The introduction and tracking of discourse referents is a central feature of discourse coherence, alongside considerations for temporal, spatial and causal features. However, while much attention is usually paid to the management of temporal, spatial and causal language in L2 writing course materials and curricula, it is apparent that the appropriate management of reference in L2 writing is often overlooked. Typically associated with the label of cohesion (Halliday & Hasan, 1976), current research from pragmatics (notably Ariel, 1991, 2008, 2010) suggests that writers and readers are sensitive to the accessibility of referents in extended discourse, which is dependent on a variety of cues including salience, parallelism, number and type of competing referents, etc. The writer’s choice of referring expressions (i.e. full NP, pronoun, zero) at any given time thus reflects their belief regarding a referent’s accessibility to their intended reader. In L1 discourse, accessibility-mediated marking of reference is considered a pragmatic universal, despite different L1s marking accessibility in different ways. Recent research into L2 discourse, particularly Asian L2 discourse (e.g. Kang, 2009; AUTHOR, 2014a; Ryan, accepted, in press) has suggested that the appropriate introduction and maintenance of reference by L2 learners is problematic - despite the universal distribution of form/function found in L1 discourse – with learners often under or over-explicit in their reference management, or frequently miscommunicating entirely. This has serious implications for the overall coherence of the L2 discourse produced. The proposed paper explores the root causes of the failure of Asian EFL students to manage reference coherently in L2 writing, then focuses on how such management can be improved pedagogically. The paper proposes additions to L2 writing materials and in-class activities that would help improve L2 reference maintenance, including picture sequence descriptions, silent film retellings and collaborative writing projects designed to maximise the potential tracking of reference over extended discourse sequences.

Given the growing number of international teaching assistants (ITAs) on US campuses, ITAs have become critical members of US academic communities. Research related to ITAs’ experiences in US classrooms reveals certain challenges that ITAs encounter as instructors in this new educational context. These challenges can be instructional, social, linguistic, or cultural in nature. In response to the need to provide incoming ITAs with both ongoing institutional and personal support, this pilot action research study investigates the impact of the use of reflective dialogic blogs on the ITAs in terms of their development of teaching expertise, cross-cultural awareness, and language skills at the completion of the ITA training course offered at a southwestern US university. The study involved a group of ITAs in online interactions via blogs with the ITA-training course instructor for the duration of one academic semester. Data collection focused on the content of the ITAs’ writing and their perceptions of the effectiveness of reflective dialogic blogs in regard to their development as instructors. The results suggest that more attempts to use tools such as reflective dialogic blogs should be made in the future. The article also suggests possible modifications for the use of reflective dialogic blogs with prospective students.

To investigate a diverse sample of adolescent writers’ experiences with disciplinary writing, this study compared 66 adolescents’ perceptions of writing through an analysis of interviews as part of a national study. Grounded in a social constructivist framework that stresses the role of agency in the development of writing competence, the study aims to examine factors – including language background and prior writing experiences – that are associated with adolescents’ perceptions of their writing development. The study asked: How do L1 and L2 adolescents’ perceptions of writing development compare? To what extent, if at all, is agency implicated in patterns of variation? Results of the comparative analysis suggest that varying affordances and constraints, and combinations of these, relate to adolescents’ expressed agency toward writing. Affordances include opportunities to select personally relevant subjects and to develop writing through feedback and revision processes; constraints include the use of highly structured writing scaffolds, formulas, and tightly constrained topics. Implications for differentiated scaffolding of writing instruction that might affectively and cognitively engage diverse adolescent learners are discussed.

This study reports on how agency, identity and ideology played out in an L2 writing classroom. It investigated 31 L2 writers’ agency, identity and ideology as they accomplished their writing assignments in a required first-year composition class at a large North American university. The data for the study were collected from four different sources: (a) interviews with each participant; (b) process logs kept by each participant for the entire duration of the assignment; (c) class materials; and (d) classroom observation notes. Findings suggest that L2 writers’ portrayal of selves is not static and that it evolves during the course of the writing assignment. L2 writers’ agency leads them to use various writing strategies; perceive different writing activities to be difficult or easy; and adopt various lived experiences in composing. Their identity and ideology, on the other hand, help writers align with the writing tasks; influence their task perceptions; and mediate writing choices that are both rewarding and self-incriminating. Various implications for pedagogy and research are discussed.

