This study explores the bachelor’s thesis writing process from the perspective of emotions by using a holistic, narrative approach to individual development. Emotions are analysed in interconnection with implicit conceptions about academic writing and about oneself as a writer. The process of academic writing is described as a movement where balancing positive and negative emotions is one part of academic multiliteracy. The data of the study include visual, textual, and interview data from different phases of the bachelor’s thesis process. In the analysis, four types of narratives of thesis writing are created: growth, survival, project, and conflict narratives. The study offers a holistic perspective to academic writing and provides writing instructors and students with ways to identify emotions and implicit beliefs related to writing processes.

This article explores illuminative evaluation as a method to reflectively assess a pilot implementation of an intercultural-competence-focused first-year writing curriculum at a US large public university. The goal of this curriculum is to promote integration of diverse student populations on our university campus, while developing all students’ intercultural competence and writing skills. In this article, we present practitioner reflections on classroom experiences and collaborative design of our approach to data analysis. These reflections show how an illuminative, context-rich approach to an early phase of a writing pedagogy research project shapes a holistic curricular evaluation. Illuminative evaluation drew our attention to the interaction between teaching and curriculum evaluation as well as to how this approach promotes an invitational and exploratory approach to teacher research.

Medical students who are learning English as a foreign language (EFL) need to master the ability to write professional reports. Several studies have focused on professional writing in the context of English as a second language (ESL) with advanced learners, but lower-intermediate EFL learners have yet to be examined. This study aimed to implement an exemplar-based genre instruction programme to examine its effectiveness in terms of improving Saudi EFL learners’ ability to write patient reports. The study consisted of two phases: analysis of the moves/steps of patient reports and exemplar-based genre instruction. First, the moves/steps in 30 authentic patient reports were analysed to build the framework which was then compared to another framework based on the work of Bench et al. (2014). Second, an exemplar-based genre instruction programme was implemented over six weeks with 36 EFL Saudi medical learners, and the outcomes were evaluated. The findings revealed that increased genre awareness improved the quality of learners’ writing, particularly their grammar and vocabulary. Teachers of English for specific purposes (ESP) may need to focus on increasing learners’ awareness of the medical-report genre’s lexico-grammatical features in addition to its moves.

This paper presents, discusses, and evaluates research-based materials for English for Research Publication Purposes (ERPP) teaching, based on a study conducted with exiled academics supported by CARA (Council for At-Risk Academics) and their UK-based co-authors who provided textual interventions on their texts. Using data from interviews with exiled academics and their UK-based co-authors/mentors as well as their article drafts and textual interventions, we present teaching materials for ERPP workshops aimed at raising the participants’ awareness of issues that may arise in co-authorship involving asymmetrical power relations, such as those between exiled academics and their UK-based co-authors/mentors. The materials take the shape of data-based scenarios which ask workshop attendees to consider experiential co-authorship narratives involving (i) the issue of ‘parochialism’, i.e., failure to indicate the relevance of one’s research to a larger audience, (ii) issues with the type and amount of feedback regarding writer development and text production, (iii) blurred lines of co-authorship roles, and (iv) authority issues in interdisciplinary collaborative writing. Each scenario is followed by a research-informed discussion. We argue that scenario-based awareness-raising activities can sensitize all parties in asymmetrical co-authorship pairs/groups to common challenges that arise in such collaborations, help them navigate collaborative writing successfully, and encourage them to reflect on their own co-authorship practices. We conclude by discussing the merits of the scenario-based approach to developing materials for ERPP teaching.

In this article, we present a novel framework for identifying young students’ writing development in the first years of primary school (age 6–8 years). It was developed to analyse a large number of student texts (n = 803), all in the format of digitised books, as part of the large-scale Danish research project titled Teaching Platform for Developing and Automatically Tracking Early Stage Literacy Skills (ATEL, 2018–2023). In this project, based on a text-oriented model of writing, we aim to gain insights into less considered dimensions of emergent writing. Specifically, we consider how young students construct sentences and expand their meaning-making repertoires in this regard, as well as how they tie a whole text together and begin to express interpersonal meaning. In developing the framework, we took inspiration from both formal and functional linguistic approaches to young students’ writing development and constructed a comprehensive framework to examine the first steps into ways of communicating through writing in school. Furthermore, through a theory-and data-driven process, we developed the framework to suit emergent writing in the educational and language context in Denmark. In addition to presenting the framework in this article, we discuss its limitations and potentials for research and practice.

In this study, we investigated audience awareness characteristics in elementary school students’ texts. To achieve this goal, we used a cross-sectional study design and sampled texts from 90 students in grades 1–3 (N = 270). These texts formed a corpus that was qualitatively analyzed by the research team. We used descriptive statistics to identify audience awareness patterns. Based on previous research, we expected to find considerable variation within and between grades. Therefore, we posed the following two research questions: (1) What characterizes audience awareness within grades 1–3? and (2) How does audience awareness develop between grades 1–3? We found that students used various rhetorical moves oriented toward the audience, such as greetings and closings, meta-text, explanations, and justifications. The results indicated that the students exhibited several characteristics related to audience awareness in all three grades. However, the variation within the grades was significant, while the variation between the grades was less pronounced.

