies approach to analyzing historical documents regarding cancer and cancer patients. Agnew asserts that though cancer and disability are not synonymous, "the lens of disability studies can be helpful in understanding how cancer rhetoric establishes a pattern of normative responses to the phenomenon of disease" (p. 6). Her analysis of these responses relies on the work of disability studies scholars such as Rosemarie Garland-Thompson (1997), Jay Dolmage (2017), Sharon Snyder and Jack Mitchell (2015), Susan Sontag (1977), and Susan Wendell (2013), whose work helps to illustrate the overlap of disability, cancer, and eugenic rhetoric.

In working to put into practice the user-centered philosophies that are presented within the pages of UX Writing: Designing User-Centered Content , this book is worth reading, dog-earing, marking up, and possibly rereading depending on interest in learning more about any facet of UX writing/experience. Why? The short answer is that the authors, Tham, Howard, and Verhulsdonck, thoughtfully and strategically kick the book off with a basic yet necessary definition and perspective of user experience (UX) writing that works to set the stage for what UX writing really is and what influence it has on technical communication.

In User Experience Research and Usability of Health Information Technology , Jessica Lynn Campbell offers a guide on the design and implementation of usability studies to improve the user experience with health information technology (HIT). HIT is a broad and growing category, which includes applications such as telemedicine, electronic health records, and electronic communications between healthcare providers and patients. Given the increasing use of HIT, this is a welcome resource for both researchers and practitioners interested in improving user experiences and, ultimately, positive health outcomes. Campbell brings strong professional experience in the healthcare field, having worked in digital marketing, technical communication, and content creation roles. She is also an accomplished teacher and researcher within the technical communication and user experience disciplines. She draws on this diverse background to create a text intended for use by both academic scholars and healthcare practitioners.

Voice and Tone Strategy: Connecting with People through Content by John Caldwell is an addition to The Content Wrangler series from XML Press, published in 2020. The primary goal of Caldwell's work is to give readers a straightforward and applicable content development process—the Vertical Voice and Tone Framework (p.10)—and subsequent implementation. In the book, Caldwell centers an argument for authentic connections with users through a value-centered approach to design, drawing from his experience in the industry as a strategic developer in brand voices for well-known companies such as TurboTax and QuickBooks. Caldwell's four key concepts, framed as "building blocks," support the Vertical Voice and Tone Framework, which is a goal-driven, four-part framework that aims to create an improved or new voice and tone strategy for individuals or brands looking to revisit what it means to connect with an audience in their professional practice.

Interrogating Gendered Pathologies , edited by Erin A. Frost and Michelle F. Eble, presents an illuminating and diverse critical study of the complex gender discrimination that historically and presently affects doctor-patient relations and medical institutions. The text's goal is to acknowledge these issues, instigate discussion, and aid in finding potential pathways to policy change.

Kate Crane and Kelli Cargile Cook's edited collection on User Experience as Innovative Academic Practice offers case studies in technical and professional communication (TPC) pedagogy that premise around user experience (UX) design as an integrated and proactive academic practice. TPC has a rich history of UX-specific scholarship that focuses on creating holistic user experiences and conceptions such as experience architecture (Potts, 2014), design as advocacy (Rose, 2016), and participatory design (Muller, 2009). These are consistently weaved throughout the book. Crane and Cook define UX as a "theory and practice that emphasizes the need for functional products that integrate the users' needs and experiences" (p. 10). This collection features exploratory studies that discuss key methods and approaches for facilitating UX-inspired curricular design by framing student-users as co-creators in the process.

Data Justice and the Right to the City consists of a set of case studies each exploring the intersections between urban governance and datafication. This volume, edited by Morgan Currie, Jeremy Knox, and Callum McGregor, situates itself within the critical discourse on how data-driven technologies reshape urban spaces, impacting notions of citizenship, justice, and democracy. Each chapter draws inspiration from Henri Lefebvre's concept of the Right to the City (RTTC) theory by integrating data justice as a complementary framework to address the political ramifications of datafication in urban contexts. RTTC emphasizes participatory parity in urban space by developing spaces and data systems that enable all residents, regardless of their economic status, cultural background, or political power, to have an equal say in how their cities are designed and managed.