The Pecha Kucha talk is an effective way to encourage the composition process; to promote the use of effective visuals to explain and engage; and to distribute the expertise in the classroom away from the teacher as the central expert and to the students. In this paper, we describe and give an example of what is called a Pecha Kucha (Japanese for ‘chit chat’). When examined within the frameworks of theorists in the areas of composition, pedagogy, and literacy, this emerging presentation genre is promising for both composer and audience. With this in mind, we first discuss ways that the creator of the Pecha Kucha may benefit from the specific composition space. We then share how this composition exercise is an effective teaching tool. Next, we show ways that this presentation style maximizes learning with image and speech coordination and skills of analysis and synthesis. Then we introduce how Pecha Kuchas give students the opportunity to teach and to work with technological tools in authentic ways. Finally, implications for future practice in developing compositions using oral delivery with visuals are discussed.

A series of focus groups was conducted to obtain and compare attitudes held by undergraduate university students and educators about the nature of academic writing. Analysis of comments found misalignment of assumptions about the linguistic demands on students. Such misalignments were evident not only between groups but also within each population. A follow-up study involved two students recording impressions in journals about their own awareness of language use and demands, to trace any metalinguistic gains from participating in the focus groups. Data from this qualitative study are discussed in terms of the benefits of metalinguistic awareness and the need to uncover assumptions about what academic writing is in order to yield more informed teaching and deeper learning.

Research has explored how scholars use citations to write intertextually across disciplines but have rarely compared how students, especially undergraduates, appropriate source texts in their writing in arts versus sciences. This study explores textual appropriation and source use in disciplinary writing of second language undergraduates in a North American university. Two samples of undergraduate writing were analyzed. One is a biology paper written by Cary to summarize a scientific concept or statement, and the other is an essay in Film Studies written by Martin on a topic of his own choosing. Text-based interviews were conducted to solicit participants’ comments and explanations of how they used source texts in completing the two specific disciplinary writing tasks. Results suggest different citing behaviors between the two students in terms of the types of sources they used (textbooks, monographs, and non-reading sources), the format of textual borrowing (quoting versus paraphrasing), and reasons for citing and not citing (e.g., to use others’ words or ideas versus expressing one’s own ideas or knowledge). The paper ends with an example of an assignment designed to help students explore how to make citation decisions in disciplinary writing.

Academic literacy and student diversity: The case for inclusive practice Ursula Wingate (2015) ISBN-13: 978-1783093472. Pp. 208. Genre-based automated writing evaluation for L2 research writing: From design to evaluation and enhancement Elena Cotos (2014) ISBN-13: 978-1137333360. Pp. 302.

This paper introduces five linked resources and demonstrates, with a focus on Business, Economics and Engineering, their use in a novel genre-instantiation approach to teaching academic writing. The resources centre on the British Academic Written English (BAWE) corpus. They are: (1) published research literature that investigates the student assignment genres and registers; (2) descriptions of the contents of the corpus; (3) the BAWE corpus itself, which can be freely searched by teachers and learners; (4) online teaching materials based on the above; and (5) lesson plans from EAP teachers who use these materials in their teaching of presessional and in-sessional academic English. The genre instantiation approach to teaching academic writing builds on two central principles: the identification of key genres for target discipline-levels, and the exemplification of these through instances of successful student writing. This enables teachers to develop programmes that raise genre awareness, where learners can engage with instances from across specific topics, courses, levels and disciplines. The genre-instantiation approach is illustrated here with specific reference to Business Case Studies, Economics Essays and Engineering Methodology Recounts.

Writing in a second language, especially using new technologies, is fraught with difficulties for most students. There are two main challenges, firstly, how can students move from their understanding of the mechanical aspects of texts (good sentence structure and appropriate lexis) to deal with issues of how to construct texts that go beyond the basics, for instance drawing upon multiple modes of expression, and secondly, how can students use their knowledge about new technologies to help them create texts? This paper examines the collaborative processes English for Science students go through when constructing a scientific text for a popular audience, here, a digital video scientific documentary. Undergraduate students had to work in groups to write the text for a digital story based on an experiment they had undertaken. As part of the process these students had to prepare a script which was then recorded, either speaking directly to the camera, or as a voice over onto the video to complement their video images. Based on examples from the students’ generated data: Facebook, WhatsApp posts and scripts, we see that the end product was rich and informative. It is maintained that a collaborative approach using new technologies to writing such popular scientific texts engages the students with their work and that, when given the opportunity, they learn from each other as much as from their teacher.

