Abstract

Centering the author’s experience of representing migrant deaths through non-discursive composing practices, this article forwards quilting as a feminist, qualitative research method. The author promotes quilting as method, grounded in arts based research and feminist rhetorical practices, a method that functions as a three-part scaffold in practice: employing critical imagination through tacking in and tacking out, crafting a narrative, and gaining a better understanding of the phenomenon at hand. This tactile method has the potential to expand conceptions of research, embrace the messiness of research, and deepen understandings of phenomena shallowly understood by other methods.