Have you ever wondered how design matters other than in content, structure, and insightful arrangement? Amy Gore's latest text, Book Anatomy: Body Politics and the Materiality of Indigenous Book History, can provide some answers to this question. A single sentence from the concluding chapter in her book--- "When we read a book for its narrative content only, we miss half the story" (p.125)---speaks volumes about where lies the book's alternative rhetorical possibility. This alternative rhetoricity rests on paratextuality manifesting a text's layout, cover design, and spatial texture that make up the cornerstone of design-based communicative practices.

In Amplifying Voices in UX, a diverse group of scholars and practitioners come together to explore different aspects of user experience (UX) with a focus on inclusivity and social justice. This book moves beyond conventional UX frameworks, presenting innovative pedagogical strategies and methodologies that highlight empathy, accessibility, and the importance of considering marginalized voices in design. The authors delve into areas often overlooked in mainstream UX discourse, offering new perspectives on how to create more inclusive and impactful user experiences.

Engineering Words: Communicating Clearly in the Workplace by Sharon Burton and Bonni Graham Gonzalez emphasizes that effective communication is essential for engineers to succeed in their careers. The book argues that technical brilliance alone is insufficient, and engineers must also convey their ideas clearly and persuasively to various audiences in business environments. It provides practical guidelines and techniques for various forms of communication that engineers commonly use. These include writing clear business documents, creating compelling presentations, and understanding the business context in which engineering communication occurs. Additionally, the authors integrate concepts of human cognition to explain how people process information and how this understanding can be applied to improve communication. They argue that mastering communication can significantly enhance an engineer's career prospects and influence.

Embodied Environmental Risk in Technical Communication , edited by Samuel Stinson and Mary Le Rouge, is a timely collection of essays addressing the ways that humans conceptualize and interact with their environment when attempting to communicate the dangers of crises---such as climate change and COVID-19. Explicitly responding to the work of Jeffrey Grabill and Michelle Simmons (e.g., in their seminal 1998 essay, "Toward a Critical Rhetoric of Risk Communication"), this collection offers a broad variety of lenses for thinking about humans' relationships to their surroundings, especially while communicating environmental risk. The 14 chapters in this volume apply methodologies including rhetorical and discourse analysis, ethnography, integrated risk communication, and antiracist framing to topics ranging from university communications about the pandemic to groundwater pollution to upcycled art installations, in the process complicating traditional understandings of risk as something that exists "'out there,' independent of our minds and cultures, waiting to be measured" (Slovic, 1999, p. 690). Considered broadly, the collection offers human bodies and ecological impact as more effective barometers for risk than abstract calculations; individual chapters offer heuristics grounded in human experience or environmental considerations, along with discussion questions and assignments for use in classroom settings. The diversity of topics and methodologies represented ensure that the collection offers something of interest to most scholars and practitioners of risk communication, environmental communication, or embodiment in technical communication.

Update culture and the afterlife of digital writing represents an ambitious project in which John R. Gallagher explores two primary claims. First, he introduces the idea of "interactive and participatory internet (IPI) templates" (p. 8) as structures that allow for constant rewriting and rereading of digital content. He argues that these templates foster communication by providing a model that encourages users to compose to each other based on certain characteristics, and arguably constraints, unique to digital environments. Second, he explores the idea that digital writers have developed new strategies that impact how they (re)compose, as well as interact, with participatory audiences who are closer to writers than ever before. In order to analyze these claims, Gallagher performs a series of interviews with forty writers who are top performing Redditors, Amazon reviewers, and online journalists/bloggers. Through these interviews, Gallagher connects common writing strategies that are employed by the writers as they work within the framework of specific templates and interact with their different audiences.