In Australian universities, doctoral research results in the production of a thesis of between 80,000–100,000 words produced by the student under the guidance of a supervisor. There is no compulsory coursework component. Recent years have seen an increase in the range of activities provided at research-intensive universities to support doctoral writing. These activities are often aimed at both native and non-native speakers of English and range from compulsory or optional courses to workshops, writing groups and boot-camps. This article discusses the approach taken to supporting doctoral writing via an analysis of the support provided through the Learning Centre at UNSW Australia. The article discusses the rationale for the approach taken, describes the programmes on offer and considers the challenges facing a small centrally-located unit that provides writing support at a large Australian university.

John Flowerdew introduces the special issue of Writing and Pedagogy on ESAP Writing.

Writing retreats are an invaluable way of providing research students and early career researchers with opportunities for extended periods of time for their writing (MacLeod et al., 2012; Murray, 2013, 2014, 2015; Murray and Newtown, 2009; Murray et al., 2012; Petrova and Coughlin, 2012). This is important both for students who are under pressure for timely completion of their degrees and academic staff in the early stages of their careers who, once they have obtained an academic appointment, need to establish themselves in their fields as well as meet tenure track requirements that have been set by their employing institutions. This is as true for native speaking writers as it is for non-native speaking writers (Habibie, 2015), all of whom have to be able to write academically in English, the international language of research, and often face challenges in doing this. This paper discusses both the nature and benefits of writing retreats. It then provides an example of a writing retreat that focuses on writing for publication that has been on offer for the past four years at the University of Sydney, Australia. It describes how the retreat has evolved, how it is organized in its present form, and how participants have responded to the retreat. The paper concludes by arguing that writing retreats are a valuable opportunity for writing pedagogy, showing how both pedagogy and opportunities for extended writing can be brought together within the context of these retreats.

Writing Statements of Purpose (SoP) is a challenging task for students applying for English-speaking graduate schools, as they need to demonstrate their competence as junior members of the research community and satisfy the requirements of admission officers. Previous studies have focused primarily on the SoPs written by US applicants or the perspectives of admission officers. This study investigates how Chinese students wrote and revised their SoPs for US Ph.D. programs through an action research project which offered feedback on their earlier drafts. Through participatory genre analysis of a small corpus of both earlier and final versions of SoPs by 20 Chinese applicants admitted to US graduate schools, it is found that, after revising their SoPs, the applicants tended to enact their researcher identities by removing certain moves and steps that were less relevant to the rhetorical purposes and adopting the moves and steps usually found in research articles. A framework for writing SoPs based on the results of a genre analysis of a small corpus of the successful SoPs is developed to help future applicants and their language teachers.

Heidi Byrnes, & Rosa M. Manchón (eds.) (2014) Amsterdam/Philadelphia: John Benjamins Publishing. Pp. 299.

Producing publishable quality research articles is a difficult task for novice scholarly writers. Particularly challenging is writing the Discussion/Conclusion section, which requires taking evaluative and interpretive stances on obtained results and substantiating claims regarding the worth of the scholarly contribution of the article to scientific knowledge. Conforming to the expectations of the target disciplinary community adds another dimension to the challenge. Corpus-based genre analysis can foster postgraduate writing instruction by providing insightful descriptions of rhetorical patterns and variation in disciplinary discourse. This paper introduces a pedagogically-oriented cross-disciplinary model of moves and steps devised through top-down corpus analysis. The model was applied to pedagogical materials and tasks designed to enhance genre and corpus-based teaching of Discussion/ Conclusions with an explicit focus on rhetorical conventions.

