Virtual reality (VR) has emerged as a promising technology for training oral communication skills (OCS), resulting in a rapidly growing body of research. We conducted a systematic review of 57 studies (2013–2025) mapping OCS types, communication contexts, and key variables, and introduce a conceptual model to guide future research and practice. Findings reveal that current VR-based OCS training captures only a small part of oral communication. Expanding the Cognitive Affective Model of Immersive Learning (CAMIL), we highlight the need for stronger theoretical and pedagogical foundations by exploring cognitive-affective mediators (e.g., cognitive load) and learner-related moderators (e.g., learning styles).

Presents reviews for the following list of books, Information Experience: The Strategy and Tactics of Design Thinking.

Presents reviews for the following list of books, Clarity by Design: Comprehensive Checklists in Medical Communication.

Presents reviews for the following list of books, Proofreading and Editing in Student and Research Publication Contexts: International Perspectives.

Presents reviews for the following list of books, Bringers of Order: Wearable Technologies and the Manufacturing of Everyday Life.

Presents reviews for the following list of books, Integrating Human and Artificial Intelligence: Software in the Age of AI.

Typically, one might expect a review to highlight similarities, but here, I choose to place these books side by side for their contrasting perspectives.Before delving into the essence of the comparisons, it is important to recall the mission of the AK Peters Visualization Series.This series aims to capture what visualization is today in all its variety and diversity, giving voice to researchers, practitioners, designers, and enthusiasts.It encompasses books from all subfields of visualization, including visual analytics, information visualization, scientific visualization, data journalism, infographics, and their connection to adjacent areas such as text analysis, digital humanities, data art, or augmented and virtual reality ("AK Peters Visualization Series," n.d.).Both authors are practitioners who bring their expertise in communicating through visualized information and data.Jen Christiansen, who graduated in geology and art, is a senior graphics editor at Scientific American, while Nancy Organ, formally trained in statistics, has experience as a data visualization designer and educator.Each utilizes her unique skills for effective communication.Traditionally, rhetoric is understood as "a discipline concerned with the effective use of language, to persuade, give pleasure, and so on" (Matthews 2007).While this definition seems self-evident, it is essential to note that contemporary rhetoric encompasses all modes of communication.Interestingly, practitioners, educators, and researchers frequently refer to "the language [bold -EM] of data visualization," exploring its grammar, vocabulary, and stylistics (DataVis Lisboa 2020; "Visual Vocabulary," n.d.; Ben-Joseph 2016; Kandogan and Lee 2016).This context invites a closer examination of three key aspects: first, how various authors describe persuasive communication through information and data visualization, or as some call it, data storytelling; second, how to expand our rhetorical framework to include data, numbers, and statistics; and third, a deeper exploration of the audiences-crucial for rhetoricians-of data and information visualizations.As Burns et al. (2020) state.When designers create visualizations for communication, they make choices about encoding and design that they think will accurately and persuasively communicate their interpretation of the data.The ultimate interpretation of a visualization depends on both the designer and the reader. InventioBoth books target distinct audiences, as indicated by their titles.Building Science Graphics serves as both a textbook and a practical reference for anyone looking to convey scientific information through illustrations for articles, poster presentations, and beyond ("AK Peters Visualization Series," n.d.).In contrast, Data Visualization for People of All Ages is more approachable, specifically aimed

[Introduction] Edited by Linda S. Svitak and Christin Jaye Eaton, with Lee Svitak Dean, and published by the University of Minnesota Press, Kitchens of Hope: Immigrants Share Stories of Resilience and Recipes from Home (2025) fits neatly into the popular genre network of cookbooks that blend essay with recipe, mixing memoir with meals perfected over generations. But this book doesn't simply share the legacy of Liberian rice bread or summer beat soup. It explores the migration of these dishes and their cooks, contextualizing stories of displacement and development. Because of the breadth of this book, Mikhail Bakhtin might describe this collection as a chronotope of sorts, a configuration of time and space that "takes on flesh, becomes artistically visible" (qtd. in Bemong & Borghart, 2010, p. 4). Through Omedi Ochieng's lens of chronotopian humanitarianism, this book is a rhetorical tool for feminist scholarship seeking to counter a Eurocentric understanding of how and why people and stories move around and through the world.

