Although conventional academic wisdom discourages young scholars from becoming involved in community-based work, the growing interest in service-learning and community literacy reflected in contemporary scholarship in composition and within the larger academy suggests that these are now viable paths to pursue throughout the trajectory of a scholarly career. Ellen Cushman maintains that by using service-learning and activist research methods to bridge the gap between university-based knowledge and community-based knowledge, “faculty members can have readily apparent accountability, and their intellectual work can have highly visible impact” (“Public Intellectual” 335). The growing visibility of community-based scholarship and practice has allowed emerging scholars to set an agenda that our scholarly work must become legitimized and that the climate of resistance to conducting community-based work early in our professional careers must change. I suggest that we work toward mainstream acceptance of the scholarly value of community-based work to support young scholars’ careers while maintaining the edginess of this type of work by addressing key critiques.

We discuss how studying and creating zines in our composition classes allows our students to negotiate and explore the complexities of writing without the compulsions of many of the politically problematic commonplaces of composition pedagogy. We use zines to examine the unique ways in which their rhetorical devices address conflicts around questions of audience and diversity, as well as the particular questions that the zines raise about the politics of persuasion, our own writing practices, writing strategies that the zines suggest to us, and the construction of alternative communities.

While community literacy and service-learning are now established areas within the larger field of Composition and Rhetoric, I have been in the field long enough to remember when these were new areas – a not so long ago period where what counted as “scholarship” and “appropriate sources” was still very much in flux. During this period, our work wasn’t quite so comfortably situated within the mainstream and our very marginality pushed us to invent (and re-invent) the work our scholarship and, perhaps, ourselves as scholars.

Hurricane Katrina shut down nine colleges and universities in the New Orleans area right at the beginning of the fall 2005 semester, as students, faculty, and staff scattered across the country. Despite often severe damage from flooding, fires, and wind, all nine institutions reopened the following January, sometimes using FEMA trailers, hotels, and cruise ships to replace damaged buildings and lost housing. The stories of these campuses since Katrina are dominated by themes of loss, resilience, ingenuity, conflict, and renewed senses of mission and community.

This essay explores the ways in which narratives pieces (beginning with my own personal narrative, moving to the community outreach project that I have been working with, and finally through the narratives of my students) fit together to inform my work and I hope the work of other emerging scholars interested in community outreach. Ultimately, when read in conjunction with and respect to one another the narratives help to illustrate the ways in which community partnerships provide a wonderful merging of civic engagement and situated practice that makes the triad of teaching, outreach and scholarship dynamically interact and complimentary.

Becoming “publicly active” as a Ph.D. student in English and Education at the University of Michigan was a slow and at times bewildering process, with periods of frustration punctuated by moments of exhilaration. Consistently I encountered exciting opportunities for public scholarship and then saw these efforts dismissed or ignored. On one hand, I was fortunate to collaborate with scholars such as Buzz Alexander, whose Prison Creative Arts Project facilitates theater and writing workshops in prisons throughout Michigan and puts on a stunning exhibition of artwork by Michigan prisoners every spring. At the other extreme, multiple professors admonished me to pursue social justice in other forums—in other words, they believe the academy simply is not geared for such work. In short, graduate school gave me both the desire for public engagement and considerable anxiety about whether to pursue it within academia.

Community is a tricky word: although it often connotes an inclusive and harmonious collaborative space, too often it signifies a site of struggle and negotiation, an attempt to find a common framework for conflicting and seemingly contradictory impulses. One of the marks of those active in "community literacy studies," "service-learning" and '"engaged scholarship" is the desire to place themselves in the struggle to build a common framework for collaboration and, within that architecture, to move forward towards building a shared notion of educational, social, and/or political rights.

Review of Community Literacy and the Rhetoric of Local Publics by Elenore Long. Parlor Press, 2008.

If service education is to avoid the many cultural pitfalls that have been signaled to date in the literature, it seems crucial that town-gown articulations be nurtured as organic, reciprocating, knowledge-producing endeavors that position the ethnographic encounter at their epistemological center. For these articulations to be organic, they must grow from encounters between graduate students and community organizations that begin very early in students' scholarly careers—perhaps even as undergraduates in the same locale. This organic relationship should be grounded in writing with the organization or for the organization. My decades of embedding service learning in an undergraduate course in technical communication and in many internships I have directed have shown me that writing with and/or for the organization is a key step in the ethnographic encounter that community-based education involves. Students come to know the local culture first as one of its discursive agents, the better to discern if they want to pursue this agency in further scholarship.