This article outlines a student-centered, ‘hands-on’ approach to the teaching of writing at university level through first discovering and then creating the features of written texts in three dimensions: microtextual (lexico-grammar), macrotextual (rhetoric), and extratextual (context). The ‘3-D’ approach has been designed for novice writers, offering a practical, step-by-step procedure to prepare them to write in specific disciplines and for specific purposes. Though usable with other audiences, the sample material included here is especially appropriate for second-language writers and will be of particular interest to students of science. While the approach is consistent with Systemic-Functional and ESP orientations to text, as contrasted with most ESP pedagogy – especially that geared to students in sciences – the 3-D approach gives particular attention to affect, writer–reader interaction, and shared context. The approach, which starts from analysis of texts and then moves to writing of texts, is first described and then illustrated using several short popular science texts about insects and birds. These texts exemplify lexico-grammatical and rhetorical features of scientific texts while also illustrating other purposes which a writer may seek to fulfill as well as the underlying assumptions and author biases that might exist even in texts which appear to be purely descriptive or ‘objective’. The texts and analyses provided are intended for classroom use to train students in the approach, supplemented by a step by step guide for students to follow. Through the activities provided for the sample texts, students develop awareness of the properties of texts and how these can be discovered through analysis and then written into their own texts.

This introductory review article for this special issue sets out a range of issues in play as far as English for Academic Purposes (EAP) writing is concerned, but with a special emphasis on English for Specific Academic Purposes (ESAP) (as opposed to English for General Academic Purposes (EGAP)). Following the introduction, the article begins by outlining the different types of EAP and presenting the pros and cons of ESAP and EGAP for writing. It then goes on to review work in a range of areas of relevance to ESAP writing. These areas are register and discourse analysis; genre analysis; corpus analysis; ethnography; contrastive rhetoric; classroom methodology; critical approaches; and assessment. The article concludes by arguing that whichever model of writing is chosen (EGAP or ESAP), or if a hybrid model is the choice, if at all possible, students need to be exposed to the understandings, language and communicative activities of their target disciplines, with students themselves also contributing to this enterprise.

New standards for writing provide the opportunity to rethink definitions of what writing is in schools. While traditional assessment methods align with many of the new standards and offer an important tool for gauging the success of some elements of writing, they often neglect other elements. In traditional assessment, the elements that are quantifiable become those that are valued. Teachers can promote consideration of other elements, those intangibles that change a text from an assignment to be completed into a powerful communicative act, by intervening in the prewriting or planning stage of the writing process. This article discusses one possible form of intervention in which the teacher has a conversation with a student that centers on the student’s investment of interest in her/his topic and helps the student plan a paper that will make a unique contribution and not just fulfill a task. By using a prewriting rubric to focus the conversation, the teacher is able to track student progress in understanding and enacting this important component of writing.

This paper, building on results from a large online embedded language and literacy development project, introduces the notions of ‘cohesion’ and ‘coherence’ in feedback and outlines steps that instructors can take to provide such feedback in their own contexts. Cohesion in feedback can be defined in terms of its goals, audience, and organisation; and coherence in terms of how instances of feedback work together to scaffold a student into developing a deeper understanding of issues in their writing. The paper argues that feedback which is cohesive and coherent is not a collection of reactions to student’s errors/mistakes, but it is a thoughtfully and carefully drafted text which responds to a student’s writing based on an assessment of their needs. The paper includes an evaluation of how students respond to such feedback by sharing examples of students’ drafts, the feedback they received, and their responses to the feedback. This paper helps us in understanding the nature of feedback as well as understanding how to apply it with the goal of making our students stronger, more independent, and self-regulating writers.

This article aims to engage specialists in writing pedagogy, assessment, genre study, and educational technologies in a constructive dialog and joint exploration of automated writing analysis as a potent instantiation of computer-enhanced assessment for learning. It recounts the values of writing pedagogy and, from this perspective, examines legitimate concerns with automated writing analysis. Emphasis is placed on the need to substantiate the construct-driven debate with systematic empirical evidence that would corroborate or refute interpretations, uses, and consequences of automated scoring and feedback tools intended for specific contexts. Such evidence can be obtained by adopting a validity argument framework. To demonstrate an application of this framework, the article presents a novel genre-based approach to automated analysis configured to support research writing and provides examples of validity evidence for using it with novice scholarly writers.