Privacy matters: Conversations about surveillance within and beyond the classroom presents a salient investigation into the impacts of surveillance upon writing education, embodiment, and culture. Authors Estee Beck and Les Hutchinson Campos set out to constellate surveillance-focused rhetoric, writing, and technical communication scholarship to empower educators, administrators, and professionals to "subvert the state" by investigating how privacy and surveillance impact writing practices, agency, community, identity formation, and citizenship. Organized thematically into three parts---surveillance and classrooms, surveillance and bodies, and surveillance and culture---this 2020 edited collection presents a snapshot in time of surveillance in writing technology as it is broadly defined, inviting scholars to continue the discussion as surveillance and cultures continue an entangled evolution.

In Salt of the earth: Rhetoric, preservation, and white supremacy , James Chase Sanchez examined rhetorical processes that sustain white supremacy: identity construction, storytelling, and silencing. This cultural rhetorics project used narrative inquiry, autoethnography, and constellation to explore "hegemonic storytelling" (p. 47--48). Sanchez centered narratives about growing up "Brown" (p. 10) in Grand Saline, Texas and returning to his hometown years later to create a documentary film, Man on Fire , about minister Charles Moore's self-immolation in a local parking lot. Ultimately, Sanchez argued that a deeper understanding of oppressive rhetorics is useful for rhetorical scholars, communications practitioners, and storytellers of all types (historians, journalists, filmmakers, archivists, etc.). He guided rhetoric and communications design towards more thoughtful consideration of embedded communicative norms and the harmful practices they conceal.

Privacy matters: Conversations about surveillance within and beyond the classroom presents a salient investigation into the impacts of surveillance upon writing education, embodiment, and culture. Authors Estee Beck and Les Hutchinson Campos set out to constellate surveillance-focused rhetoric, writing, and technical communication scholarship to empower educators, administrators, and professionals to "subvert the state" by investigating how privacy and surveillance impact writing practices, agency, community, identity formation, and citizenship. Organized thematically into three parts---surveillance and classrooms, surveillance and bodies, and surveillance and culture---this 2020 edited collection presents a snapshot in time of surveillance in writing technology as it is broadly defined, inviting scholars to continue the discussion as surveillance and cultures continue an entangled evolution.

In Salt of the earth: Rhetoric, preservation, and white supremacy , James Chase Sanchez examined rhetorical processes that sustain white supremacy: identity construction, storytelling, and silencing. This cultural rhetorics project used narrative inquiry, autoethnography, and constellation to explore "hegemonic storytelling" (p. 47--48). Sanchez centered narratives about growing up "Brown" (p. 10) in Grand Saline, Texas and returning to his hometown years later to create a documentary film, Man on Fire , about minister Charles Moore's self-immolation in a local parking lot. Ultimately, Sanchez argued that a deeper understanding of oppressive rhetorics is useful for rhetorical scholars, communications practitioners, and storytellers of all types (historians, journalists, filmmakers, archivists, etc.). He guided rhetoric and communications design towards more thoughtful consideration of embedded communicative norms and the harmful practices they conceal.

Embodied Environmental Risk in Technical Communication , edited by Samuel Stinson and Mary Le Rouge, is a timely collection of essays addressing the ways that humans conceptualize and interact with their environment when attempting to communicate the dangers of crises---such as climate change and COVID-19. Explicitly responding to the work of Jeffrey Grabill and Michelle Simmons (e.g., in their seminal 1998 essay, "Toward a Critical Rhetoric of Risk Communication"), this collection offers a broad variety of lenses for thinking about humans' relationships to their surroundings, especially while communicating environmental risk. The 14 chapters in this volume apply methodologies including rhetorical and discourse analysis, ethnography, integrated risk communication, and antiracist framing to topics ranging from university communications about the pandemic to groundwater pollution to upcycled art installations, in the process complicating traditional understandings of risk as something that exists "'out there,' independent of our minds and cultures, waiting to be measured" (Slovic, 1999, p. 690). Considered broadly, the collection offers human bodies and ecological impact as more effective barometers for risk than abstract calculations; individual chapters offer heuristics grounded in human experience or environmental considerations, along with discussion questions and assignments for use in classroom settings. The diversity of topics and methodologies represented ensure that the collection offers something of interest to most scholars and practitioners of risk communication, environmental communication, or embodiment in technical communication.