Review of From the Garden Club: Rural Women Writing Community by Charlotte Hogg. University of Nebraska Press, 2006.

This article explores the disconnect between academic, interview-based research with adolescents and the actual lived experiences of teenagers. I advocate that through long-term relationships, community partnerships, creating safe and creative spaces and empowering youth to understand and make meaning of their own experiences, we can truly begin to investigate the issues relevant to their lives. Through personal reflection and analysis of the words and experiences of girls who participated in a performing arts program, I propose creative ways to invite silenced voices into the research process beyond interviews and surveys.

Rejecting the conventional academic wisdom that tells us to “put community-based programs and partnerships on hold or on the side until we achieve tenure,” I resolve this day to hold my multiple subjectivities together by remaining holistic, committed, concerned, connected, and compassionate, but most importantly, centered in the constellation of my community. I will not be (re)moved. I will not be situated in an Academic Siberia – cold, isolated, alone, without connection, without story, without experiential memory. Upon traversing the borderlands of the Academy, I cling to my bundle – the intricacies and nuances of my personal landscape, my contested identity, and the artifacts of that contestation, recognizing that validation and reward lies in the confluence of Civic Engagement and Holistic Academic Practice—the meta-language of significant contribution.

“What does public scholarship look like at the graduate level?” “What do publicly engaged graduate students want? What are their pressing concerns?” “How do graduate students get into publicly active work?” “What are publicly active graduate students doing?”

This article explores publicly active graduate work that engages with survivors of violence as they become testimonial narrators. Drawing on challenges I faced in transcribing and contextualizing the testimonio of Jorge Velásquez, who narrates his experience with injustice in post-war Guatemala, this analysis addresses some of the tensions that emerge during textual interactions with violence narratives. I explore second-hand trauma, notions of pornography of violence, and the role of accountability in scholarly and public representations. Paralleling Jorge’s testimonial performance, I offer narrative strategies I employed in the process of transcription and ethnographic contextualization into a larger narrative about the lived experience of violence within a culture of impunity.

This essay considers the implications of using David Russell's activity theory to re-conceptualize models of community service writing (CSW) that stem from discourse community theory. Here I argue that the notion of discourse community is of limited use to practitioners committed to CSW, because it leads students to adopt unrealistic expectations about their roles in CSW projects and it prevents them from accounting for a number of important factors while doing CSW. In its place, I offer activity theory as a guiding framework that students can use to learn about the multilayered activity systems they are seeking to work in as collaborators in CSW projects.

In the spring of 2007 I helped organize a research cluster with three other graduate students at the University of Washington that focused on the question of public scholarship for academics. We formed the group Students Writing in Public (SWIP), and, taking it as given that public scholarship is of value because it extends the readership of our work beyond the academy and therefore the impact that it might have, committed ourselves to pursuing (via weekly writing meetings/workshops and quarterly guest speakers) how to go about doing this thing called “public writing.” At the time, we conceived of public writing as a translation of our academic work into non-jargon-laden prose, largely as articles and editorials for popular magazines and newspapers. We saw SWIP as an opportunity to try out different kinds of writing so as to engage with an audience less familiar with the “conversations” in which we regularly take part.

In spring 2007, I began working with a fellow graduate student in Purdue’s Rhet/Comp program on a community engagement project that would become the basis for both our dissertations. Allen and I agreed to work together because of our mutual interests in community engagement and public rhetorics, as well as our complementary interests in professional writing and usability (what we would call “his things”), and writing program administration and adult basic education (“my things”).

A few years ago I served as a graduate assistant in an experimental course for freshmen at Old Dominion University (ODU) in Norfolk, Virginia. New Portals to Appreciating our Global Environment (NewPAGE) united faculty and graduate students across disciplines to tackle instruction on pressing global issues such as climate change, health, sustainable development, and environmental resources. The issues were timely: Hurricane Katrina struck in the first few months of the course, and the content, including a five-hour community service component, had potential to spark social and civic responsibility among the 1800 students enrolled. There was just one problem: students hated it.

