Our world is no stranger to mobilities, ranging from molecular movement in ecological systems to quotidian economic transactions and social interactions to transnational voyages across continents.Thus, readers of the Community Literacy Journal (CLJ) are sure to be engaged by this eclectic addition to the current scholarship on mobilities work, with the construct of mobility emerging as a central theoretical idea that underpins the epistemological and methodological premises of many disciplines, including that of cultural geography, feminist studies, critical race theory, queer studies, and composition and rhetoric.With a universalizing and broad focus on composition-in-mobility, this edited collection-organized in two sections across which all the contributing authors unpack and articulate the mobile nature of mobility and composition-answers the central question of what constitutes and sustains mobility in our divergent, diverse, literate activities and practices.The volume editors-Horner, Hartline, Kumari, and Matravers-advance a mobilities paradigm to further unpack the dynamic constitution of mobility in composition and rhetoric and to cast a norm-based light on mobility-in-composition work (3).In particular, rather than treat mobility as a matter "requiring adjustment or accommodation", Horner et al. argue that the proposition of mobility as a commonplace or even as a fact is long overdue (4-6).One hallmark that characterizes this paradigm is that mobilities are poly-faceted forms, whose social value is mercurial, relational, and provisional (4-6).This critical premise holds the potential to shift our perspective of viewing language, composition, writing-curriculum administration, writing pedagogy, or writing research as impermeable to perceiving them as fruitfully unsteady and potentially subject to transformation.As the volume addresses the nature of mobility in composition, the organization of the twenty chapters-divided into Part I where case studies in mobility-in-composing-practices (e.g., community literacy, translingual composition, or digital and professional writing) are reported and Part II where critical responses to Part I are articulated-also attempts to reflect on the nature of mobility, with each chapter conversing

iphop manifested during the Black Power Era.Black Studies scholars assert that Hiphop pedagogy is useful when locating Black diaspora movement for liberation (Saucier &Woods).Hiphop is inextricably bound to Black Lives Matter (BLM) era of the freedom struggle.The Black Lives Matter Hiphop generation is shaping freedom in their own terms, sounds, and likeness (Cohen).Begun by Alicia Garza, Opal Tometi and Patrisse Khan Cullors in 2013 as a hashtag after the vigilante murder of Trayvon Martin, these loving and powerful Black queer women started a movement, emphasizing the sanctity of all Black life, prioritizing the most marginalized ones.The global Black Lives Matter (BLM) movement provides synergy for Hiphop [and others] to develop coherent political frameworks to demand long overdue justice.However, some artists such as Kanye West, Lil Wayne, Waka Flocka Flame, 50 Cent, and others, appeared to be going down on the wrong side of history in their support of Donald Trump in the 2020 Presidential campaign.These rappers backed Trump, despite his support of white supremacist groups, confederate monuments, police brutality, anti-Black Lives Matter tactics, failures around Covid-19, which cost disproportionate loss of Black and Brown lives, and backlash against the first Black president-Barack Obama.(McGrady) Hiphop and Trump make for strange bedfellows.We see these artists as wasting their clout on Trump.Barack Obama called upon Jay-Z to support his campaign and the rest is history.

This article interrogates how hiphop composition pedagogies can interrupt what the author terms the "hiphop illiteracies" that circulate in predominantly white institutions (PWIs). An analysis of four college writing classrooms that integrate hiphop texts at one PWI reveals pervasive anti-Blackness in student attitudes, but also in the research and course design as well as in department-mandated course texts. The analysis demonstrates the need for writing pedagogies that name and teach Black language, writing, and meaning-making practices while also asking students, teachers, and administrators to reflexively examine their own identities' locations vis-a-vis those practices. The author advocates a reflexive pedagogy that asks students to locate themselves vis-a-vis power as a starting point for investigations of language and culture. The author concludes that hiphop pedagogies have significant critical social justice possibilities in institutionally white educational contexts, but these benefits are not automatic and demand pedagogies of reflexivity, sociolinguistics, and intersectional feminism.