This review analyzes 59 studies from 2014 to 2024 examining design thinking integration in professional communication pedagogy across eight disciplinary journals. Design thinking has evolved from experimental use to systematic pedagogical approaches, with assignment-level integration proving most viable for educators. Empathy interviews and user research bridge design thinking principles with communication pedagogy’s audience awareness focus. Students show enhanced empathy, improved collaboration, and increased creative confidence with high motivation levels. Implementation challenges include time constraints, student resistance to ambiguity, and assessment difficulties. The study recommends scaffolded introduction, integration with existing content, and institutional support for desirable implementation in business and professional communication pedagogy.

For those like me who were eagerly awaiting the publication of the second edition of Document Design: From Process to Product in Professional Communication , you will not be disappointed! The new edition exceeds my expectations for updated content and examples—while staying true to the original focus on design theory and principles in practice. It balances foundational aspects of visual rhetoric and usability, while providing new insights on digital technologies and production.

As noted in my previous editorial, this semester I've been adjusting to my new role as CDQ 's Editor-in-Chief. It has been rewarding working with Associate Editor Casey McArdle on our first issue together. In keeping with CDQ 's roots, Casey has been spearheading a comprehensive review of our in-house and public-facing documentation and streamlining our production processes. He also helped to shoulder the load associated with copyediting and producing the articles for this exciting issue. Later in this editorial, you'll hear more from Casey about generative artificial intelligence (GenAI), pedagogical trust, bridges between academia and industry, and accessibility as a core design competency. Meanwhile, I've been settling into my new role as Associate Professor and Chair of Professional and Public Writing at the University of Rhode Island, reconnecting with old friends, and making trips to the shore where I've observed firsthand how the coastline has changed. On clear days, it is now possible to identify windmills on the horizon offshore.

At a moment when questions of equity and access are reshaping higher education and professional practice, technical and professional communication (TPC) is undergoing a "social justice turn" that centers ethics, equity, and care within its research and design practices. Designing for Social Justice: Community-Engaged Approaches in Technical and Professional Communication (edited by Jialei Jiang and Jason C. K. Tham, 2025) situates itself squarely within this movement, framing justice not as an optional theme but as a guiding principle for communication design. Jiang and Tham note that this collection "explore[s] the intersection of multimodal design and community engagement for social justice" (p. 3), and they introduce design advocacy to capture this orientation.

In Feminist Technical Communication , Erin Clark both articulates and demonstrates an apparent feminist lens on the idea of slow crisis. She does this through a case study of the Deepwater Horizon Disaster (DHD), the 2008 oil spill into the Gulf of Mexico in which the lack of clear answers on health impacts demonstrates a critical need for transparency. By tracing DHD through a feminist lens and under the realm of crisis management, Clark raises important questions about what we mean when we talk about efficiency, how we define crisis, and how critical these questions are to the reconsideration of technical communication as neutral or objective. Her primary argument focuses on her theoretical contribution of apparent feminism that works to acknowledge and bring to light the need for explicitly feminist practices. Through Feminist Technical Communication , Clark provides scholars, practitioners, and community members with a new approach to crisis and risk communication.

By Ruby Mendoza and Erin Green. In 2025, during a political climate where civil liberties and freedoms are under attack, a monumental book was published titled The Origins of Critical Race Theory: The People and Ideas that Created a Movement. Authors Aja Y. Martinez and Robert O. Smith released this brilliantly composed book during a kairotic moment where critical race theory (CRT) is under attack across the nation in mainstream media, presidential debates, and even school board meetings. Given the attacks on and speculation about CRT’s place in society, it is evident that many are unfamiliar with the creation of CRT. In response to this moment, The Origins of Critical Race Theory serves as a text that counters dominant discourse and humanizes the movement of CRT. This historical non-fiction book serves as a critical reminder of how CRT has been centered around amplifying, supporting, and uplifting communities that are often systematically marginalized by dominant colonial ideologies and policies. Our book review conveys not only the monumental importance of creating accessible knowledge to the general public about CRT, but also emphasizes how this book can also support composition studies.