[Open Access CC BY-NC-ND]This article addresses the basis for the development of the screening tool Norwegian Early Writers Signal (NEWS). The aim of the study was to develop a tool for teachers in grades 1–3 to identify student texts in ‘the Warning Zone’, i.e., texts that signal insufficient overall text quality associated with students in need of extra instructional support. Text norms were elicited from a panel of 14 experts in a standardsetting seminar. The standard-setting procedure was a benchmarking-like approach in which panelists chose texts that according to their judgement were in the Warning Zone. Additionally, in an online questionnaire, data on experts’ expectation growth pattern for eight text quality aspects in grades 1–3 were collected. Furthermore, student texts in the Warning Zone were marked and then included in the screening tool to concretize the norms, showing that texts in this zone can take several shapes. The article discusses what steps can be taken to further validate and implement the NEWS tool.

This paper aims to validate scales for the early development of writing proficiency based on a framework used to linguistically describe multiple dimensions of writing development in 6–9 year-old Danish-speaking students and to lay the statistical foundation for empirically describing proficiency levels in emergent writers. The analysis is based on the Rasch model and was conducted on texts (n = 803) written by Year 0–2 students using the computer app WriteReader. The paper introduces both the model and the theory behind it, including the rationale for using this model, and it presents the main analytical steps taken and decisions made in the study, which is part of the large-scale Danish research project entitled Teaching Platform for Developing and Automatically Tracking Early Stage Literacy Skills (ATEL, 2018–2023). The results show that it is possible to identify detailed levels of early writing development in four dimensions: 1) text construction, 2) sentence construction, 3) verbals, and 4) modifiers.

Previous research has shown that teachers’ knowledge of a functional metalanguage plays a central role in supporting students’ writing development. However, only a few of these studies have focused on primary school teachers and their use of metalanguage in various text types. The aim of this study was to investigate how primary school teachers talk about young students’ (ages 7–9) narrative and informational texts before and after taking part in professional development workshops presenting different language resources and accompanying metalanguage. These resources represent a broader view of language than the more formal tradition offered to primary school teachers in Sweden. The results showed that after participating in the workshops, the teachers had broadened their repertoires concerning what aspects they talk about and how they talk about them; that is, their talks became more text-specific and extensive, and they used a formal metalanguage to a greater extent. These results are discussed in relation to the tradition of writing instruction used in primary grades in Sweden and the teachers’ pathways to broadening their repertoire of metalanguage. Also discussed is the potential a broader language view in early grades may have in supporting students’ writing development throughout their school years.

This study addresses the question of how different aspects of students’ writing achievement can be recognised and evaluated. We developed a linguistically based framework for criteria-based assessment, anchored in a functional view of language and language learning. The framework was used to determine what traits characterise texts at different Proficiency Groups based on comparative judgement and what traits characterise texts assessed differently. Altogether, 100 texts (written by students ages 6–9) representing four text genres were assessed and ranked using both comparative judgement (holistic assessment) and criteria-based analysis. The results indicate that texts generally are assessed as stronger (i.e., placed in a higher Proficiency Group) when comparative judgement is used than what the assessment of a specific language resource indicates. The results also indicate that assessment differences might be a result of different quality expectations for different genres. This points towards the need for genre- and subject-specific assessment criteria to scaffold students in their emergent disciplinary writing development.

Recent decades have seen a shift regarding ideas of and approaches to literacy. One example is that the individual-psychological perspective focusing primarily on specific writing skills that used to be predominant has been extended and complemented by functional, social semiotic, and sociocultural perspectives where the interaction between the individual's use of language resources and the social, cultural, and historical contexts is in focus (e.g., Furthermore, issues of writing instruction and research have, in recent years, received far more attention than before, which can be noted by the publication of handbooks of writing research (MacArthur et al., 2016), writing development (Beard et al., 2009), writing instruction (Graham et al., 2019), and reviews of writing research

Despite the growing prominence of writing in both educational contexts and society at large, research-based knowledge about the development of writing remains lacking, particularly regarding the developmental trajectories that students pass through as they encounter and grapple with the complex system of more formal writing during their primary years of school. This article presents a study that examined writing development in Danish primary grade students (ages 6 to 8) from a linguistic perspective to identify developmental patterns in students’ writing skills during these years. In the study, we applied a multidimensional analytical framework based on a text-oriented model of writing, for the coding of a large number of digitalised student texts (N=803). Subsequently, we analysed the coding results using statistical Rasch theory. Through this procedure, we were able to identify developmental patterns in the students’ writing in the form of different proficiency groups along four textual dimensions and to describe a number of linguistic levels for each dimension. Furthermore, the article discusses didactic potentials and limits from using proficiency groups when teaching writing in primary grades.

There is little research on teachers’ thoughts about giving feedback to young text writers. This study aims to contribute more knowledge about this by interviewing four primary school teachers about their thoughts about giving feedback on texts written by young writers. A second aim for this study is to contribute more knowledge about how writing medium might affect what potential teachers see for giving feedback on different aspects of a text. Finally, the study investigates which discourses of writing become visible when teachers talk about giving feedback on texts written by young writers. Findings indicate that overall teachers report that they give oral feedback to beginning writers, and they say it is important to have a positive focus. When teachers talk about what feedback they would have given examples of student texts, they have a tendency to focus on local aspects of the text. Interestingly, even in digital texts where some local aspects are occluded, there is a focus on local level. A review of the answers given by the teachers in this study indicates that most responses represent a skill discourse.