ecent social justice awakenings such as the "Me, too" movement and Black Lives Matter indicate a rising social consciousness that understands that perpetuating privilege is itself a form of complicity. In Transforming Ethos: Place and the Material in Rhetoric and Writing, Rosanne Carlo fortifies movement against complicity as she decries current undertakings in rhetoric and composition that would discount expressivist writing as integral to the desired outcomes for writing in higher education. In particular, Carlo implores rhetoric and composition scholars to consider the ways in which the field's preoccupation with outcomes and professionalization ignore the material realties of class and race consciousness. Through a careful synthesis of theory, personal explication, and pedagogical example, Carlo offers insight into how a transformative ethos-rooted in place and the material-is central to writing that produces identification across difference.

Partnerships between writing across the curriculum (WAC) and civic engagement (CE) programs are not given much attention but these partnerships improve each program significantly. CE programs can borrow models from WAC for professional development and obtain support for specific kinds of writing assignments; WAC programs can find among CE instructors a willing audience for critiquing the structural oppression inherent in literacy and for valuing dialectical, linguistic, and genre diversity. This snapshot focuses on a faculty writing retreat that emerged out of a WAC/ CE partnership and demonstrates how such partnerships can open the door for critical WAC pedagogy.

This article discusses the successes and vulnerabilities associated with combining the pedagogical methods of Theater, Composition, and Community Literacy in the Composition classroom. It examines how the ideas of Augusto Boal’s Theatre of the Oppressed and Paulo Freire’s Pedagogy of the Oppressed can be combined to support an innovative approach to Composition teaching, one that additionally employs engaged scholarship and service learning. The essay describes how methods and cycles of story gathering, playwriting, and rhetorical analysis have been used with various community partners, including an adult day care for dementia patients, an HIV/AIDs clinic, and Public Health outreach programs that address Health Disparities. The article explains how the ready audience of community-written plays and the inherent characteristics of theatrical production enable finite and clearly definable communication moments and products—especially in the autobiography-fantasy fused genre I have termed magical memoir—while engaging and empowering the voices of students, teachers, community partners, and audience members alike. All human beings are actors (they act!) and spectators (they observe!) They are spect-actors. … Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, instead of just waiting for it. –Augusto Boal, Games for Actors and Non-Actors

The American Essay and the Future of Writing Studies, Nicole B. Wallack offers a perceptive and stimulating account of what essays are, how they work conceptually and aesthetically, and why it is important for American university writing programs to adopt an essay-centered curriculum. In an age of the Common Core State Standards, the essay has been marginalized by curriculum reform that reduces literacy to "skills acquisition" and assumes student writers are simply "protean workers who need to be readied to fulfill others' goals for their thinking and writing: intellectual 'stem-cells' for the world beyond school" that can be replicated indefinitely for someone else's use (3)(4). The director of the Undergraduate Writing Program at Columbia University, Wallack argues that the essay-and a curriculum centered on having students read and write essays-promotes the values of a liberal arts education, while also establishing common ground for the fields of composition studies, literary studies, and creative writing. Interdisciplinary in its approach, this book will appeal to writing program administrators, scholars of writing and literature, creative writers and essayists, and teachers of writing across the disciplinary spectrum. Crafting Presence includes chapters on the history of the essay as a genre distinct from other forms of nonfiction writing, close readings of specific essays from The Best American Essays series, and short pedagogical reflections, informed by Wallack's twenty-plus years of teaching experience. Although the essay may have been discarded from much of today's writing curricula for its association with the tradition of belles-lettres on the one hand and well-worn "school writing" on the other, Wallack maintains that the essay not only fulfills the goals of national curricular standards but also cultivates the intellectual, creative, and ethical thinking students need in order to become "reflective citizens, " to borrow Andrew Delbanco's term, who serve their community with their education. Some readers may chafe at Wallack's appeals to the values of good, old-fashioned liberal humanism, but her book presents a timely and inspiring vision of what the writing classroom-and, by extension, the universitycould become.