Update culture and the afterlife of digital writing represents an ambitious project in which John R. Gallagher explores two primary claims. First, he introduces the idea of "interactive and participatory internet (IPI) templates" (p. 8) as structures that allow for constant rewriting and rereading of digital content. He argues that these templates foster communication by providing a model that encourages users to compose to each other based on certain characteristics, and arguably constraints, unique to digital environments. Second, he explores the idea that digital writers have developed new strategies that impact how they (re)compose, as well as interact, with participatory audiences who are closer to writers than ever before. In order to analyze these claims, Gallagher performs a series of interviews with forty writers who are top performing Redditors, Amazon reviewers, and online journalists/bloggers. Through these interviews, Gallagher connects common writing strategies that are employed by the writers as they work within the framework of specific templates and interact with their different audiences.

In the wake of the controversy surrounding the new AI chatbot application, ChatGPT, I wonder how Logie would seek to include this new technology in his work. I ponder this because, throughout the book, Logie presents compelling evidence for why the concepts of invention, composition, and internetworked writing should be embraced and not feared. While some denounce the application and take to social media to disparage the possible negative impact on students, creativity, and composition, ChatGPT, I believe Logie would argue, would be a powerful tool we can implement to become "composers." He believes that through cloud computing services we are now more apt to collaborate, use, remix, and create rhetorical modes that extend far beyond the formulaic argument, therefore we are composers. So, Logie applies the idea of a composer as someone who is a "prosumer" (Toffler). This composer is media literate and transforms traditional rhetorical canons into multimodal compositions such as memes, Google Docs, and digital collages. However, his overarching argument is that internetworked writing tools have democratized writing through that same offering of innovative outlets. His book is arranged in a way that walks the reader through this argument.

Will someone please think of the children? W.C. Fields has been notoriously associated with the warning "never to work with children and animals." And he was right! Both varieties of co-performers are guaranteed to steal the show from any adult in the general vicinity. It is generally accepted that commercials with a cute puppy and a Sarah Mclachlan soundtrack, or a baby amid famine and natural disaster is much more likely tug at heartstrings and garner cash donations than a city planner with a spreadsheet and a clip board. Consequently, the "adorable baby" cliché can be found everywhere from sitcoms to advertisements for products as diverse as healthcare, luxury brand cars, and banking securities services.

In User Experience as Innovative Academic Practice , editors Kate Crane and Kelli Cargile Cook present and curate fresh perspectives for instructional and curriculum design by arguing that technical and professional communication (TPC) programs will benefit if user experience (UX) methodologies are applied in pedagogical settings to gain greater insight into the student user's needs, challenges, and environments, thereby not only making student users the center of the course design process, but also co-creators of instructional materials and strategies. To support the effectiveness of UX methodologies in learning about student needs and assessing program success, Crane and Cargile Cook bring together authors who present case studies where UX methods such as user profiles, journey maps, usability studies, diary entries, affinity diagramming, and so on were applied in various aspects of pedagogic design and re-design.

Sonic rhetoric is still a relatively small field within writing studies. For the uninitiated, the editors define soundwriting as the study and practice of writing recorded texts. As a digital and multimodal text,Tuning in to Soundwritingexplores how aural rhetoric should be given as much consideration as visual and written composition. Building on their 2018 edited collection,Songwriting Pedagogies, editors Kyle D. Stedman, Courtney S. Danforth, and Michael J. Faris explore compositional approaches to soundwriting through interdisciplinary practices. All five chapters are grounded in practical applications showcasing how soundwriting can be a generative approach to composition, allowing students to consider accessibility, technology, and audience reception in meaning making.