Scandinavian writing research forms a relatively new field, with an increased number of studies conducted in the last two decades. In this qualitative synthesis review of 87 peer reviewed journal articles from Denmark, Norway, and Sweden published between 2010 and 2020, the aim was to outline the landscape of current educational writing research from the region. The sample included research articles published in both Scandinavian and international journals. Our analysis focused on the articles’ research approaches and main themes regarding the object of investigation. The main themes identified were Writing Instruction, Writing Assessment, and Students’ Text. We found a predominance of studies conducted in the context of language arts/first language (L1) education, concerning either disciplinary or general aspects of writing. We also found a predominance of approaches based on either sociocultural or social semiotic theory. Furthermore, a majority of the reviewed studies were explorative and small-scale, and, for the Writing Assessment studies in particular, directed at the secondary stages of school. The results suggest a call for future studies focusing on writing interventions and studies deploying a wide range of methodological approaches, as well as studies based on inter-Scandinavian collaborations across Denmark, Norway, and Sweden.

Although infographics have been used for educational purposes, their specific use for teaching process-based writing in undergraduate writing courses is not documented in the literature. When integrating infographics into a process-based writing instructional approach, they may offer students multiple means of representation, engagement, and expression – universal design for learning principles. We examined one undergraduate writing course that integrated infographics into a process-based writing approach to understand student experiences and uses of this multimodal communication form. Results show that infographics have unique benefits and challenges to supporting student writing. Results also reveal that students used their infographics for revising, transferring, and rethinking the content of their subsequent, text-only research papers. This work has implications for college composition pedagogy.

Students face multiple challenges when transitioning from high school to college writing, with new content, audiences, genres, and task expectations. Psychometric researchers have shown that self-efficacy, competency, and affective factors can help or hinder students during this transition, but little previous research examines what students themselves say about their writing and writing experiences. This study analyses the content of 248 essays from first-year composition writers who discussed their writing identities, processes, products, and journeys. Our findings show differences between writers who view themselves positively and negatively. Instructors can use this information to design meaningful prompts, utilize process writing activities, and engage students in meaningful reflection.

Culture in second language (L2) writing has been researched extensively, though mostly under the purview of contrastive rhetoric and focused on text and contrastive genre analysis (Connor, 1996, 2004, 2008; Kaplan, 2005). Research has also focused on problematizing culture in reference to L2 writing (Atkinson, 1999, 2003; Kubota, 1999). These foci indicate reader-instructor rather than student perspectives: how L2 writers themselves perceive cultural impacts on writing. This study undertakes to fill this gap, investigating L2 student perceptions of such impacts. Study participants (n = 36), students in an English for Academic Purposes (EAP) writing course at a Canadian university, took part in semistructured interviews and reflective writing. Data analysis identified six broad categories of cultural factors affecting student writing: (1) organizational structure as a fixed method; (2) supporting and writing arguments; (3) creating a stronger voice in writing; (4) adjusting to a new academic culture; (5) understanding clarity in academic writing in English; and (6) developing content: quality versus quantity. Findings underscore student perceptions of a monolithic, essentialist view of culture in academic writing. This is an important consideration when designing a student-centred L2 writing pedagogy that addresses student needs. Based on the findings, the article further explores implications for L2 writing instruction.

This study utilizes a systematic review approach to examine current research in content and language integrated learning (CLIL) and English-medium instruction (EMI). Studies were examined for their use of language-related and content-related writing measurement and outcomes. Findings on CLIL/EMI writing measurement shows that studies have utilized a variety of methods for measuring language, but measurement of the content dimension is limited. While some studies in the review combine multiple types of writing measures, CLIL writing research often does not simultaneously assess both the language and content dimensions of writing. For writing outcomes, the reviewed studies show CLIL/EMI generally equals or exceeds traditional language classrooms and that CLIL/EMI instruction leads toward growth in some but not all (i.e. accuracy), language-related metrics. However, regarding the content dimension, the findings are mixed and show CLIL/EMI writing generally does not communicate disciplinary content knowledge appropriately. It is recommended that future research gives more attention to measuring both the language and content dimensions of writing while also incorporating new methods for measuring discipline-specific content in writing. It is also recommended that instructors increase their language awareness and reconsider how disciplinary writing is taught in their CLIL/EMI classroom.

This pedagogical reflection describes the interactions within, and effectiveness of, an instructional approach for writing – the teaching/learning cycle (TLC). The instruction takes place in a northwestern, midsized city of Russia in a secondary school specializing in English with a 10th grade/form group who self-selected into a strand for the sciences (i.e., students take additional courses in the sciences versus the arts). The reflection combines Bronfenbrenner’s ecological systems theory and concept of molar activity with TLC to demonstrate how various systems influence the teacher and students in a secondary-schooling context. The TLC approach assisted the Russian-speaking students in the improvement of English persuasive writing. The molar, or propelling, interactions in the writing lessons demonstrate a fluidity of knowledge across the systems of the ecology. The study may be of use to teachers instructing writing in English and to comparative education scholars who focus on classroom interaction to inform their work on culture.

In response to increasing interest in Vygotskian sociocultural theory in second-language learning (Lantolf and Thorne, 2006; Swain, Kinnear, and Steinman, 2015) and the call for understanding language-learning processes in relation to contexts surrounding individuals (e.g., Polio and Williams, 2009; Ferris and Hedgcock, 2014), this study adopts a sociocultural approach – more specifically, an activity theory (Leont’ev, 1981) framework – to explore an undergraduate student’s approach to L2 writing in a preparatory writing course. Using a single case study design (Duff, 2014), I investigated how a student from China learned to write academic papers that met the academic norms in an English as a second language (ESL) writing class in an American university. Specifically, I analyzed how his writing activity aligned with his instructor’s proposed approach to a writing task. Through the analysis of course materials, the participant’s written work, observations, email communications, and interviews, I tracked how his agency (Bhowmik, 2016; Casanave, 2012; Lee, 2008; Saenkhum, 2016) as a writer developed over his first semester in the ESL program. Findings indicate that while the participant did not follow the operations assigned by the instructor, he acted strategically to accomplish selected parts of his writing assignments. His mediated actions were driven by his goals and motives that were understood from within his social and cultural environments, and interacted with each other in a dynamic and constructive manner. Overall, the study underscores the need for flexible approaches to writing instruction and the usefulness of employing activity theory as a framework in studying L2 writing processes.