This essay examines the origins and initial objectives of the Comedy Club—an after school comic theatre program that develops an original sketch comedy show annually at Colonel E. Brooke Lee Middle School in Wheaton, Maryland—along with the value of university-middle school collaborations. Throughout, I document administrative issues, some associated with university collaborations and others endemic to the public school system and the impact this collaboration had on my own research and teaching at the University of Maryland, College Park. Employing a feminist ethnography as my method, this discussion draws from interviews, participant-observation methods, and first-hand involvement to examine how this program is efficacious for students, the school district, the university and community at large.

The goals of community-centered courses in universities are often in tension with ensuring that a community acquires tools and knowledge useful to its own development and preservation. In Community Cultural Development, an undergraduate seminar taught at Tulane University, the attempt was made to harmonize these goals through creating profiles of elders and tradition bearers of the Treme Community in New Orleans. Included are responses of students to the class and their work in the community, along with examples of the community profiles they created. This work is framed by an overview of the course and its project that places it in the context of emerging tensions in Treme and the civic engagement movement in higher education.

The writing I received in my first-semester composition class at Xavier University in New Orleans, Louisiana, the semester immediately following Hurricane Katrina was stunning with respect to both student commitment and narrative sophistication. In this essay, I analyze a representative example of this writing entitled "life During Katrina" by a student I have called "K." The student's essay developed a thesis, documented a chronology, increasingly included detail, naturally included dialogue, and reached a sensitive and sophistication. In this essay, I analyze a representative sincerely reflective conclusion. Moreover, the student (like my other students in that class) was extraordinarily committed to revision, working diligently on issues of both grammar and clarity. My own conclusion to the remarkable post-Katrina student writing I experienced is that our teaching of Freshman Composition can be much more artificial than we really desire it to be. How to make first-year writing courses more meaningful to students is an imperative that I believe we must continue to explore.

Few of my students knew people from either the New Orleans area or those who had moved to Michigan following Hurricane Katrina. I learned of housing problems that arose from slow payment by government departments responsible for the beleaguered New Orleans residents. So like many teachers around the country, I thought that current events would lend themselves to "teaching moments." However, I noted that in order to raise my students' level of civic awareness, it would be important for them to look at their own state and city. Many times by studying the needs of our neighborhoods we can connect to the plight of people who live far from us.

This paper examines how first year students at a South Texas Gulf Coast university became engaged as researchers and writers in investigating the multi-dimensional issues that impact hurricane victims and their communities. Working with a number of faculty from their learning community and beyond who helped them see the cross-disciplinary implications of Hurricane Katrina and Rita, many of these students succeeded not only in creating a scholarly conversation on this topic in class, but demonstrated a compassion for others in their research. Through their research projects, many of them developed a research obsession that was manifested when they learned to care.

Beginning with the impact of Hurricane Katrina on the author, his students, fellow teachers, and Southeastern Louisiana, the article focuses on lessons learned about writing and teaching through the experience. The article tells the story of Katrina: In Their Own Words, an anthology of storm stories by local students and teachers that the author edited, and what he learned from this experience about the limits of academic writing and the value of voice. The final section focuses on a risky English 101 assignment on writing music that grew out of the storm, how this assignment led to a radio program and anthology, and what this assignment taught him about seizing the "teaching moment."

In 2006, a college professor found herself teaching freshmen composition students during the fall semester at Xavier University of Louisiana. This in itself was not unusual; what was different was that this "fall" semester was starting in January, thanks to Hurricane Katrina. Whether an out-of-towner who rode out the storm on campus or a New Orleans native who lost everything to the disaster, each student had been affected in some way, as had their still-shaken professor who was aware that, in time, not only would the shock wear off but the all-important memories and stories would fade. Throughout the semester Laborde shared her writing and her photographs (most taken in her recovery work as an Exterior Damage Assessor for the City of New Orleans) in order to encourage students to share their own observations and experiences in the form of journal entries and essays.

Mercy College professors in Toledo, Ohio responded to Hurricane Katrina through a disaster pedagogy. Students in composition classes created research wikis and participated in email dialogues and exchanges with University of New Orleans students. A new course, Service in Action: The Sociological Impact of Hurricane Katrina, was also created involving an alternative, volunteer-based spring break trip. This reflection explores how communal engagement is shaped, augmented, and challenged by the use of emergent technologies, and how, through the lens of service-learning, students may find their own voices, coming to recognize that they have the power and where-with-all to effect change.

