Fully Human, Fully Machine: Rhetorics of Digital Disembodiment in Programming

Rhetoric Review Apr 2020

Fully Human, Fully Machine: Rhetorics of Digital Disembodiment in Programming

Brandee Easter

Abstract

One way toward a more embodied digital rhetoric is through interrogating constructions of digital disembodiment. To make that case, this article examines one of the most famous esoteric or “weird” programming languages, which are not designed for any “real world” purpose, but as art, parody, or experiment. This language, named “brainfuck,” is notorious for its difficulty and uses challenges of mastery to assert a “true” (white, straight, masculine) programmer identity. As brainfuck reveals, a contemporary struggle to connect the effects of technologies with the people who create them can be sustained because their creators perform being machine-like themselves.

Journal: Rhetoric Review
Published: 2020-04-02
DOI: 10.1080/07350198.2020.1727096
Open Access: Closed
Topics: body and rhetoric

Citation Context

Cited by in this index (1)

Lindgren (2021)

Writing With Data: A Study of Coding on a Data-Journalism Team

Written Communication

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