The recent focus on threshold concepts in writing studies indicates the field’s growing commitment to engaging writing-based threshold concepts in the daily work of teaching and learning to facilitate writing transfer. However, although there is growing evidence of robust scholarly work in this area, research on the pedagogical importance of these concepts to the writing development and tutoring of L2 students is still in its nascent stages. To address this gap, this paper first presents findings from a research study that aims to understand how writing centre tutors addressed the needs of L2 students in tutoring sessions and the extent to which threshold-oriented language appeared in the content of the conference summaries. After discussing the findings, the paper proposes a threshold concept-based framework for tutoring L2 writers involving two established concepts: ‘writers’ histories, processes, and identities vary’ and ‘writing is informed by prior experiences.’ In addition, a new model of the conference summary as a reflective tool to promote writing transfer is presented along with a discussion of emergent writing centre-oriented concepts that reimagine the role of the tutor as an ‘expert-outsider’ and the L2 student as ‘informed novice.’

I set out in this article to address the question of whether it is possible to be creative and agentive when the written content involves information of a factual, statistical, or empirical nature. In examining the matter of creativity and agentivity in such writing, I seek to locate my understanding of both areas in the realm of the situated, subjective, and the reflexive, and the expression of creativity as an enactment and enablement of these three qualitative dimensions through(out) the fluidity and contingency of the composing process and experience. My discussion first provides an account of my own reflexive positioning as a writing teacher. This section is followed by a review of relevant literature in the area of academic literacies and the way knowledge and disciplinarity as they are captured and naturalized in written text may be challenged for their supposed representation of static and depersonalized views of meaning. Thereafter I consider PW308 – a course in scientific project report writing – and feedback from a group of third-year chemistry students with respect to the situatedness of their individual experiences as they went about composing their project report.

Providing comments on student writing is one of the most important, difficult, and time-consuming activities instructors undertake. Many studies have examined written feedback, and much research has shown the problems associated with this form, ranging from time spent providing thoughtful feedback to students’ confusion about the commentary. Some instructors have used audio commentary to address these issues. Audio commentary has been researched for years; the results have indicated that students prefer audio commentary, and it is perceived as more personal and positive by instructors and students. To date, little research has looked closely at audio commentary to understand if or how it might differ from written in form and function. This research uses as multicase approach and genre analysis to examine the organisational moves and discourse analysis uncover why audio commentary is perceived differently by both producers and consumers of this genre. Results show that audio commentary does not differ in form or function from its written counterpart, but metadiscursive features may play a role in how the genre is perceived by both instructors and students, providing real evidence of how audio commentary is different from written.

Research conceptualization is challenging for doctoral and master’s writers, particularly multilingual students engaging in thesis writing or writing for publication. In doctoral and master’s student writing, research conceptualization appears in three genres: problem statements, research proposals and introduction sections or chapters. Swale’s (1990; Feak and Swales, 2011) CARS model is most often used to analyze conceptualization in these genres. While very useful as an analytical tool, the CARS model does not translate well to pedagogy. I argue that Merriam’s (2009) problem/purpose statement and questions (PPS&Q) format provides a flexible and accessible technique to make the process of research conceptualization visible and to help students focus their research throughout the writing process. Navigating problem formulation and gap spotting requires highly complex literacies and Merriam’s method allows students to begin simply and build complexity. While genre visibility provides a way for doctoral and master’s students to access high-level literacies demands, it can also be formulaic and constraining and needs to be taught with critical awareness.

While social work educators have explored strategies to improve literacy development among their students, many educators continue to strive for a better integration of effective reading and writing skills. This article presents the findings of a survey that used qualitative research methods to assess the outcomes of a doctorate in social work program that employed a specialist in composition. Doctorate in social work students reported on the skill of ‘close reading’ as it related to their own writing, practice, university teaching, and field supervision. Data analysis reveals that these students had not previously learned the close reading skills necessary for strong writing skills. This article extends support for a full integration of close reading as a way to improve writing, clinical mental health practice, and critical thinking skills.

Drawing upon cognitive writing process theory and research, this study investigates the influence of language of writing, foreign language (FL) proficiency and gender on the revision processes of 77 undergraduate students studying at an English-medium college in Oman. Their first language (L1) was Arabic and their FL was English. The participants produced two argumentative authentic texts, one in L1 and one in FL. Their proficiency in English was assessed using the Oxford Placement Test (OPT). Participants’ revisions were recorded and analysed, according to the measures amount, location and type, via keystroke logging. The results showed that the vast majority of revisions in both languages were immediate, i.e. at the point of inscription, and focused on language rather than content. In addition, there was consistent evidence that participants made more revisions in the FL than they did in L1. For ‘total amount of revision’ and ‘immediate revisions’, there was a consistent interaction between gender and FL proficiency. The pattern of the interaction indicated two conflicting tendencies: (a) female participants appeared in general to be more motivated to make revisions in both languages than males, and (b) the less proficient they were in FL the more revisions they made. By contrast, the number of revisions made by the male participants did not depend on their FL proficiency. For ‘distant’, i.e. already written text, and ‘end’, i.e. after producing the first draft, revisions the amount of revision depended solely on the language of writing and gender. Furthermore, the results revealed that when writing in the FL, students with greater FL proficiency attended to content revision more than language revision. Findings are discussed in light of process-oriented writing research and implications for writing research and teaching are suggested.