I am writing from the position of what Stephen North categorizes in The Making of Knowledge in Composition: Portrait of an Emerging Field as a practitioner. For practitioners, knowledge in composition is generated not only theoretically or through research-quantitative, qualitative or historical-but also (in fact, primarily) through reflective practice in the classroom. In this paper I would like to make my small contribution to the moldy, waterlogged, wind-whipped, recently erected Katrina Room in what North refers to as the Practitioner's House of Lore.

The CITYbuild Consortium of Schools is a consortium of design and planning schools based at the Tulane City Center in New Orleans, Louisiana. This group came together after Katrina through common interests in grass roots neighborhood recovery support. The article looks at the context in which such a consortium came to be, some of the results of the first two years of collaborative practice and some critical reflection on the goals and realities of this model of collaborative community design in a post disaster context.

Departments of English are generally known for the storms within and their failure to calm the seas with minimal casualties. Even in times of fair weather, they often appear rudderless. What can be said about English can at times be said about other disciplines. What happens to a department, really a university, when external forces completely overwhelm internal ones? On August 29, 2005, the flood in the aftermath of Hurricane Katrina laid waste to university campuses in New Orleans. What this paper will do is to indicate how it affected a single department of English, what steps were taken toward recovery, and how using the strengths of the discipline could have carried faculty and students through the waters to higher, more secure ground.

on seeing the flooding after Hurricane Katrina.

In the aftermath of Hurricane Katrina, writing instructors at the University of New Orleans felt compelled to incorporate personal, social, and political aspects of the storm into their classrooms. In this article, individual instructors discuss a particular pedagogical approach assignment, class theme, or teaching strategy that we adopted, exploring its rationale and reflecting on our students' reactions and responses to place-based and civic-minded pedagogies during a time of crisis.

The article describes two service learning projects that engaged our Delgado Community College students in a sense of community that transcended their personal trials. A regional accrediting agency afforded local conference registrants the opportunity to participate in a Habitat for Humanity construction project; more than a hundred volunteered. What had been a diaspora of historical proportions effected a new community spirit, one borne of mutual loss and committed to restoration and rebuilding.

As I am a New Orleans native and doctoral candidate in the field of rhetoric and composition, Hurricane Katrina has forever impacted both my personal and academic lives. Relying upon the work of Sandra Gilbert and other trauma theorists, this essay presents a microcosm of my dissertation. It offers examples from New Orleans bloggers who chronicle their post-Katrina rebuilding efforts, and analyzes how writing in generative, on line spaces calls worldwide attention to a city still suffering. It also reflects upon my attempts to make Hurricane Katrina a teachable moment, and discusses the lessons I have learned when students react without empathy to assigned readings.

"And what a congress of stinks! . . . Nothing would give up life: Even the dirt kept breathing a small breath." —Theodore Roethke, "Root Cellar"

Review of Who Says? Working-Class Rhetoric, Class Consciousness, and Community by William DeGenaro, editor University of Pittsburgh Press, 2007.

Even though Lafayette, Louisiana is 150 miles to the west of New Orleans, the city was affected by Katrina, and its twin, Rita, in significant ways. While the eye of neither storm passed directly over Lafayette, we experienced a cosmology episode as the effects of back-to-back severe hurricanes made the world, if only for a short time, less rational and orderly. Based on personal experience as well as an analysis of student essays, this article is an attempt to articulate an essence of a liminal time. Exploring how we attempted to narrate this crisis can provide insight into the ways language works to make, and to simultaneously resist, the discursive event of trauma into a lived experience.

Review of Because We Live Here: Sponsoring Literacy Beyond the College Curriculum by Eli Goldblatt.Research in the Teaching of Rhetoric and Composition Series. Cresskill, NJ: Hampton Press, 2007.

Review of Sine Cera: A Diverse City Writing Series Anthology: Two Old Guys From Brooklyn by the Salt Lake City, SLCC Community Writing Centre.

Delgado pond in early spring Still littered with Katrina-downed tree limbs...

In recent decades, higher education has increasingly relied on contingent faculty to teach multiple sections of composition courses with low pay and few benefits. Administrators have argued that institutions need these faculty to protect tenure-track faculty in times of financial difficulty and to manage fluctuating enrollments. When Hurricane Katrina forced universities and community colleges to declare financial exigency or force majeur, contingent faculty were the first to be terminated. However, their dismissal did not protect tenured and tenure-track faculty. Moreover, without contingent faculty, the Xavier University English Department successfully managed to staff composition classes in the first semesters following Katrina, a period of uncertainty and fluctuating enrollments. This success shows that the employment of large numbers of part-time faculty cannot be rationalized. Furthermore, faculty should strive to integrate part-time colleagues into the academy, and administrators should follow the example of departments which have successfully converted part time positions into tenure-track appointments.