Wilfredo Alvarez's (2022) Everyday Dirty Work: Invisibility, Communication, and Immigrant Labor premises its thesis around "the vital relationship among work, social and cultural integration, and language acquisition" (p. 3) for many multiply marginalized immigrants in the United States, particularly Latin Americans. In his case study of Latin American immigrants who served as janitors at a predominantly white public institute---Rocky Mountain University (RMU)---and their interactional, intercultural, and organizational communications with their patrons (e.g., university faculty, students, or staff), Alvarez theorizes how facets of social identities, communications, languages, and workplace settings are intimately intertwined to generate and reinforce public imaginaries and readings of marginalized immigrant individuals and communities.

Yvonne Cleary's The Profession and Practice of Technical Communication (2022) offers a narrative survey on communication design/technical communication as an academic field of study but also builds bridges between academic work (both pedagogical and research-oriented) to work environments and practitioners in the professional realm. Because of the book's organizational structure and approachable text, Cleary is highly successful both in her research and the presentation of it, creating a valuable resource for students and providing insight for field practitioners.

In Vibrant Matter: A Political Ecology of Things (2010), Jane Bennett encourages her readers to slow down the internal thoughts of human superiority over "intrinsically inanimate matter" --- thoughts that prevent them from "detecting...a fuller range of the nonhuman powers circulating around and within human bodies" and their political systems (p. ix). Some readers of CDQ may wonder why a book from 2010 is worth our attention in 2022. The COVID-19 pandemic, the U.S. Supreme Court's ruling on women's reproductive autonomy, and the restrictions placed on the EPA's control over carbon emissions all suggest a clear resurgence of what Bennett calls the oft-repeated "vitalism-materialism debate" (p. 90)---the debate over how far affect, agency, animacy, and vitality extend. Bennett resolves the tensions of that debate by fusing traditional ideas of mechanistic materialism with the notions of an unknowable agency in all matter (not just humans), an agency that lacks representation in current political thought. If technical communicators and designers dedicated to crisis/risk communication as well as those studying and producing political technologies (Cheek, 2021, 2022) didn't see the application of Bennett's "vital materialism" at the end of the Bush era's heated debates over stem cell research and the war in Iraq as well as the North American power blackout of 2003, then perhaps, given the current political climate, I can persuade them to find merit in revisiting Bennett's arguments.

Beyond the Makerspace: Making and Relational Rhetorics (2021) provides an engaging study of contributions makerspaces provide (both within and outside the making movement) to meaning making through the lens of rhetoric and storytelling. Shivers-McNair situates herself as both a storyteller and an amateur maker in the makerspace she studies and considers applications from these stories for instruction and making knowledge. Situating rhetoric within makerspaces allows Shivers-McNair to create a broad understanding of the relational rhetorics that are "both more than symbolic and more than human" (p. 11). Questioning and evaluating the boundaries between individuals within these spaces allows Shivers-McNair to evaluate conceptualizing meaning making beyond the making movement, an important trend towards reconceptualizing making as an embodied and relational practice that extends to different contexts in society (Gollihue, 2019). Through six chapters, Shivers-McNair provides a concise look into how meaning can be embodied by the individuals of the SoDo Makerspace and how considerations towards making as a relational rhetorical act can extend beyond the scope of one specific makerspace. Readers are invited to consider making as a boundary-marking practice that can speak to the larger nature of how we understand meaning beyond words.

In Dislike-Minded , Jonathan Gray makes a fascinating case for why the idea of dislike, away from disgust, anger, or hatred is worthy of its own lane of study. Pointing out that ratings, algorithms, collection data, and even academia prioritizes positive attributes like likes , Gray suggests that we in fact do a disservice to our understanding of choice (what it is, who it's for, and why) by excluding ideas that represent dislike. As an extension of taste, he points out that our connection of dislike to negative opinions like hate or aversion are misdirected as a group opinion instead of an individual idea. Further, the book suggests that this view reduces dislike's complex emotional engagement---comprised of a number of factors that include things like disappointment or expectation, the inescapable nature of the work, or the critical reception of a text or its handling of specific ideas---down to a simplistic dismissal or nonchalance. Instead, Gray posits that dislike works as a focused narrow consideration that often requires a deep connection to either the subject, or the subject field. However, it is often thought of based off a grouping of generalized characteristics akin to assumptions or stereotypes, as opposed to its actual singular positionality, where dislike straddles the complicated line between scrutiny and dissatisfaction.