This longitudinal study examines one central dimension of discursive essay writing, viz. text structure. It presents results from 40 upper secondary school students’ argumentative and expository texts, four essays in Swedish and four in English (N=320) written during the students’ three years upper-secondary schooling. In addition, three students’ writing progression in eight tasks is presented as cases. The study contributes to the knowledge about upper-secondary school students’ written discursive development in two languages, Swedish (L1) and English (L2). The research is informed by Systemic Functional Linguistics (SFL) and the texts were analyzed for logical structure, defined as the cultural norms for clear organization of texts in more academic or formal contexts. The analysis comprised three levels: (1) the global level (text structure in steps and general organization), (2) the paragraph level (paragraphing supporting the global structure), and (3) the linguistic level (language related discursive markers). Based on the analyses of different levels, an overall assessment of logical structure was made. The results show that the progression in terms of text structure largely failed to occur and neither the choice of language or different text types (argumentative and expository texts) shaped students’ ability to structure their text.

This action research study began with classroom observations of a learning cycle informed English as a Foreign Language writing class (referred to as the first learning context) for the purposes of creating a general how-to guide for implementing a learning cycle within a writing course. The guide was then implemented in a writing skills class in a different educational context (referred to as the second learning context). A learning cycle was introduced to help learners become more accustomed to peer-editing, giving peer feedback, performing self-assessments and being more critical of their own work. It was found that the learning cycle functioned very differently in the second learning context and not entirely as intended, despite modifications that were made to account for differences between the two learning contexts. Teacher reflections revealed that differences between the reasons for using a learning cycle, assumptions about the similarities between learning contexts (the two courses and their content), decisions regarding changes to the second contexts’ learning materials, differences in student population and other unforeseen differences affected how the learning cycle operated. Critical interactions with sample performance writing texts, the provision or collaborative development of assessment criteria and feedback prompts for peer-editing, materials which support reflection on each task and at the end of the course, and additional class time spent on reflective discussion are all identified as key components of a learning cycle when used in an EFL writing class. The reflections also revealed that learning cycles can have utility when applied to contexts vastly different to those from where they were developed. Recommendations and suggested supporting resources for teachers interested in implementing learning cycles within their own contexts are provided.

The purpose of this study was to explore writing in sixth-grade textbooks in Japan and the affordances of contemporary everyday texts to be used alongside textbooks as mentor texts for writing. Mentor texts are often used in writing instruction; however, their affordances have not been well-researched. Considering that Japanese teachers modify textbook lessons with other materials, we sought out everyday adult and children’s texts found in newsstands, bookstores, convenience stores, internet sources, and libraries that shared some features with textbook genres of writing. Textbook lessons and everyday texts were analyzed using concepts from social semiotics to discover their organization, producer, user, design, layout and multimodal elements. The affordances of textbook lessons and everyday texts functioning as material resources are developed in this paper through three focal genres, poetry, informative, and persuasive writing.

How might explicitly prompting graduate students to self-regulate intervene in their development of writing knowledge and practices across multiple semesters? This study takes a close look at how prompted self-reflection on writing intervenes in a graduate student’s development of self-regulation and genre knowledge as he transitions from MA to PhD program in rhetoric. We present the case of one graduate student, ‘Eric,’ who was explicitly taught conventions and strategies for writing and prompted to reflect on writing projects over several semesters using an in-process protocol. Aligning data from in-process protocols, interviews, and drafts of Eric’s writing, we construct a fine-grained narrative that shows a complex and recursive relationship among Eric’s development of knowledge about academic genres, self regulation practices, and sense of scholarly identity. This narrative raises questions about how genre knowledge and self-regulation inform each other in graduate-level writing, and it offers an example of a self-regulation intervention that may help graduate students develop specialized ways of writing.

This paper shows the development of an innovative teaching project conducted with students of two different degrees: Hispanic studies and modern languages and translation, at the University of Alcalá. This interdisciplinary experience sought to connect students taking their initial steps into poetry writing with translators approaching poetic translation for the first time. With this in mind, the creation of a bilingual collection of poems was proposed. Firstly, students in Hispanic studies would create some poems that could be translated, or rather recreated by the translation students. The main objectives of this interdisciplinary project were to promote creative writing, encourage group work, and increase students’ motivation – as well as to reinforce both the use of English as a foreign language and the practice of literary translation by crafting and subsequently translating original texts created by the students themselves. Moreover, the project is also beneficial for the enrichment and refinement of the education process in general and of poetry translation teaching practices in particular.

The writing that older adults, retirees, and the elderly – what might be referred to as the aging stage of life (Conrad, 1992) – remains under-examined in writing studies. This research project explores the literate practices of five retirees who write on a regular basis in order to understand how they organize themselves and their lives for writing across lifeworlds. A theoretical framework from a lifespan perspective (Bazerman et al., 2017) serves as the departure point for a grounded theory (Charmaz, 2006; Saldana, 2009) analysis of artifacts that emerged from a series of retrospective interview protocols. These protocols were based on previous work in sponsors of literacy (Brandt, 2001) and chronotopic lamination (Prior and Shipka, 2003). Analysis of these interviews and documents reveals a core category of stabilizing that retirees engage in. Writers stabilize their work in a given moment to continue making sense of a chain of literate acts, which enables them to carry forward complex literate lives. These findings suggest that retirees write their way into new contexts shaped by their pre-retirement histories. The manner in which these subjects went about this work suggests that context is an important and complicated concept when examined through a lifespan perspective.