By Molly Ryan. Mentorship in the field of writing studies is broadly understood to be an essential facet of disciplinary matriculation, but its features are sometimes slippery to define. Indeed, mentorship is difficult to concisely describe and more challenging still to enact in practice. When it does take root, however, both mentor and mentee are aware of the power and benefits of this sometimes-elusive dynamic. In my own experiences both in my MA and PhD programs, my exceptional mentors entered my life through what sometimes felt like serendipitous chance, as in, I was (luckily) in the right place at the right time to meet them. I know too well how lucky I am to have them as my guides, colleagues, and sometimes even friends, but even as a grateful recipient of the best-case scenario for mentorship, so to speak, I find myself continuing to reflect on how we as a field might better scaffold the dynamic of mentor/mentee.

By Taylor J. Wyatt. Any discussion about multimodal composition inevitably invites the question: “What counts as writing?” This question of what “counts” often reveals an underlying assumption that multimodality lacks adequate academic rigor. “What counts as writing” leads to further considerations, such as identifying pedagogical strategies to help students expand their knowledge in new writing contexts and genres. In their 2016 edited collection, Chris M. Anson and Jessie L. Moore define transfer “as the ability to repurpose or transform prior knowledge for a new context” (370). As they offer their definition of transfer, Anson and Moore note the complexity of the term and write, “for many scholars transfer functions as an umbrella term, encompassing an array of theories about the phenomenon” (370). Kara Poe Alexander, Matthew Davis, Lilian W. Mina, and Ryan P. Shepherd’s edited collection Multimodal Composing and Writing Transfer considers writing transfer and what counts as writing within a multimodal context.

By Meghan Hancock. I came to Threshold Conscripts: Rhetoric and Composition Teaching Assistantships—as I think many of us would—with vivid memories of my first semester teaching first-year writing. I felt some panic and anxiety, of course, at the very idea of a teaching role, but I was also struggling to reconcile the conflicting roles I carried. As Laura R. Micciche puts it in the Foreword to this collection, I was “not-quite teacher and not-quite student,” but was, nevertheless, asked to take on the important role of introducing students to college-level writing (xii). The anxieties and learning moments brought about by these intersecting identities make graduate student instructors of composition a rich and vital population to study, and yet as this collection consistently argues, the field of Writing Studies needs more scholarship examining their experiences. It is this gap that Threshold Conscripts, edited by William Macauley, Jr., Leslie R. Anglesey, Brady Edwards, Kathryn M. Lambrecht, and Phillip K. Lovas, addresses in its collective works that closely analyze the lived experiences of graduate RCTAs (rhetoric and composition teaching assistants) as they attempt to balance their multiple roles as teachers and students.

Gitte Frandsen Kiernan, Julia, Alanna Frost, and Suzanne Blum Malley. Translingual Pedagogical Perspectives: Engaging Domestic and International Students in the Composition Classroom. Utah State University Press, 2021. My first encounter with the concept of translingualism was in a graduate seminar where Bruce Horner, Min-Zhan Lu, Jacqueline Jones Royster, and John Trimbur’s Language Difference in Writing: […]

This paper analyzes interviews with residents of the Spanish enclave of Melilla in the North of Africa to examine common assumptions about the border in their speech. Following Wendy Brown (2010), its main aim is to challenge the assumption that the border fence is a symbol of state sovereignty. To do so, it draws on Balibar’s (2002) tripartite conceptualization of the border: overdetermination, polysemy, and heterogeneity. The conclusion reached is that la valla (the fence) in Melilla, rather than reflecting state power, security, or sovereignty, actually signals the decline of sovereignty and the state’s inability to address the complexities of the globalized world. The border not only fails to protect but also causes isolation, economic and social suffocation, and disrupts everyday ties with those on the other side. This conclusion is supported by a review of the evolution of Melilla’s fence, the rhetoric of protection used by the nation-state, and an analysis of the metaphors and analogies employed by the interviewees. The paradox of a border that does not protect is reflected in memories of a time when crossing was less restricted. These stories question the supposed threat from the other side and the claimed safety of this one. Finally, the idea that Melilla’s future lies in a stronger relationship with Spain and Europe is rejected for the vicious cycle it produces.

This is a book review of Change and Stability in Thesis and Dissertation Writing: The Evolution of an Academic Genre by Paltridge and Starfield (2024).