Abstract

Composition-rhetoric is experiencing a surge in research examining how the material is rhetorically consequential, sometimes termed new materialism. However, much of this research is future-oriented, leaving intact traditional disciplinary values. This article offers a hauntological re-reading of our disciplinary history from a materialist perspective wherein we are always-already material. By examining three canonical articles where the original research is haunted by the rhetoricity of matter, the field’s traditional history and, concomitantly, current-future identities are left radically open and unsettled. New adjacent possibilities are available for realization only if/when we render our past-present-future selves unfamiliar.