This qualitative study examines academic support practices and students’ experiences and perspectives in a graduate nursing education program that has, for many years, emphasized research and writing by requiring aspiring nurse practitioners to pursue publication in peer-reviewed clinical research journals. In collaboration with faculty, practitioner researchers from the university’s postsecondary learning center developed and facilitated group workshops and provided students with individual consultations on research processes and manuscript development. The researchers wrote field notes and researcher memos, administered workshop evaluations, and interviewed seven participants to better understand students’ writer identities and whether writing for the discipline of nursing with the support of peers, faculty, and learning instructors led to any changes in both their individual and collective sense of disciplinary identity. More broadly, this study interrogated the role of a postsecondary learning center employing an academic literacies pedagogical approach (Lea and Street, 1998; Lillis and Scott, 2007) in working with faculty to support students’ writing for a specific discipline. Findings suggest that graduate nursing students felt anxiety and uncertainty about claiming disciplinary expertise and competence as writers. This affective experience made it difficult for students to align their understandings of nursing as a discipline, rooted in their field experiences as professionals, with a more academic conceptualization that they believed to be represented by the research and writing practices required for the assignment. By engaging with the learning center as a third space (Gutiérrez, 2008), the students explored these challenges and experimented with writing practices, directions for their research, and the conceptualization of their profession as they modified their understanding of what was possible for scholarly writing and research in nursing as a discipline and what they could contribute individually as emerging scholars. This study has implications for teaching academic writing practices in nursing contexts, as well as other academic disciplines and for forming generative collaborations between postsecondary learning centers and subject experts.

As we enter the era of bullshitology, methods of evaluating ‘authenticity’ become even more necessary. Celebrity writers of color, like all writers, have to present themselves as themselves in literary discourse. However, due to the discursive tendency to pigeonhole authors of color, such authors instead construct a public persona to negotiate the paradoxical position they inhabit within the discourse. Junot Diaz, author of Pulitzer Prize-winning The Brief Wondrous Life of Oscar Wao, presents himself differently across different communicative contexts, by indexing existing metapragmatic stereotypes regarding the ‘authentic’ author. The results emerge as demonstrating Diaz’s style-shifts that occur according to the size of the communicative contexts. The smaller the communicative platform, the more Diaz assuredly resists pigeonholing. Similarly, the larger the platform, the more Diaz capitulates towards pre-determined discursive labels. Such an outcome underlines the challenge contemporary authors face in order to remain viable and exert influence over prevailing cultural conversations.

Using a multidisciplinary approach to social justice teaching, this article explores the often invisible impact of double consciousness on adult English language learners in the United States and provides examples of classroom practice that invite students to reflect on its effects. The experience of double consciousness is examined as it relates to English language learner identities. A Critical Language Awareness (CLA) framework and identity-conscious teaching practices are explored to encourage student participation and reflection. This approach, demonstrated through examples used in writing classes, encourages the exploration of identity in the face of oppression by interrogating social constructions and fiction and nonfiction stories containing connected themes. Three classroom lessons and consequent writing are analyzed with a critical discourse lens to examine student responses and reflections on language and identity. Student writing demonstrates that encouraging English language classes to interrogate the language of institutionalized inequity and identity formation can illuminate potential influences of double consciousness, which can empower students to think critically about their identities and choose whether to take steps to mediate the ways in which they could be affected by double consciousness.

The term resistance has been an evolving concept in literacy and composition studies. While much has been studied in terms of student resistance in high schools, first-year composition classrooms, and in university writing centers, little is known about how resistance occurs in afterschool tutoring programs between volunteer writing tutors and their tutees. Using an ethnographic case study approach, this paper examines how three adult volunteer writing tutors made sense of resistance in working with their adolescent tutees in an urban tutoring program. The findings showed that tutor attitudes, values, and reactions shaped their experience of resistance in a variety of ways including a) misreading tutee signals of engagement; b) masking expectations of cultural and linguistic compliance within a discourse of resistance; and c) embracing resistance as a bridge to tutor growth. The author uses these findings to inform current conceptions of student resistance and compliance and to provide implication for volunteer tutor training.

Stray dogs: Interviews with working-class writers edited by Daniel M. Mendoza. (Down & Out Books: Lutz, Fl., 2016), 147 pages. $6.99 (eBook)

Two and a half million adolescent girls have experienced some form of sexual violence in India; significantly, they make up a quarter of all rape cases, despite being a small percentage of the population (Raj and McDougal, 2014). Parents and girls’ fears about safety contributes to their high dropout rates within Indian education, but thus far there has been little research on this topic. Focusing on underprivileged adolescent girls at an afterschool site in Mumbai, India, this qualitative study investigates how within this landscape of sexual violence, writing serves as a medium to name, resist, and transform it. Specifically, we scrutinize the articulation of resistance which attempts to contest social norms, cultural conventions, and other forms of everyday hegemony. We examine data extracts from essays written by three adolescent girls participating in the afterschool program as part of a pilot study that took place in December 2016. The analysis of these extracts illuminates how the girls, through their writing, articulate their vulnerabilities about their own and others’ personal safety. Furthermore, it reveals how it is connected to their ability to access education. Moreover, it highlights the ways in which the girls resist parental and other socio-cultural pressures. Finally, the analysis sheds light on the complex and powerful ways in which the girls assert their independence, demand autonomy over their lives, and exercise agency. Ultimately, this investigation offers a path forward for Indian educators to reimagine girls’ education in light of girls’ safety issues, using writing as a space to articulate a literacy of resistance and hope.