While place-based pedagogies and place-conscious education have received a great deal of attention in community literacy, these studies have often focused on classroom efforts at engaging students in their communities. This article articulates an extracurricular pedagogy of place through a historical study of a network of creative writing groups in mid-century rural Wisconsin. Rather than thinking of place-conscious education as something that emerges from the classroom, the work of these writers suggests that scholars and educators in community literacy look instead for place-based literacies already at work in our communities.

While studies in the biological and psychological sciences have suggested that writing can promote physical healing, such studies offer a limited understanding of writing as a complex, embodied, and social practice. This article asks how and under what social and pedagogical conditions writing might promote experiences of healing in community settings. Specifically, I describe findings from a design-based study of a writing workshop held in conjunction with a physical therapy retreat for women seeking physical restoration. I find that highlighting the elements of narrative, metaphor, environment, and art in the writing workshops promoted women’s experiences of physical healing, with the public sharing of body-based writing being especially empowering in a larger political context of gender oppression. The article concludes by calling for critical qualitative studies of writing to heal (including critical attention to the term “healing” itself) across varied community sites, which address writing’s relationship to bodies, social context, and power.

This program profile describes an intergenerational workshop focused on the 1967 Detroit Rebellion. The workshop was nested within a 15-week community-based intermediate composition course in which undergradu- ates interviewed older adults while older adults wrote personal narratives of their firsthand experiences during the rebellion. The workshop is an example of how intergenerational collaboration built around inquiry into historical events can be the basis for authentic community-university relationships.

tatiana Jefferson's face shows on the large screen. Carmen Kynard looks straight at the audience packed into the Irvine Auditorium at University of Pennsylvania and asks us to consider how our teaching, our research, and our activism respond to the life and murder of Jefferson, a 28-year old Black woman fatally shot by police in her own home a week earlier. Kynard posed this question during her keynote address at the third biennial Conference on Community Writing as part of her overall challenge to community writing and literacy scholars, teachers, and activists not to confuse the job with "the work. " In her essay "' All I Need Is One Mic': A Black Feminist Community Meditation on the Work, the Job, and the Hustle (& Why So Many of Yall Confuse This Stuff), " which expands on her keynote address, Kynard argues that a Black feminist imaginative is essential for dismantling white supremacy in our classrooms. Since Kynard's keynote in October 2019, many, many more Black people have been murdered by police, in the streets and in their homes. The antiracism protests happening daily in cities across the country as we write this Introduction in Summer 2020 only heighten the urgency of Kynard's question. How, in everything we do, are we addressing white supremacy and the unrelenting violence against Black and Brown lives? Through a series of meditations and counterstories, Kynard navigates her own and imagined classrooms to investigate why she has "been sent" to do the work she does. Her advisor, Suzanne Carothers, urged Kynard, "do not confuse the WORK with the JOB. " Ultimately, Kynard finds a violence in universities that we must counter through radical and disruptive antiracist work, which we must do often in spite of job requirements or the professionalization obligations that Kynard calls "the hustle. " In fact, "the work, " the real work of justice, "the healing and regenerative practices" we're called to, may in fact run counter to our jobs insofar as these jobs are tied to the violence of institutional, linguistic, and pedagogical racism. How do we center Atatiana Jefferson in our work? Celebrated, award-winning artist Michelle Angela Ortiz has spent the last twenty years as a public artist, community arts educator, activist, and filmmaker, using art as a tool for social change and cultural expression. In "Amplifying Community Voices through Public Art, " her CCW keynote address originally delivered at the Free Library of Philadelphia, Ortiz shows us and explains several of her large-scale mural projects from around the world. In places as varied as Philadelphia, PA and Buenos Aires, Argentina, Ortiz has worked alongside populations such as patients living with mental illness and farmer's market vendors. Ortiz explains how through word and image, her murals highlight the culture and memories of indigenous peoples in the United States and immigrant families separated from one another. In this essay,