Reviews of: Very like a whale: The assessment of writing programs Edward M. White, Norbert Elliot, and Irvin Peckham (2015) ISBN-13: 978-0-87421-985-2. Pp. 202. Assessing and improving student writing in college Barbara E. Walvoord (2014) ISBN-13: 978-1-118-55736-5. Pp. xiii + 119.

Drawing on Shaw and Weir’s theoretical framework for validating writing tests (2007), this paper highlights the issues of the writing constructs measured in English writing tests in university entrance exams, and recommends improvements. The paper analysed the writing response formats of 66 English tests used by Japanese universities and one English test of National Centre Exams (NCE) for 2013 entry. It was found that translation was the most commonly used skill in the writing tests, and accounts for 45% of the total. The most common writing response format used by the state universities was translation, whereas word-reordering was commonly in use at the private universities and NCE. Because word-reordering and translation tasks can assess very limited English grammatical and lexical discrete writing skills, there is no conclusive proof that the task can assess writing skills needed by the applicants to write cohesive texts in English. However, there are potential reasons why indirect writing assessments have remained a key method for Japanese university admission in the system of designing the English tests: the number of applicants and time constraints. Taking these factors into account, alternative English tests should be introduced to Japanese university entrance examinations.

Peer assessment (PA), a process by which students' work (oral or written) is assessed by other students of equal status, has received a lot of attention recently (Assessment Reform Group, 1999, 2002). Using data collected from secondary schools in Cyprus, the current study investigates whether PA can improve the writing skills of adolescent students of English as a foreign language (EFL). The results showed that PA did have a positive impact on students’ writing performance, especially for students who provided peer assessment. The article discusses the important role of PA in the development of students’ writing skills and offers recommendations for the implementation of PA in EFL contexts.

Supported by artificial intelligence (AI), the most advanced Automatic Writing Evaluation (AWE) systems have gained increasing attention for their ability to provide immediate scoring and formative feedback, yet teachers have been hesitant to implement them into their classes because correlations between the grades they assign and the AWE scores have generally been low. This begs the question of where improvements in evaluation may need to be made, and what approaches are available to carry out this improvement. This mixed-method study involved 59 cause and effect essays collected from English language learners enrolled in six different sections of a college level academic writing course and utilized theory proposed by Slater and Mohan (2010) regarding the developmental path of cause. The study compared the results of raters who used this developmental path with the accuracy of AWE scores produced by Criterion, an AWE tool developed by Educational Testing Service (ETS), and the grades reported by teachers. Findings suggested that if Criterion is to be used successfully in the classroom, writing teachers need to take a meaning-based approach to their assessment, which would allow them and their students to understand more fully how language constructs cause and effect. Using the developmental path of cause as an analytical framework for assessment may then help teachers assign grades that are more in sync with AWE scores, which in turn can help students gain more trust in the scores they receive from both their teachers and Criterion.

Although many second language writing classes use a process approach, anecdotal evidence suggests that assessment of writing in such classes often still focuses on the written product alone. This assessment practice continues despite specialists having recommended that both process and product be assessed. This study compares second-year university students in Japan who were assessed on feedback processes and product with others assessed on product alone in terms of perceptions of the feedback received. Perceptions were determined through a post-treatment questionnaire. Neither the assessment of the use of teacher feedback in revisions nor the assessment of the quality and quantity of peer feedback was found to have a clear benefit in terms of students’ perceptions of the feedback received. This finding suggests the need for further research to confirm whether the assessment of both process and product is worth the considerable time investment required.

Guest editorial

Information management of discourse – the ability of a writer to use linguistic forms to organize and present information in a written text – is a key component of second language (L2) ability models in the language assessment literature (e.g., Canale & Swain, 1980; Weigle, 2002), but Purpura’s (2004) language ability model developed specifically for assessment purposes is the only one that considers it to be part of the ability to use grammar accurately and meaningfully when producing a text in an L2. The current study investigated whether L2 academic writing teachers consider information management of discourse as an assessment criterion when assessing grammar in L2 academic texts. Fourteen students in an academic English as a second language writing course at an English-medium university in Canada and their teacher participated in this case study. Students’ essay exam scripts were collected, and the Theme-Rheme progression (TRP) patterns and links (Daneš, 1974) as well as the distribution of new and given information (Halliday & Matthiessen, 2004) in these essays were analyzed. Pearson correlation coefficients between the teacher-assigned grammar grade and the results from the TRP and information distribution analyses were calculated. The findings indicate that information management of discourse indeed forms part of the assessment criteria for grammar in academic writing for the teacher in this study. The implications of this finding for L2 writing pedagogy are discussed.