Eli Goldblatt and David A. Jolliffe's 2020 Literacy as Conversation: Learning Networks in Urban and Rural Communities is to be interpreted as a "book of essays" and, more importantly, as vivid and lived conversations that aim to showcase nearly three decades of friendship between two colleagues concerned about meaningful community participation and literacy. This collection captures their reflections on their participation in community-based projects within the urban neighborhoods of Philadelphia and rural and semirural towns of Arkansas, but also offers an expanded and active understanding of literacy as social practice with complex relationships between sponsors, learning networks, power, and taking place in non-school environments having an access point through conversation and written symbols. Goldblatt and Jolliffe's endeavor to highlight the social connections and complexity of literacy aligns with their intent to include not just scholars in higher education, but also "everyday folk" or ordinary people including educators, government officials and policy makers, and people from all walks of life. As a scholar of color and teacher of a Hispanic-serving institution and as a community member of a predominantly Hispanic city in Texas, I was immediately intrigued and captured by the authors' commitment to highlight the stories of people who persevere and design interventions to construct hope and shape themselves and the world into a better place.

The use of design thinking (DT) as a pedagogical and problem-solving strategy has been gaining interest in technical and professional communication (TPC) for years, and Jason Tham'sDesign Thinking in Technical Communicationis the best and most comprehensive statement on this topic that our discipline has created yet. The book first overviews its central concepts (DT and "making"), then illustrates very concretely how those concepts can improve pedagogy, social advocacy, and collaboration in TPC. All the book's chapters (except the conclusion and first chapter) contain empirical elements, which Tham uses to support his points.

Understanding the characteristics of letters---their names, sounds, relations to the other letters, and shapes (aka letterforms)---is at one point in our lives so new that we need elaborate learning aids. But, after decades of reading and writing, letterforms become nearly invisible to most people, despite our daily use of text. Type Matters: The Rhetoricity of Letterforms challenges that invisibility.

The evolution of digital tools and platforms has ushered in new possibilities for researchers, scholars, and practitioners of rhetoric and composition and adjacent fields like technical communication. These technologies change the ways we can gather, store, and use larger datasets, prompting new discussions on what big data methods look like in the field. The chapters housed in Amanda Licastro and Benjamin Miller's edited collection Composition and Big Data investigate the promises, concerns, and areas for further conversation regarding the applications of big data methods in composition-focused research.

Rhet Ops: Rhetoric and Information Warfare provides a timely set of perspectives on the intersections of digital rhetoric and militarized operations conducted to foment or curtail violence. Rhet ops, shorthand for rhetorical operations, refers to the use of rhetorical theory by state or non-state actors to carry out coordinated military actions (operations). Perennial questions about rhetoric, ethics, and technical and digital communication (i.e., Katz, 1992; Lanham, 1993; Ward, 2014) inform 16 chapters by practitioners and academics who provide analytical and practical insights into "what it means to learn the art of rhetoric as a means to engage adversaries in war and conflict" (Ridolfo & Hart-Davidson, p. viii, emphasis in original). Rhet Ops' focuses on "the dark side of digital composing" (Ridolfo & Hart-Davidson, p. 3, emphasis in original)---from GamerGate to ISIS to the seemingly benign digital interfaces we interact with every day---making it especially salient in a time when violence and rhetoric intertwine constantly. Further, editors Ridolfo and Hart-Davidson have curated examples of #RhetOps on Twitter for years which fosters indefinite public tracking of #RhetOps, a move toward accountability.