As a graduate student in the humanities, I am often fearful that my labor is performed for the sake of performing labor. Exacerbated by academia’s in- creasingly precarious landscape, this fear requires a hopeful antidote: a new pedagogy of and for the public. Constructed through empathic conversa- tions between universities and communities, this new approach to pub- lic scholarship and teaching relies on the aims and practices of community literacy (e.g. sustainable models of multimodal learning, social justice, and community listening) in order to refocus the humanist’s work – particularly the disjointed labors undertaken by graduate students – around the cultiva- tion of publics and counterpublics. In turn, a pedagogy of and for the public also implements the digital frameworks and organizational tools of public humanities projects to enliven community literacy praxis. Graduate student conferences are one site where we could enact this jointly constructed ap- proach. By rearticulating these conferences’ capacity for professionalization, by expanding their audience, and by reimagining their form beyond the uni- versity context, I argue that we can establish sustainable programs aimed at expanding community literacies.

In this edited collection, Bruce Horner and Laura Tetreault explore a variety of contributions that introduce and discuss translingualism and its application. Based on the CCCC 2013-14 preconvention workshops on "Crossing Divides I and II: Pedagogical and Institutional Strategies for Translingual Writing" and after the special issue on "Translingual work" in College English, 2016, comes this collection. With twelve chapters, divided in four parts, it makes a valuable contribution to the emerging discourse of translingual research and practice.

s someone who regularly encourages students in my technical writing and first-year composition courses to participate in public writing projects, I have often turned to scholarship based in service learning-often not writing-course specific-to look for pedagogical direction and even evidence that these approaches to teaching are meaningful for students.Fortunately, as more and more rhetoric and composition specialists teach public-oriented writing courses, the emergence of related discipline-specific scholarship, conference presentations, and workshops provides necessary assistance for compositionists whose teaching and work conflate the borders between the

While the social, political, economic, educational, and cultural consequences of high rates of incarceration have been well documented, the social psychological dynamics have not received as much discussion. I offer here a first person narrative reflection on the connections between a writing workshops and raising social awareness of the realities of day-to-day lives of inmates. Appropriate writing pedagogy, personal challenges to meeting to the workshops, and the need to publish inmate stories inform the essay.

Drawing on interviews with writing teachers, this article highlights some of the affective responses that may arise for students, community partners, and teachers when we situate our pedagogies in public sites beyond the classroom. I analyze a teacher-narrated moment of student distress to demonstrate how theories of transformative learning might help us productively theorize affect in service-learning and community-based education. To conclude, I offer a reciprocal model of care that employs tenets of feminist pedagogy, such as transparency and decentering of authority, and that acknowledges the valid emotions students, teachers, and community members may experience. I call for community literacy practitioners to see the power of all participants to both give and receive care in transformative education.

Within community literacy scholarship, ecological perspectives are used to characterize the literacy and language practices of various groups.Director of the Lancaster Literacy Research Centre, David Barton draws from biology to theorize ecology as the study of "the interrelationship of an area of human activity and its environment.It is concerned with how the activity-literacy in this case-is part of the environment and at the same time influences and is influenced by the environment" (29).The reciprocal nature of ecologies, and the way they account for the distribution, influence, and movement of organisms within and between environments makes ecology an ideal term for characterizing the relationships among groups, technologies, and cultures that influence the ways individuals learn, communicate, and interact with one another.In this keyword essay, I will highlight the appropriateness of ecology for describing networked communication and literacy practices, as well as offer an overview of how compositionists and community literacy practitioners have used ecological approaches in the work they do.It is necessary here to distinguish an ecological approach from one that is exclusively environmental.In 1989, environmentalist David Orr defined ecological literacy as "the demanding capacity to distinguish between health and disease in natural systems and to understand their relation to health and disease in human ones; knowledge of this sort is best acquired out of doors" (334).Ecological literacy in this respect is concerned with reading the natural environment.Orr's call for increased environmental awareness and attention to the ways humans impact environments remains increasingly urgent.However, this keyword essay focuses instead on how scholars and practitioners have adopted ecological metaphors to characterize literacy environments.The ecological approach I examine aligns more closely with that of ecocomposition theories than those of the ecological literacy Orr defines.In their Natural Discourse: Toward Ecocomposition, Sid Dobrin and Christian Weisser define ecocomposition as "the study of the relationships between environments (and by that we mean natural, constructed, and even imagined places) and discourse (seeking, writing, and thinking)" (6).Dobrin and Weisser's approach does not exclude environmental concerns but instead makes the role of language and discourse central in making those concerns visible.As Rhonda Davis suggests in her discussion of ecocomposition and community literacy, "while ecological literacy and the pedagogical approaches that result do not focus exclusively on environmental concerns, they have the potential to expand participants' awareness of such concerns" (80).