This quasi-experimental study examined the efficacy of the three types of written corrective feedback (WCF), namely, direct, indirect and coded WCF, and the no-correction approach. A diary study on student responses to WCF was also conducted. The one-semester investigation involved 68 Thai students in an undergraduate English course. Results showed that the three WCF types had significantly better revision effects than the no-correction approach, but only the coded WCF produced significant delayed effect. However, analyses of diary entries suggested no general accuracy improvement in any group. Diary study results indicated that, although all groups reported awareness of similar actions, and positive attitudes towards WCF, the coded WCF group seemed more aware of the WCF than the other groups. Findings suggest that focused coded WCF helps in learning English as an L2, although its role in L2 acquisition remains to be seen.

Screencasting is a technology that enables the user to record screen activity on video while also capturing audio or video narration of the lecturer demonstrating that screen activity. This technology has improved over the years, and has now become streamlined enough to be integrated easily in popular learning platforms like Blackboard, Desire2Learn, and Moodle. The technology’s high usability factor and the varieties of screencasting software now available as open source makes screencasting appealing to writing instructors, not only as a means to improve teaching, but also as a tool for students to create and engage with multimedia texts that facilitate the acquisition of contemporary literacy skills. In the United States, the National Council of Teachers of English proposes that 21st century definitions of literacy must, among other things, include the ability of writers and readers to analyze, create, and interact with multimedia texts and to gain proficiency with the use of modern technologies. I argue that screencasting is a practical and creative technology that can be used for a variety of purposes: to address 21st century literacy requirements in writing classes, to improve teaching effectiveness in both online and “flipped classroom” learning, and to enhance the instructor’s social presence in online learning environments. I give examples from my own teaching experience using Camtasia and ScreenFlow software, as well as review some popular applications of screencasting technology currently in use in academic environments.

This article is based on the idea that there is latent storytelling already in proposals. It explores the various ways in which storytelling functions as a pedagogical model of teaching the writing of proposals in business and technical writing courses. The central premise is that stories, like proposals, are forms of discourse that place events sequentially from beginning to end with meaningful and graspable connections in between. Stories take (identified) audiences into account by being selective of events that are carefully rearranged and described through composites of scenarios and characters. This article explores those storytelling patterns in theory and in practice. It aims to enhance the perspective of teaching proposal writing by calling attention to a seemingly inconsequential or unrelated notion – storytelling.

Students’ limited information literacy skills raise concerns among writing instructors and librarians alike. In order to improve students’ information literacy skills, a librarian and writing instructors at a two-year open-access college collaborated to design information literacy instruction and collected student work to evaluate its effectiveness with regard to students’ ability to find and evaluate sources. Our experience from our collaborative approach indicates that by using specifically designed instructional activities such as concept maps and research logs, students’ ability to think critically about their information literacy skills can be improved.

This article outlines strategies that have been put in place in a nursing degree program with the aim of increasing student confidence regarding academic writing in the field of nursing. It introduces an embedded co-teaching approach and outlines how this approach is enacted in practice. Strategies are introduced, including class sessions, a three part multi-stage assignment, and the feedback systems being used. Issues identified in the literature with regard to academic writing in undergraduate study are discussed, and a case is put forward for the continued use of embedded discipline-specific classes for nursing and other students in higher education.

This essay is concerned with contemporary writing center and composition studies and focuses on including fiction in both the theory and practice of writing centers and classrooms. Stemming from contemporary theorists such as Andrea Lunsford and Min-zhan Lu, my work incorporates Sapphire’s (1996) novel, Push, so as to highlight the unique perspectives fiction can give as to how we approach teaching and tutoring students. Offering fiction as impacting both theory and practice – in its potential inclusion within tutor-training syllabi, for instance – I assert that fiction is an untapped resource for writing center and pedagogical studies that is often overlooked or cast aside. By also observing race and education theorists such as Laura Greenfield, Karen Rowan, and Victor Villanueva, my analysis of Sapphire’s work makes evident the potential for fiction to more thoroughly inform our approaches towards past, present, and future writing center and pedagogical studies.

