Abstract
Although long considered an unrhetorical philosopher, Spinoza takes pains to appear to be in agreement with his intended audience. Recent scholarship draws attention to this strategy of linguistic accommodation. The Roman comic playwright Terence, whom Spinoza frequently paraphrases, inspires his rhetorical strategy. This essay argues that Spinoza models his accommodating style upon that of Micio, an indulgent pedagogue from Terence's comedy Adelphoe, in order to avoid attracting admiration and envy. The principles of Spinoza's Micionic writing, and his reasons for using this rhetorical strategy, offer specific contours to the emerging scholarly appreciation of a highly rhetorical philosopher.
- Journal
- Rhetorica
- Published
- 2023-01-01
- DOI
- 10.1353/rht.2023.0002
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