This paper aims to investigate the effectiveness of Halliday’s Sydney School genrebased approach in teaching Chinese written composition to South Asian ethnic minority students in Hong Kong. Chinese language, with its heightened status in Hong Kong, holds a key for South Asians with low socio-economic status to obtain upward mobility (Shum, Gao, Tsung, and Ki, 2011). However, South Asian ethnic minority students, as a disadvantaged group of second language learners, lack sufficient parental and institutional support in Chinese language learning. The genrebased pedagogy derived from Halliday’s Systemic Functional Linguistics (SFL) was applied in this study to improve Chinese language performance of South Asian ethnic minority students for a better chance to participate in mainstream society. The SFL approach is primarily concerned with language choice in social situations and has been widely applied in sociolinguistics (Hyland, 2007, 2012). Its latest model in language teaching methodology, the ’Reading to Learn, Learning to Write’ (R2L) pedagogy, is a genre-based teaching strategy which is designed to guide students to experience different levels of language through extensive classroom reading and writing activities with selected texts. The current study is intended to extend the approach to teaching and learning Chinese as a second language. The employment of genre-based pedagogy aims to support South Asian students with their learning of Chinese written composition in the senior secondary curriculum. The Chinese teachers involved were first provided with appropriate training in the genre-based approach to language teaching focusing on the genres of Narration and Explanation. Research data were collected while the teachers began to use theand Explanation. Research data were collected while the teachers began to use the and Explanation. Research data were collected while the teachers began to use the genre-based teaching approach, by means of pre- and post-tests after and before genre instruction. Text analysis based on SFL was then employed to analyze the students’ written composition in both pre- and post-tests in order to understand the effectiveness of the genre-based pedagogy in teaching Chinese as a second language. The finding shows that the students at the high, medium, and low levels improved both in the construction of schematic structure and the variation of lexicogrammatical choices from the whole-text, sentence and word levels respectively in their writing performance. Hopefully, the findings will help curriculum development and teacher education for teaching Chinese as a second language to non-Chinese speaking students in Hong Kong and beyond.

In this paper, we investigated a model of academic development based upon a recurring residential academic writing retreat combining individual writing times, workshops, work-in-progress groups and one-on-one consultations with shared meals and informal gatherings in a natural environment. Using a case study research approach, we analysed data accumulated from seven annual residential writing retreats for education scholars. Participants included 39 academics, administrative staff, senior doctoral students and community partners from multiple institutions. We found evidence that the retreats enhanced participants’ knowledge of writing and publishing processes, advanced their academic careers, built scholarly capacity at their institutions and strengthened writing pedagogy. The data indicated that the presence of writing and writers at the residential academic writing retreats generated presents (i.e., gifts) for the participants. The presence of writing time, writing goals and writing activities in the company of other writers were key to the retreat pedagogy. Participants appreciated gifts of time and physical space and described giving and receiving peer feedback and emotional support as forms of gift exchange within the community. The resulting writing strategies, competencies and identities provided the gift of sustainability. The analysis confirmed that this ongoing, immersive, cross-institutional, cross-rank, institutionally funded model of academic development was effective and responsive to the needs of individual scholars.

The current study examined the relationships among self-regulated learning, metacognitive awareness, and EFL learners’ performance in argumentative writing. We collected data through two questionnaires (i.e., Motivated Strategies for Learning Questionnaire (MSLQ); Metacognitive Awareness Inventory (MAI)), and an argumentative writing task administered to 250 Iranian graduate students of TEFL in 11 universities across Iran. Using LISREL version 8.8, we ran structural equation modeling (SEM) to analyze the hypothesized relationships. The results revealed that although the SEM enjoyed a good fit on the hypothesized relationships among selfregulated learning, metacognitive awareness, and argumentative writing, the significant influence of metacognitive awareness and self-regulated learning on students’ argumentative writing performance could not be postulated. Finally, the pedagogical implications for writing instruction and research are discussed.

Writing about environmental and sustainability issues has grown in popularity, especially in lower-division writing courses. Yet, for teachers and writing program administrators, what are the benefits and drawbacks in asking students to interact with place-based discourses? How does implementing an ecocomposition curriculum and sustainability topics in first-year composition affect students’ writing outcomes? This article discusses a two-year, case study at a comprehensive research university of an experimental course-design model involving 1,421 students and 63 teachers. Students engaged with the university’s sustainability theme in Composition I, as well as other courses. This article includes a description of Composition I’s framework and its assessment practices, and raters measure the writing outcomes for the class’s major essay, a literature review. Overall, teachers utilizing ecocomposition practices presented students with a cohesive, relevant curriculum and assisted them in developing and organizing the literature review; writing and thinking about diverse spaces related to their experiences, majors, and futures; and forging and documenting campus and local ties, including through community-based learning. The study’s results have implications for teaching ecocomposition and sustainability themes in first-year composition.

This article identifies how a cohort of preservice teachers educated during the No Child Left Behind Era thought about the teaching of writing when they entered a secondary English Language Arts (ELA) teacher preparation program. Most participants shared the beliefs that: (1) writing was primarily the demonstration of specific skills, often on a standardized test; (2) alternatives to the five-paragraph essay would be extra, with formulaic writing central to instruction; (3) teachers had little role in student writing development beyond assigning writing; (4) feedback on writing should be ‘objective’ and tied to a grade; and (5) the purpose of ELA is primarily to teach literature. Authors believe identifying preservice teachers’ beliefs about writing and the role of the writing teacher at the beginning of a program can help teacher educators design experiences to expand students’ notions of literacy and of writing instruction.