In coining new terms or proposing a new concept, it is important to survey the new territory to make sure that the land has not been previously inhabited by other peoples. (In fact, much of what passes as new ideas about language in U.S. college composition have already been discussed in applied linguistics.) (Matsuda, 2013: 135) As noted by Paul Matsuda in Chapter 12 of this volume ("It's the Wild West Out There: A New Linguistic Frontier in U.S. College Composition"), compositionists need to ensure that intellectual accountability is observed in a new composition era. Echoing a similar sentiment, Lewis, Jones, and Baker (2012: 649) point out that "a plethora of similar terms (e.g., metrolingualism, polylanguaging, languaging, heteroglossia, codemeshing, translingual practice, flexible bilingualism, multilanguaging and hybrid language practices) makes [the] extension of translanguaging appear in need of focused explication and more precise definition" (emphasis added). While these new terms warrant explication, a point to which I will return later, the above observations also underscore how writing and literacy stand to benefit from developments in applied linguistics.

Genre analysis has become an important tool for teaching writing across the disciplines to non-native English-speaking (EL2) and native English-speaking (EL1) graduate students alike. Since the pressing needs of EL2 graduate students have meant that educators often teach them in separate classes, and since genre-based research into teaching higher-level writing has been largely generated in fields such as English for Academic Purposes, we have an insufficient understanding of whether this instructional mode plays out similarly in EL1 and EL2 classrooms. Launching a genre-based course on writing research articles in parallel sections for EL1 and EL2 graduate students provided an opportunity to address this knowledge shortfall. This article qualitatively examines the different classroom behaviors observed in each version of the course when a common curriculum was used and specifically explores three key themes: initial receptivity, nature of student engagement, and overall assessment. Our study shows that although EL2 and EL1 learners have similar needs, the obstacles to their benefitting from genre-based instruction are different; EL2 students must learn to identify themselves as needing writing support that transcends linguistic matters, while EL1 students must learn to identify themselves as needing writing support despite their linguistic competence. Providing the same mode of instruction can benefit both populations as long as educators are sensitive to the specific challenges each population presents in the classroom. The insights gained contribute to the scholarship on genre-based teaching and offer ways of better meeting the needs of EL1 and EL2 students alike.

Writing scholars often note the heterogeneity of the second language (L2) student population in higher education writing courses, but only recently have researchers begun to carefully examine differences in the writing ability of international L2 learners and U.S. resident L2 learners. Most of the empirical research to date focuses on the two groups’ grammatical accuracy to the exclusion of other dimensions of writing ability. Such a limited focus not only underrepresents the multifaceted construct of writing ability, but also overlooks potential areas where noticeable differences across the two groups’ writing ability might surface. Although arguably less salient than grammatical (in)accuracy, and not as prevalent in scoring rubrics, students’ use of sociopragmatic features in writing offers an alternative approach for comparing the two groups of learners beyond their use of grammatical forms. Thus, the current study describes and compares how international and U.S. resident L2 learners used certain sociopragmatic markers in their writing. By focusing on the meanings associated with these markers, the study suggests that students’ use of such markers reflects their sociopragmatic awareness. Findings indicate that the two groups of writers may be more similar than different, contrary to previous research.

This study examined the impact of using a multiliteracies pedagogy and the social networking site (SNS), Ning, to help 6th grade English language learners (ELLs) develop their writer identities, with the purpose of increasing the students’ confidence, sense of self, and language and literacy skills. To this end, we were interested in whether and how the development of a writer identity and an increase in social presence on the Ning would translate into face-to-face connections in the physical classroom and an induction into the academic learning community – a space in which the students may have previously felt intimidated. In doing this, we employed a qualitative case study analysis to investigate the experiences of two ELLs at an elementary school in Toronto, Canada. Our study found that incorporating multimodal tools and an SNS allowed the students to more freely express themselves; to share their work and their personalities with peers, which made the writing assignments more meaningful and engaging; and provided a platform for students to negotiate their values and beliefs. Ultimately, the increased interactions with peers online and the development of this new English-language literate identity translated into the development of students’ individual voices, a sense of ownership of English, and an increased social presence in the classroom.