Historically, the field of technical and professional communication (TPC) has seen its ethical responsibility in a rather narrow way: TPC has been thought to be related only to precisely and correctly transmitting information, and TPC's ethical responsibilities are more related to either technology creators or users, but less so to technical communicators (Dombrowski, 2000). However, in recent years, with the rapid development and application of science and technology, scientific discourse and technical communication have made greater impacts on society and people's lives than ever before. Our discpline has increasingly realized the "complex, active, and creative" (Dombrowski, 2000, p. 3) roles technical communicators can play. Under the influence of modern theorists (Weaver, Burke, Foucault, etc.), we start to think of science itself as a value and ethical system that involves goals, ethical procedures, and decision making, and more importantly, we realize the power of the language we use for scientific and technical communication. Our ethical decisions relating to the genre, language style, layout design, and inclusion/exclusion of certain information influences readers' perceptions of the fact, shaping their knowledges, values, and beliefs of the world. As Dombrowski (2000) puts it: "as our influecne grows, so do our responsiblities" (p. 3). Now it is the right time for technical communicators to realize our expanded roles and responsiblities in doing our work and to embrace the ethical and social justice turn in our field.

Awful Archives presents a timely discussion of controversies and the line between what constitutes "good" versus "bad" evidence within empiricism and the scientific process. Calling attention to the fact that evidence is rhetorically constructed, Rice implores us to interrogate the conception of bad evidence as equally constructed. Blurring the lines between "good" and "bad" evidence, Rice moves away from rhetorical conceptions of evidence as imbued "with a kind of thingfulness " (p. 5), as this theory of evidence lends itself to clear demarcations between authentic and inauthentic distinctions. Contemporary conceptions of evidence seen through the thing/object binary deny opportunities for nuanced discussions about the evidentiary process and ultimately ignore evidence's ability to do something as a performative property. Ultimately, Rice inquires into evidence as an act through which we attempt to "figure out what the fuck is happening around us" (p. 11) without the limiting characteristics of validity or empirical fidelity with which evidence is so often concerned. Alongside her analysis of the ways evidence is implemented, and often weaponized, by conspiracy theorists who frequently challenge the more empirical understandings of what evidence represents, Rice makes the rhetorical move from whether evidence is "good/bad" or "valid/invalid" to an alternative foundational rhetorical theory of what is the evidence doing.

The foreword, written by Judy Z. Segal, begins with a brief dialogue between a patient and a nurse that illustrates the effects of discursive actions on health and medicine. It is a dialogue between a patient and a nurse, reminiscent of stories of ancient cartographers who mapped their changing and uncertain worlds through stories, discovering ever new riches in a world that wasn't flat. In the same way, contemporary thinkers in health and medicine are discovering the treasure in exploring rhetoric and technical communication across traditional boundaries. These authors move through previously uncharted territory with story and new questions that extend the boundaries of our individual bodies. They explore important questions of individual human agency and how that intersects with social and rhetorical theory. Critical questions new to medicine in the twenty-first century, such as resistance, power of representation, and where advocacy for health justice lies, are topics explored through a variety of lenses in this collection.

The Science of Communicating Science by Dr. Craig Cormick is a lively introduction to the foundational principles of science communications, particularly those oriented towards the public. Dr. Craig Cormick is a well-known science communicator and former president of the Australian Science Communicators, a network of science communicators and journalists. Cormick has also written over 30 books of fiction and non-fiction---in addition to academic articles---and has worked with the Commonwealth Scientific and Industrial Research Organization (CSIRO), which incidentally also published his textbook. The Science of Communicating Science operates on the premise that science communication is a complex process requiring extensive and time-consuming interdisciplinary research. Cormick's textbook aims to simplify the learning process by distilling well over 400 sources into a compact volume so that novice science communicators may learn important skills for informing and empowering the public by telling engaging stories, fostering interdisciplinary skills, and understanding the audience.