Traces of A Stream: Literacy And Social Change Among African American Women (2000), scholars interested in literacy, identity, and social change have continued to pursue ways to include the voices of women who have previously been underrepresented within scholarly work.Indeed, these recovery projects-often considered part of a revisionist enterprise-represent important examples for those interested in the literary and rhetorical practices of women who have been overlooked based on gendered, ethnic, and socioeconomic identities.Illustrating this, scholars have developed a range of archival, rhetorical, and interview projects that uncover women as historical subjects who represent the myriad ways women develop and use rhetorical skills and literacies.For instance, in Refiguring Rhetorical Education: Women Teaching African American, Native American, and Chicano/a Students, 1865-1911, Jessica Enoch describes female teachers who contested the normative educational structures that oppressed marginalized groups and, rather, developed pedagogical strategies that encouraged civic participation.In another recovery project, Beyond the Archives, Gesa Kirsch describes the role of women who participated in a male-dominated sphere as physicians and civic advocates in the 19th century.In the same book, Wendy Sharer illustrates a new understanding of uncovering voices when she finds scrapbook examples of even her own grandmother's engagement with political literacies.These examples represent just some of the important work that has emerged in order to uncover and reframe the literate and rhetorical legacies of women from multiple subject positions.Erica Abrams Locklear's book Negotiating a Perilous Empowerment: Appalachian Women's Literacies adds a unique contribution to these discussions by focusing on the literacies of women from Appalachia-a region, she argues, too-often characterized by a deficit framework.That is, Locklear challenges the gendered, regional, and classed stereotypes that represent women in Appalachia as "illiterate, " "hillbillies, " "Other, " or

Almost by definition, resisting the insidious convenience of the mainstream food supply requires persistence. This is especially true for food projects requiring fermentation—projects that unfold over days or weeks and require day-to-day science in kitchens where variables can be hard to control and where some degree of periodic failure is almost inevitable. In this article, a team of writers—scholars and community members—dramatizes a joint inquiry from which emerged a composite portrait of what we have come to call mindful persistence—an existential yet collaborative engine that drives our food literacies. Dialogic text features highlight the situated insights of individual writers, indicating that while this team shares an interest in fermentation, this interest does not require or assume identical understandings of the science of fermentation or similar positions in the probiotic debate surrounding contemporary fermentation practices. Instead, what is shared is a mindful persistence that scaffolds reflective action in this dynamic problem space.

Strong in theory, rich in history, and farreaching in its implications, Producing Good Citizens will soon become a staple for scholars, activists, and pedagogues alike who are interested in the complicated intersections of literacy and citizenship. In this historicized work, Amy Wan explores three main sites of citizenship training during the 1910s and 1920s-federally-sponsored immigrant Americanization programs, unionsupported worker education training, and college-mandated first-year writing courses. Wan's book starts with a brief introduction to citizenship theory, moves into archival research of each training site, and concludes with applications of her methodology to present anxieties over citizenship, particularly in relation to the Patriot and DREAM Acts. Through her book, Wan complicates citizenship as a discursive construct and demonstrates the limits of what literacy-and citizenship-can do for students as well as "the limitations put upon students by not only the idea of citizenship, but also its legal, political, and cultural boundaries" (178). Wan's powerful, timely argument and her final challenge to educators and scholars alike should not be ignored. Together, Wan invites us to consider what is meant by the invocation of citizenship in the classroom, to analyze the habits of citizenship that are encouraged by our practices, and to connect our citizen-making processes to other more politically and materially situated notions of citizenship.