In response to current trends in Composition as well as the challenges of langauging and pedagogy in the global reality, this qualitative classroom-based action research study was designed to gain a better understanding of strategies, practices, and competences exhibited by students of various linguistic and cultural backgrounds when composing, reading, and responding to the narratives of their peers in a multi- lingual composition class. In a focused presentation of a single student case study, the manuscript conceptualizes ‘effective’ writing in global contexts, outlines successful strategies to gain the ‘buy-in’ from culturally and linguistically diverse audiences when composing transnationally and translingually. The study concludes by suggesting ways and strategies to transform ‘traditional’ peer response assignments to engage global rhetorics and transnational frameworks for the sake of all students and their success communicating across languages, rhetorics, borders, and modes.

Writing is a skill which is actively taught in both first (L1) and foreign language (FL) classrooms, yet surprisingly few cross-curricular links are made. This paper, aimed at both practitioners and researchers, presents a framework for designing and implementing a strategy-based, cross-curricular approach to writing pedagogy in schools. It first considers the factors which should be taken into account when designing such an intervention in both L1 and FL classrooms. It then outlines the key steps in the implementation of such a programme of strategy-based instruction. To exemplify this, the paper reports on data throughout from an empirical study involving a classroom intervention of explicit strategy-based instruction which was delivered first in the German FL classroom, and later also in the English classroom of a Year 9 (age 13–14) class in a secondary school in England. The aim was to help students to develop their writing strategies and to encourage transfer between languages. Findings suggest that while a programme of strategy-based instruction can improve strategy use and attainment in writing within a particular language context, effects are most powerful when there is collaboration between L1 and FL teachers. Evidence therefore calls for a multilingual approach to writing pedagogy.  <a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width:0" src="https://i.creativecommons.org/l/by/4.0/80x15.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.

The purpose of this paper is to contribute knowledge on children’s narrative writing from a pedagogical perspective. Through analyses of nine- to ten-year-old students’ narrative writing, aspects that are critical to discern in order to write narratives with a well-developed plot are formulated. The theoretical framework is narratology theories and Variation Theory. Narratology provides a conceptual framework for describing narrative writing, while Variation Theory offers a pedagogical perspective. A total of 80 narratives written by students have been analyzed, and five qualitatively different approaches to writing were seen. Narrative writing can be approached as describing events, solving a problem, creating action, making jokes and composing a narrative. A comparison between these approaches revealed five aspects that are critical for children to discern in order to develop the ability to write narratives: the discernment of a reader, the function of a narrative, the narrative structure, coherence, and duration. These aspects can be discerned in a more or less powerful way. The study contributes to the field by offering teachers guidance in what aspects are critical to address when teaching narrative writing in school.

Affect is an important predictor of writers’ performance. Though writing affect has been researched since the mid-1970s, few works have addressed the ways to motivate students to write and/or help them avoid demotivation. This paper suggests some guidelines that teachers can follow to help L2 students overcome negative writing affect. After briefly highlighting the aspects of negative writing affect and describing its causes, the paper provides five main guidelines for helping demotivated L2 students to write. These guidelines are: improving students’ linguistic knowledge, integrating technological tools in writing instruction, nurturing students’ positive beliefs about writing, optimizing teacher feedback, and orchestrating peer assessment activities. The first two pedagogical guidelines are concerned with fostering students’ positive writing affect indirectly through enabling them to overcome their composing problems and write in a supportive environment, whereas the last three focus on enhancing it directly by nurturing their positive beliefs about and attitudes towards writing. Each guideline is rationalized and described in detail.

Interactive Writing (IW) is a powerful support for language and literacy development; however, its emphasis on using oral language to construct written language can present challenges for deaf/Deaf and hard of hearing (d/Dhh) students due to their unique and diverse language experiences. Teachers (n = 14) using Strategic and Interactive Writing Instruction (SIWI) with grade 3–5 d/Dhh students in a variety of settings were observed using a space referred to as ‘the language zone’ to address the unique language and literacy needs of d/Dhh students.  The language zone is the designated space in a classroom where the creation, translation and revision of ideas is made visible.  Researchers developed a flowchart with three tiers to document the three purposes for which the teachers use the space.  Accompanying scenarios provide concrete examples of three distinct ways in which the language zone can be used.  Teachers can use this language zone flow chart as a tool to recognize, analyze and select instructional moves that have the potential to positively impact the language and literacy proficiencies of d/Dhh students.           Acknowledgments: The research reported here was supported by the Institute of Education Sciences, U.S. Department of Education, through Grant R324A120085 to the University of Tennessee. The opinions expressed are those of the authors and do not represent views of the Institute or the U.S. Department of Education.

At the comprehensive research university described in this study, some students taking a required, first-semester, composition course in the fall make great progress in their ability to draft and revise the curriculum’s major essays. Yet, they still fail the class. Many of these students are on their way to becoming practiced writers but require additional assistance to move beyond a definition of revision consisting solely of editing and proofreading strategies. To support such students, I created a voluntary, spring-semester, Composition I course foregrounding both lower- and higher-order revision practices in which students could continue to work on previous assignment drafts from fall. In a three-year, mixed methods, case study involving an experimental course-design model, students enrolling in a Composition I class focused on revision strategies demonstrated both positive revision-related drafting and course outcomes, according to findings. This article includes a description of the course’s framework and its assessment practices. The results of this study have implications for teaching revision in first-year composition.