Abstract
This webtext curates three artistic transpositions of Odissi, an eastern Indian classical dance form, from live movement to digital embodiment. The authors investigate three representations of recorded movement data and explore these variations' affordances and constraints as online avatars for the embodied Odissi dancer, framed by the dancer's reflections on her experience as both dancer and digital composer.
- Journal
- Kairos: A Journal of Rhetoric, Technology, and Pedagogy
- Published
- 2021-01
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