This article reclaims Jane Addams as a community literacy pedagogue and explicates her pedagogical theory through an analysis of her social thought. Addams’ goal of “socializing democracy” through education led her to both encourage immigrant students to associate across difference and to assimilate into dominant literacies—tensions present in today’s community literacy contexts. The article includes suggestions for rhetorically redeploying Addams’ pedagogy in contemporary writing instruction. The educational activities of a Settlement, as well its philanthropic, civic, and social undertakings, are but differing manifestations of the attempt to socialize democracy, as is the very existence of the Settlement itself —Jane Addams, 1902

This article highlights Education/Connection/Action (ECA), a locally developed community pedagogy deployed at a youth activism summer camp that served as a site for a community/academic teaching and research collaboration. Youth considered connections between a set of issues, including a local ban on Ethnic Studies, the School-to-Prison Pipeline, and Youth Sexuality, Health, and Rights. They drew from lived and learned literacies to inform participatory media projects that critically and creatively address restrictions on access to local knowledges and information with particular relevance to youth sexuality, health, and rights (broadly defined). In highlighting youth voices, desires, and needs across distinct youth communities, their collaborative productions demonstrate coalitional potential and a collective call for change.

In Slam School: Learning Through Conflict in the Hip-Hop and Spoken Word Classroom, Bronwen E. Low argues for the significance of critical hip-hop pedagogies, particularly when engaging with racial and social conflicts in educational settings. Low collaborated with a teacher at an urban arts magnet high school in the northeastern United States through a performance poetry course that was taught using a hiphop and spoken word curriculum. Overall, Low's book is useful for community literacy scholars as an application and assessment of a popular practice and growing pedagogy in schools and community organizations.

Educators focused on community literacy and public engagement have access to a unique critical platform from which larger social issues that impact us both as a whole and on very personal levels are open to exploration. Being particularly situated to have significant impact on community, literacy work in this area may require uncommon pedagogical strategies. Based on its comprehensive focus on sustainability, ecological literacy, sociopolitical factors that affect communities, and a multitude of other factors that underpin social injustice, ecopedagogy may be uniquely positioned to offer a more holistic view than other composition pedagogies such as place-based education and ecocomposition.

This study investigates how literacy was constructed at an adult literacy organization’s volunteer tutor-training program. By drawing on qualitative analysis of training texts used during training, such as training evaluations, and data gathered from interviews with experienced tutors, it is possible to identify the assumptions about literacy constructed by the training program and tutors’ training practices. Tutors seemed to present mixed assumptions about literacy: students simultaneously were given authority over their own literacy practices and literacy goals, while a sentiment of universally valued reading and writing skills was also present in terms of achieving fluency.

This article examines what a pedagogy of public rhetoric and community literacy might look like based on an understanding of twentieth century Mexican American civil rights rhetoric. The inductive process of examining archival materials and conducting oral histories informs this discussion on the processes and challenges of gaining civic inclusion. I argue that writing can be both a healing process and an occasion for exercising agency in a world of contingency and uncertainty. To illustrate, I describe several key events shaping the evolution of the post-World War II Mexican American civil rights movement in New Mexico. Taking a case study approach, I begin this chapter by examining the civic discourses of one prominent New Mexico leader in the post-World War II civil rights movement: Vicente Ximenes. As a leader, Ximenes confronted critical civil rights issues about culture and belonging for over fifty years beginning in Albuquerque, New Mexico. It is a historical moment worth revisiting. First, I set the stage for this examination about writing, citizenship, and civic literacy by analyzing two critical rhetorical moments in the life of this post World War II civil rights activist. Secondly, I connect the Ximenes legacy to a growing movement at the University of New Mexico and the ways that we are making critical responses to current issues facing our local communities in New Mexico. By triangulating social acts of literacy, currently and historically, this article offers organizing principles for Composition teachers and advocates of community literacy serving vulnerable communities in their various spheres of practice.