In Rhetorical Work in Emergency Medical Services: Communicating in the Unpredictable Workplace (2019), Elizabeth L. Angeli explores the unpredictable workplaces which are the locations of emergency medical services provided by first responders, the EMS personnel who receive 911 calls but may have little idea about what to expect once they arrive at the site of the emergency. While rhetoric of health medicine (RHM) is not a new area of rhetoric, Angeli found little research about EMS professional rhetoric, leaving a void in understanding the modes of communication in these ever-changing, life-altering workplaces. Her text began as part of her dissertation project but morphed into a rhetorical analysis/EMS rhetorical training pedagogy for Technical Professional Communication (TPC) and RHM as well as EMS trainers and trainees.

Nolen Gertz's Nihilism and Technology is a commendable book the analyzes the human-technology relations by applying Nietzsche's nihilistic views to technology. By exploring the intertwinement of technology and nihilism, the book underscores its thesis that technologies are our means of escapism from the meaninglessness of our lives. This book turns away from the technophilic and technophobic views of technology and instead moves us toward questioning "how technologies both shape and are the result of... ideological definitions" (Gertz, 2018, p. 7). This is an awakening read that leaves the readers pondering over the numbing effects of technologies.

Discussions about communication and education have become focused on social justice in recent years, and with good reason. Social justice is at the forefront of many aspects of our daily lives in news, education, and even entertainment. As digital rhetoricians and educators, we have found ourselves looking for ways to work at the intersections of our field and social justice to improve both learning experiences and networked communication in non-academic contexts. This work is both timely and needed, as the hierarchies and inequities experienced in "real life" often translate to, and are amplified by, networked and digital forms of engagement. Fortunately, Rhetoric, Technology, and the Virtues offers an insightful and practical discussion about ethical frameworks that contribute to our understanding of digital social justice. Colton and Holmes persuasively argue for the value of Aristotle's virtue ethics, especially the idea of hexis , as a model for empowering students, educators, and others to enact digital social justice. As they explain, Aristotle identified virtues "such as patience, courage, temperance, and liberality" that contribute to ethical behavior and "are developed not solely through reason or by learning rules but through practice of the emotional and social skills that enable us within a community to work toward...human flourishing and general well-being" (p. 32). An essential part of Aristotle's framework is hexis , a person's disposition that has been crafted through habit and repeated practice (p. 11). Colton and Holmes effectively demonstrate how a virtue ethics framework can empower individuals to take ownership of the ethical implications of digital practices. Throughout the book, Colton and Holmes address familiar topics in digital rhetoric ranging from captioning (pp. 3--5, 49--73), remixing (pp. 74--94), and issues inherent in online activism (pp. 95--126).

Getto, Labriola, and Ruszkiewicz's edited collection, Content Strategy in Technical Communication , is an important addition to the field of technical communication, and important as one of the only collections to address best practices in content strategy while also connecting those ideas to pedagogies for teaching. In focusing specifically on content strategy, Getto, Labriola, and Ruszkiewicz note that "content strategists often work within a wide variety of organizations and must respond to an even broader array of situations, challenges, and audience needs" (p. 7). To meet this large array of needs, the chapters in the book argue that pedagogies must integrate content strategy ideas to support student exploration of content strategy work. Connecting content strategy theories and best practices with pedagogies will support more theory development on content strategy, and will provide a better sense of classroom best practices that help learners assess the effectiveness of content, regularly. To accomplish this, the editors divide the book into two parts: Content Strategy Best Practices (chapters 2 through 6) and Content Strategy Pedagogies (chapters 7 through 10).

In Wicked, Incomplete, and Uncertain , Jason Swarts examines the changing role of technical communication in addressing user problems that are becoming more specialized and situated within use cases that users themselves do not readily understand. These emergent and real-time problems have led to the rise of online forums and communities, which this books studies in depth. In particular, Swarts studies four community forums for software technology products---Microsoft Excel, Adobe InDesign, Gimp, and Mozilla Thunderbird---that are not only commonly used by technical writers, but also popular products with numerous plug-ins and end users across industries. As a technical writer myself, I have used all of these products, and participate in forums for open source and cloud computing products at the enterprise software company that I work at (IBM). This review seeks to synopsize Swarts's book by reflecting upon how I have or have not used such techniques in my own workplace experience.

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