This article presents research findings from a professional development project initiated by one rural Illinois primary school to improve writing instruction in 2nd and 3rd grade classrooms. During the 2010–11 academic year, the school partnered with a private university to provide customized, year-long professional development that integrated preparation for the state writing assessment and a writing process approach. Simultaneously, a study was conducted to identify and describe teacher thinking and practices related to writing instruction during participation in the project. Data were collected through a pre/post teacher survey and written teacher reflections. Participating teachers indicated 15 improvements in their thinking and practices related to writing instruction. However, confidence in their students’ likelihood to perform well on the state writing assessment decreased during the project, and changes in thinking and practices varied from teacher to teacher, possibly due to varying levels of teacher readiness to change.

Book review.

Students currently attending colleges and universities in the United States were in elementary school when writing workshop was first introduced as a teaching method. In this article an undergraduate honors student and a literacy teacher educator critically reflect on the student’s 2nd grade experiences with writing workshop and identify the features of this teaching method that led to her development of a writer’s identity. Through autobiography and retrospective analysis of primary data, they argue that tone, the basic elements of writing workshop of time, choice, and process; a literature-rich environment; and a community focus contributed to the development of a writerly identity.

The importance of digital literacy becomes increasingly apparent as we move farther into the 21st century. As the digital world becomes an increasing part of our everyday lives and an important aspect of many professions, the need to instruct students on how to publish their thoughts digitally is ever more apparent. As technological proficiency becomes increasingly expected in many employment settings, it is vital that students are able to make their thoughts clear electronically. Blogging in a safe environment is one way that educators may blend young students’ writing skill, their awareness of the purposes for writing, and digital-age technology. This article describes the work of one primary grade teacher at an urban high-needs school’s use of blogging in conjunction with writing workshop. Use of blogging to publish students’ writing increased students’ writing engagement, improved their knowledge of how to navigate and use computers, and increased their understanding of the potential benefits and dangers of writing digitally.

PhotoVoice is a community and participatory action research method based in grassroots empowerment education, critical feminist theory, and documentary photography which enables people with little money, power, or status to communicate needed changes to policymakers. Prior to this in-school research project, studies of PhotoVoice in the United States focused on adolescents in out-of-school educational settings (Chio and Fandt, 2007; Strack, Magill, and McDonagh, 2004; Wilson et al., 2007; Zenkov and Harmon, 2009; The Viewfinder Project, 2010). In this study, teacher participants found that English language learners and resistant writers were motivated to identify the impact of personal and political realities in their lives in order to question existing structures and to imagine alternative futures. The use of PhotoVoice in K–12 classrooms offers an accessible, motivating, and technologically rich entry point and an authentic forum for emerging young writers to share their photos, their writing, and their stories with others to create powerful visual representations to transform existing conditions in their communities.

Common Core Standards involve an increased emphasis on non-fiction reading and writing. Across grade bands, students are expected to read and compose a variety of non-fiction texts as well as develop age appropriate research skills. With this in mind, the author worked with a 1st grade teacher to use Jerry Pallotta’s Who Would Win? series in a class non-fiction writing project that was standards-based. The class consisted of a wide range of ability levels, so the author and teacher frequently used cooperative learning strategies throughout the entire process. Using the series as a model, the students were guided through the writing process, from pre-writing to publishing, with the culminating activity being a meeting with Pallotta where students presented him with their class authored Who Would Win? book. As a result of the writing unit, students were able to experience non-fiction texts on a variety of levels and craft a quality piece of literature that was authentic, relevant, and personal.

Reading response holds a prominent place in the English language arts curriculum. Despite its importance, few studies have explored students’ performance on the task from a linguistic perspective. This article examines a random sample of reading responses generated by students enrolled in a middle school online language arts course using a genre-specific tool that addresses content, logic, stance, and engagement. Results from the linguistic analysis show that the adolescents’ responses typically focused on personal feelings, story retelling, and character analysis, with little evidence of thematic interpretation. This finding is discussed in light of the current literature on response writing and language arts pedagogy.