Community publishing" sounds like a relatively quaint thing. In fact, the quaintness is built into the term "community. " As Raymond Williams noted in his Keywords, "community" has always been a "warmly persuasive word" that "seems never to be used unfavorably" (76). Joseph Harris, who builds on and applies William's definition to composition classrooms, gives two warnings about the use of this "vague and suggestive" term (99-101). First, community can be any group, any discourse community, and thus floats as a relatively empty signifier. The second use of "community" distinguishes one group as insiders who have shared purpose, language, and experiences in contrast to others. While more descriptive, Harris notes how this concept of community often glosses over the internal tensions and differences we know to exist in all communities. In Tactics of Hope, Paula Mathieu looks for a term to describe her work outside the university, also expressing dissatisfaction with "community. " She settles for "street" because "its problems seem generative"(xiii). Most scholars and most of our students live in what they call communities, not in the streets; the street denotes a place outside the university that isn't always warm and favorable.

Communities—and their literacies—exist within larger contexts, and writing has the potential to empower or oppress, to maintain the status quo, or to transform the collective community. School is one such context and, in recent years, the nature of writing has changed; digital writing skills needed to participate in contemporary society do not always resemble skills of traditional, school-based literacy. This article examines the teaching of digital writing as an issue of social justice by sharing the perspectives of several novice teachers who were challenged to alter their views of what writing is and how it should be taught.

In working class education, one of the primary goals in addition to basic literacy was the formulation of class-based interpretations of society. In the late 19th and early 20th centuries, as literacy programs began to filter into the lives of the proletariat, an attempt to expand the definition of literacy past basic reading and writing skills occasioned the rise of institutions that defined literacy as not only reading and writing, but also knowledge of class and economic theory. Thus, these early proletarian programs developed a broader definition of literacy, past basic reading and writing programs, to class-based educational curriculum.

This article suggests that the methodology of community-based action research provides concrete strategies for fostering effective community problem solving. To argue for a community research pedagogy, the author draws upon past and present scholarship in action research and participatory action research, experiences teaching an undergraduate writing course revolving around action research, and conversations with community members who have benefitted from student research.

Abstract  Hidalgo County, Texas, is one of the poorest in the country. The population in the Lower Rio Grande Valley is 85% Mexican-American. Underprepared for college and juggling full time jobs, their own children, and sometimes dysfunctional extended families, students often do not expect to succeed. I recently taught a Creative Writing course which applied writing projects to social problems. This paper looks at the work of the course, the pedagogy applied, student and teacher reflections, and lessons learned through the lens of class, oppression, and power and argues that these elements ought always be a component of service learning education.

This essay explores how the philosophical tradition of American pragmatism, especially Richard Rorty’s work on social hope late in his career, could be relevant to community literacy. Pragmatism does not prescribe a particular approach to community literacy but, unlike many kinds of critical pedagogy, affirms a role for patriotism and liberalism in social change movements. Pragmatists such as Rorty prefer cooperative participation and incremental reform to either idealism or ideological critique.

This paper explores the following questions related to family literacy programs: How is family literacy linked with family literacy programs? What are the theoretical frameworks supporting the various models educators and researchers are using in their pedagogical approaches to family literacy programs? As these questions are explored several tensions and directions in programming family literacy become apparent. By examining the various models in this way, family literacy providers and others interested in family and community literacy may be better equipped to evaluate the underlying principles of the programs they use and thereby make informed choices with regard to programming.

This article explores the literacy lives of students enrolled in English Composition courses at two open-admission universities in Central Appalachia and the complex role of immediate and extended family members as sponsors of literacy. Some relatives emerge as both sponsors and inhibitors—or perhaps more accurately, sponsors of competing meanings of literacy—and illustrate the larger social forces surrounding literacy in students’ lives.