Mikhail Bakhtin: Rhetoric, Poetics, Dialogics, Rhetorically by Don Bialostosky

Frank Farmer

doi:10.1353/rht.2018.0006

Rhetorica Apr 2018

Mikhail Bakhtin: Rhetoric, Poetics, Dialogics, Rhetorically by Don Bialostosky

Frank Farmer

Abstract

434 RHETORICA The conclusion of this work is quite substantive. Zali takes up the question of Herodotus' authority as an author as it has been positioned and debated by scholars. He brings in the question of the extent to which Bakhtin's theory of dialogism can inform our understanding of Herotodus and the openness or closedness of the work for the reader. Zali presents and supports the view that Herodotus constructed an open text for readers through the strategic inclusion of Greek and Persian voices in multiple forms. That is, the Histories persistently calls the reader into conversation with historical figures and events. In addition, Zali places his study of the Histories in the context of the recent scholarly trend of interpreting the text metahistorically. Zali sees his treatment of Herodotus as consistent with this interpretive trend and even pushing that trend further in terms of its eluci dation of Herodotus' "stance towards current oratorical practices, for his method of writing history, and for how readers are supposed to approach his work" (312). While this is already a lengthy study, the effort would have been stronger had the author better and more fully situated the main study within contemporary and historical studies of Herodotus. More specifi cally, given that the author's main claim concerns the significance of Herodotus' Histories in the development of rhetoric in the 5th Century, this work needed to situate the reader within the extensive scholarship of this development which has been generated over the last several decades in the fields of Rhetoric, English, Philosophy, and Communication Studies. Nevertheless, I enjoyed this meticulous and well-presented study of Hero dotus and the argument made concerning its role in the development of rhetoric, and I highly recommend it to others. David M. Timmerman Carthage College Bialostosky, Don. Mikhail Bakhtin: Rhetoric, Poetics, Dialogics, Rheto rically. Anderson, SC: Parlor Press, LLC, 2016. 191 pp. ISBN 9781602357259 In the centerpiece essay to the collection entitled Speech Genres & Other Late Essays, Mikhail Bakhtin takes upon himself the task of distinguishing between linguistics and metalinguistics. To illuminate this distinction, he argues that linguistics is best exemplified by the sentence, and that metalin guistics is best exemplified by the utterance. Bakhtin then proceeds to cata logue the differences between these two units of analysis, and it is clear that his interests lie with the latter. In charting out these differences, Bakhtin makes a claim that is particularly germane to the work reviewed here— namely, that while the sentence is endlessly repeatable (because as decontextualized linguistic matter," it neither answers nor addresses anyone), Reviews 435 the utterance, being thoroughly situated in dialogic contexts, can never be repeated. It is in this sense that Don Bialostosky's Mikhail Bakhtin: Rhetoric, Poet ics, Dialogics, Rhetoricalitp ought to be regarded—that is, as a gathering of utterances, published at various junctures over the course of a distinguished career by one of the pre-eminent Bakhtin scholars in literary and rhetorical studies. As utterances, these essays are addressed to varied and specific audiences, in diverse scholarly contexts, in response to what others have said and in anticipation of what still others may yet say. If Bakhtin is right, even though all of these utterances (save one) have been previously publis hed, each may be considered simultaneously old and new. It is not possible, then, to read or hear these essays in the same way they were received at the time of their original publication, but it is possible to hear them as newly uttered, as saying something different in the context in which they are now reread, or heard again. I want to complicate things a bit more. Instead of looking upon this collection as a gathering of juxtaposed utterances, what if it were to be regarded an utterance in its own right? In fact, the author anticipates this possibility, and indeed, desires that his collection be read this way. At the close of his introduction, Bialostosky says of his earlier essays that they "stand here as a whole utterance re-articulated by my arrangement and re-affirmation of them." It is up to readers, those co-constitutive "outsi ders," to bring to them what they will (15). As...

Journal: Rhetorica
Published: 2018-04-01
DOI: 10.1353/rht.2018.0006
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Open Access: Closed
Topics: modern rhetorical theory rhetorical criticism genre theory editorial matter
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Mikhail Bakhtin: Rhetoric, Poetics, Dialogics, Rhetorically by Don Bialostosky

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