Two problems catapulted Wendy Rihner into service learning: Hurricane Katrina's destruction of Louisiana's coast and the lack of context plaguing so many college composition courses. Rihner undertook a service-learning project with an English  Composition II course in the spring of 2007 that radically changed her pedagogical philosophy. "Providing Context" discusses Rihner's desire to provide her students with a context for writing argumentative essays while raising awareness of the ecological disaster that is unique to Louisiana.

In this essay, I focus on the service in service learning. I consider what might happen if the term "service learning" was inverted--to learning service. I wonder if such an inversion can help instructors, students, and community partners critically evaluate the service they do. I describe "reading service as text" as a tool for learning service. To read service as text, learners question the goals, values, forms, and assumptions embedded ln distinctive forms of service. The guiding questions fer this essay are: (1) What does it mean to learn service, (2) how can service be read as text, and (3) how can best practices be reconsidered as standards for service?

Being situated on an international bordar allows higher-education institution to explore diverse cultural and linguistic venues for teaching and learning. Such is the case for workplace writing courses at the University of Texas at El Paso. Workplace writing, intercultural communication, service-learning, and bilingualism became the tools for exploring diversity, strengthening student identities, and bridging disciplinary, geographical. cultural, and linguistic borders. This article includes the voices of service-learning students, agency mentors, and faculty involved in an English-Spanish workplace writing course and shows how service-learning empowers students to explore and strengthen their diverse identities.

Review of Diversity and Citizenship Education: Global Perspectives, Edited by James A. Banks. San Francisco: Jossey-Bass, 2004

This essay examines the impact of difference in the service-learning classroom and offers an overview of three approaches to creating community while engaging students in dialogues on difference. The authors reflect on the local pedagogies they create in response to the anger, tensions, and challenges that arise In the classroom and at the service learning site. By composing this essay together, the authors hope to embody the collaborative nature of service learning courses.

This special issue opens a dialogue among scholars from across the disciplines who are grappling with the theoretical, ethical and practical issues inherent in negotiating difference when interacting with the "Other" in their work in community-based literacy programs. The contributors to this issue help shape a conversation long overdue in service-learning. Given its intentionally interdisciplinary scope and the refreshing range of theories, rhetorical styles, methods of analysis, settings and populations considered in its pages, this issue is, well, diverse.

This article describes how the technical and professional writing pro gram at Texas A&M University-Corpus Christi defines, identifies and values the diverse literacies that exist In our community. It demonstrates how our students use these literacies to build agency and enhance their identities as well as the identity of the community.

Meaningful change through service learning can only occur If service learning leaders build "embedded" relationships with community organizations. The paradox is that the mora engaged the relationship, the more intense the issues of race, class and power. Institutional racism tempts white activists to assume they know what Is best for a community. If they give in to this temptation they risk co-opting the community's agenda and diminishing the possibility for legitimate empowerment. Well-meaning service learning professionals must learn to navigate these risks by becoming allies rather than leaders in community organizations.

This article explains the procedure, content, and impact of a unique intergenerational exchange: the service-learning component of a capstone writing course focused on the complex genre of memoir. The investigation of memoir writing was conducted both theoretically and experientially as undergraduate writers worked in pairs to "ghost write" the memoirs of a fascinating group of senior citizens. This exploration of memoir—and of age as a frequently overlooked dimension of diversity—proved a powerful nexus for demonstrating the long-held belief that carefully-structured, community-based pedagogy significantly benefits its participants both affectively and academically.

This article examines a community-based writing assignment that invited first-year students to Intervene in controversies surrounding Chicago's Millennium Park. Despite the apparent diversity of student arguments, a single ideology permeated all student texts. Whether self identifying as liberal or conservative, students deployed almost identical rhetoric to assert that the park either embodied or failed to embody "democratic values." We learned that, however threatening it may be to our own Ideological Investments, we must push students to interrogate their foundational assumptions. Given currant orthodoxy about the morality of any action or idea labeled "democratic," it is important that teachers work to stimulate true diversity of opinion by challenging democracy" as a trump argument.